‘Orbital’ – Max Luthert

MaxLuthert

AN INCANDESCENT elegance pervades this debut release from bassist Max Luthert – a sumptuous and mature sextet recording, richly coloured and layered by the creative possibilities this particular collaboration engenders.

Very much a respected player on the London jazz scene, Luthert is joined by Gareth Lockrane (flutes), Duncan Eagles (tenor sax), Séb Pipe (alto sax), Matt Robinson (piano) and Dave Hamblett (drums), who warmly bring to life these nine original compositions in which the leader has challenged himself to write for larger ensemble. The flute and dual sax combination achieves strikingly effective textures as mellifluent unison lines splay into opulent, three-way harmonic expressions, whilst also providing the freedom to extemporise individually – and, with an overarching sense of joie de vivre, this ‘little big band’ has much to say.

Title track Orbital perfectly illustrates the strengths of the collective with an ebullience which crackles to snappy, tricksy rhythms through which Duncan Eagles’ deeply-toned tenor both breezes and luxuriates. The mood swings in this are delicious, as is the crispness of the interaction, due in no small part to Dave Hamblett’s typically incisive though equally flamboyant drumming. Cloud on Cloud is characterised by flautist Gareth Lockrane’s mellow, slurred phrasing both floating above and melding with alto and tenor to create a luscious, dreamy ballad; and the subtly-infused Indian flavour of Assam‘s melodies and arrangements dissolve to afford space to Luthert’s distinctively-resonant bass soloing and the tabla-like hollowness of Hamblett’s carefully-weighted rhythms.

Grand Designs ripples to the complexity of shared and overlaid improvised woodwind phrases, Matt Robinson enhancing Luthert’s authoritative momentum with sparkling piano runs. In contrast, the most delightfully spacial Quiet December features the haunting tenor soloing of Eagles and the eloquent, gossamer fragility of Luthert’s imaginings (each attuned to the other, due to their close association in trio Partikel); and ascending tenor motifs bring an initial perky briskness to The Edgewall, its later, edgy sections finding Luthert’s mobile bass leaning more towards a Dave Holland sound world.

Full-bodied and swirling to a wonderfully tenacious bass and drums swing, Banrock Station is brightly illuminated by Lockrane’s high agility and Matt Robinson’s pianistic deftness; again, the close-knit ensemble work of Lockrane, Eagles and Séb Pipe shine out to provide that full, almost ’60s-style ambience – a definite stand-out. The broader landscape of Pacific Before Tiger features open, extensive soloing from Pipe, whilst the jaunty airiness of closing number Metro Moodie, with its tom-tempered percussion, includes Gareth Lockrane’s irresistible velvety-cum-gravelly bass flute register.

The majority of this session might well comfortably sit in the background at a dinner party, such is its unabashed equanimity – but, boy, how it lives and breathes when turned up loud and given the opportunity to fill a room! Released on 27 October 2014, information and audio samples can be found on the dedicated Orbital page of Whirlwind’s website.

 

Max Luthert double bass
Gareth Lockrane flutes
Duncan Eagles tenor saxophone
Séb Pipe alto saxophone
Matt Robinson piano
Dave Hamblett drums

2015 UK live dates:
18 January: Ashburton Jazz Club
19 January: North Devon Jazz Club, Appledore
21 January: Dempsey’s, Cardiff
22 January: SoundCellar, Poole
23 January: Sheffield Jazz Club

Album artwork by Alban Low

maxluthert.co.uk

Whirlwind Recordings – WR4659 (2014)

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