EUREKA! That moment when, after weeks of listening, an album (or two, in this case) smacks you between the ears and becomes your unputdownable ‘jam’!
There’s an osmotic attraction to Kevin Figes’ music. It possesses remarkable creative breadth, taking in fusion, post-bop and contemporary abstraction… and gradually seeps into the consciousness until it won’t let go.
For these two simultaneously-released albums – Weather Warning (quartet, augmented) and Time Being (octet) – the saxophonist/flautist/composer assembles a fine collective of fellow Bristol-based musicians (listed in full, below); and characterised by addictive, rhythmically-energised horn riffs and Rhodes/Prophet textures, often blended with retro-tinged wordless vocals and occasional, wistful flute, Figes and colleagues paint shifting, vibrant canvases of ‘colorfield’ sound which become increasingly engaging.
Weather Warning‘s sparky title track hints at the joys to come, Jim Blomfield’s synth and Rhodes combining with Mark Whitlam’s outrageously offbeat rhythmic patterns to underpin the superb, sputtering duo of Figes and trumpeter Nick Malcolm. It somehow recalls the wonder of 12″ vinyl discoveries of the ’70s – that time of poring over luxurious gatefold album sleeves; yet Figes’ writing sparkles brightly in today’s musical landscape. There is so much to enthuse about here, from the swinging, melodic, double-sax immediacy of Empathy, and Birdsong‘s improvised vocal and instrumental chattering, to the sublime, often spacial beauty of Fall Apart; and alto/tenor/trumpet Horn Improvisation‘s invention compellingly bridges contemporary classical and jazz. Figes is a consummate saxophonist, his excursions both eloquent and endlessly imaginative; but his delicate mastery of the flute in quartet piece For Cathy is at least as effective as it charmingly weaves around piano ostinati and subtle bass and drums.
The octet project throws the vocal contributions of Emily Wright and Cathy Jones to the fore, album Time Being resounding to the fascinating, close harmonic meld of saxes and voices over a fervent, piano-driven rhythm section (there is certainly chemistry at work here, not least because Wright, Harris, Whitlam and Malcolm are all close collaborators in vocal/instrumental jazz outfit Moonlight Saving Time). Again, a title track with memorable licks, pressing momentum and rich solo improvisation is followed by changing panoramas: Pastoral Scenes is coloured gracefully by the adept, interlocking vocals of Wright and Jones (at times, redolent of Kenny Wheeler’s compositions), and the urgent electric piano and sax groove of The Point deliciously bounces to Will Harris’s electric bass. It’s all classy stuff, often with a rough-hewn streak and frequently on the edge of unpredictability – Petit Plaits, in particular, is a masterpiece of unbridled energy, maximising the density of the band line-up; and Loft Space‘s extended adventures certainly aren’t alone in bringing on the desire to witness this ensemble perform live.
Released on 10 April 2016, Weather Warning and Time Being are available directly from Pig Records. Recommending one above the other, though, is virtually impossible – both are British jazz gems, and have long stayed in the car CD player!
Kevin Figes alto saxophone, flute
Jim Blomfield piano, Rhodes, Prophet 5
Will Harris bass
Mark Whitlam drums
Nick Malcolm trumpet (tracks 1, 6 and 7)
Nick Dover tenor saxophone (tracks 3, 5, 6 and 7)
Emily Wright vocals (tracks 3 and 6)
Cathy Jones vocals (tracks 3 and 6)
Pig Records – PIG:08 (2016)
Kevin Figes alto saxophone
Nick Dover tenor saxophone
Emily Wright vocals
Cathy Jones vocals
Jim Blomfield piano
Will Harris bass
Mark Whitlam drums
Lloyd Haines drums
Pig Records – PIG:07 (2016)