‘IT’S COMING ON Christmas’… so thoughts turn to seasonal musical fare to accompany the annual twelve-day celebration.
On a purely personal note, much of my Advent and Christmas listening is based on choral music and the 20th Century British classical tradition. But this series of albums, Christmas With My Friends, has caught my attention since its inception in 2006. Now on its fourth volume, respected Swedish trombonist and vocalist Nils Landgren once again gathers together colleagues from the ACT Music label to join him in this now-distinctive, collaborative selection of music for Christmastide which is both secular and spiritual, bridging genres (including traditional, folk, jazz, pop, choral, classical) with particular warmth, intimacy and harmony.
So, amongst the fifteen numbers: familiar English carol The First Noel, led by vocalist Ida Sand, is given an amiable jazz flavour with the soprano sax extemporisations of Jonas Knutsson; Duke Ellington’s Come Sunday makes it into the festive season with an upbeat, bluesy vocal against gently rhythmic guitar courtesy of Sharon Dyall and Johan Norberg, as Nils Landgren adds typically nimble trombone lines; and a jaunty Santa Claus Is Coming To Town jives to the winsome duet simplicity of the funkmeister’s trombone and Eva Kruse’s double bass. The original SATB precision of John Rutter’s Angels’ Carol is translated into a hearty popular ballad delivered by vocalists Jeanette Köhn and Ida Sand, complete with soft jazz sax break; and Johan Norberg’s evocatively chilly Icicles, played on kantele (similar to a dulcimer), is reminiscent of the ambiences of the Knutsson/Norberg album Skaren: Norrland III (ACT).
Renditions of popular tunes include What A Wonderful World and Wham’s Last Christmas, and enduring carols such as In The Bleak Midwinter (Holst/Rossetti) are bathed in a different, contemporary light. But, so often, it’s the revelatory interpretations of lesser-known treasures that magically become established in the holiday soundtrack – for example, Maria dutch ein Dornwald ging and Det grinner en stjärna for solo voice, embellished by the sensitivity of Landgren’s trombone and shimmering to watercolour kantele. Adolphe Adam’s O helga natt (O Holy Night) is enchanting in its measured delicacy, and the unassuming, closing interpretation of O du fröhliche glistens in vocal/instrumental new-age innocence.
On reflection, this may not be the strongest in the series, occasionally veering a touch close to ‘schmalz’ (though perhaps a vital ingredient for some). Nevertheless, it still makes a very welcome addition to Landgren’s delightful, continuing project – and volumes I-III are now wrapped up neatly in a limited edition 3-CD set (see below) or available singly. As December proceeds, all four are recommended to bring cheer – ‘singing songs of joy and peace’* – in alternative, heartwarming style.
Released on 3 November 2014, further information and audio clips are available at ACT Music.
Nils Landgren trombone, vocals
Sharon Dyall vocals, harmonica
Jonas Knutsson baritone and soprano saxophones
Jeanette Köhn vocals
Eva Kruse bass
Jessica Pilnäs vocals
Ida Sand piano, vocals, glockenspiel
Johan Norberg guitar, kantele
*Joni Mitchell’s River features on volume III
ACT Music – ACT 9568-2 (2014)