‘Robin Goodie’ – Zhenya Strigalev’s Smiling Organizm

Robin-Goodie

THERE’S FREQUENTLY a ‘loose cannon’ unpredictability and zanyism (or zhenyism?!) to the music of Russian-born saxophonist Zhenya Strigalev which is endearingly reminiscent of the great Roland Kirk – one only needs to take a look at the unfathomable naivety of his hand-scribbled sleeve art to this latest release, Robin Goodie, for an inkling. This is no stretch limousine of glossy, forgettable soft jazz, but rather an impassioned outpouring of the sax man’s quirky, raw, yet ultimately tuneful creations as composer and instrumentalist.

But don’t mistake any suggestion of apparently rough-hewn music for a lack of musicianship or inventiveness as, between them, he and his Smiling Organizm sextet serve up a programme of heady grooves, fervent ensemble playing and blistering improvisation. Joining Strigalev (on alto) is the illustrious team of Ambrose Akinmusire (trumpet), Taylor Eigsti (piano), Tim Lefebvre (electric bass), Larry Grenadier (double bass) and Eric Harland (drums). Strigalev says he is taken with the themes of “nature, humour, strong personalities, rebelliousness and stupidity” in the folklore tale of England’s heroic outlaw (Robin Hood and Boogie Woogie = Robin Goodie). Whatever his theory, these quoted characteristics certainly come to the fore in this second album, the leader’s desire for both acoustic and electric bass in this line-up producing a distinctly gritty edge to his eleven compositions.

The capriciousness of this musical romp contributes significantly to its enjoyment – so not too many spoilers here. But the powerful punkiness of opener Kuku reveals much about the character of this band, Lefebvre’s high bass delivering a funk drive, combined with Grenadier’s acoustic, over which hard, mainstream horns (sounding like four not two) give it everything they’ve got… until they step up higher to outrageously frenetic solos. Horizontal Appreciation‘s piano and electric bass groove coaxes some terrific chops, not least the flamboyance of drummer Harland; and the comedic Sharp Night (shades of Yakety Sax) rattles along at an astonishing pace, unison phrases, bass electronics and Strigalev’s superb squawkings doing nothing to dispel that Kirk notion – fabulous fun to listen to and, no doubt, to play.

It’s not all bustle and brashness, as Urgent Ballad (despite its oxymoronic title) provides the space for more reflective alto and double bass extemporisation; but you can’t keep these guys down for long, as the brilliant combination of complex, wacky grooves and high-flying straightahead jazz in closing Renduta takes off – and with so much going on here, it’s a shame for it to finally peter out (perhaps not so soon in a live setting).

So, if Zhenya at some point steps up to the mic. with a strangely familiar one-man, dual/contrapuntal saxophone display, I’ll realise the Rahsaan reincarnation is absolute! But seriously, it’s great to known that this same spirit of adventure, mischievousness and hard-pushing resourcefulness – to deliver sit-up-and-listen contemporary jazz – is alive and well. Crank it up…

Released on 2 February 2015, Robin Goodie is available from Whirlwind.

 

Zhenya Strigalev alto sax
Ambrose Akinmusire trumpet
Taylor Eigsti piano
Tim Lefebvre bass guitar
Larry Grenadier double bass
Eric Harland drums

zhenyastrigalev.com

Whirlwind Recordings – WR4665 (2015)

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