‘Christmas With My Friends V’ – Nils Landgren

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IT’S NOW TEN YEARS since Swedish trombonist and vocalist Nils Landgren released the first in a series of albums which have imparted joy and peace in the run-up to and throughout Christmas. The successful recordings (and concerts) have consistently drawn together new interpretations of familiar carols and songs with classical arrangements and lesser-known gems, all presented by vocalists and instrumentalists from the ACT Music roster. And following on from 2015’s offering comes Christmas With My Friends V

Landgren and his musicians researched and made their selections together; and, befittingly, they recorded during the week leading up to last Christmas Day – so this festive feel-good is delivered with an extra air of authenticity. Here, exuberant ‘lollipops’ rub shoulders with soft ballads, original compositions and peaceful, crisp, starlit tradition; and somehow, the whole is so lovingly crafted that it creates a sweet, homely and lasting impression.

Multi-tracked trombone ‘solo ensemble’ Morgenstern and Morgenlicht (recognisable as Epiphany carol How brightly beams the morning star, with harmony by J S Bach) heralds the proceedings to wide-skied, echoing valleys; and Landgren’s tender vocal in Eva Kruse’s Let the Stars Come Out Tonight is sparingly supported by folksy guitar and tenor sax. Familiar hymns and carols such as Joy to the World and Go Tell It on the Mountain are refashioned, the latter in growling, muted trombone gospel (Ida Sand the vocalist), and Hogmanay staple Auld Lang Syne‘s fireside coziness is sensitively weighted.

Baby It’s Cold Outside and Everyday is Christmas pick up the affable, swingin’ holiday vibe; the usual whipcracking orchestration of Leroy Anderson’s Sleigh Ride is replaced with a delectable guitar-and-horn-accompanied soft-jazz jaunt featuring the voice of Jessica Pilnäs. Ida Sand presents her emotive Now the Time is Here with delicacy, enhanced by Eva Kruse’s empathetic bass soloing; and inflected, soulful Love is Born is delivered emphatically by Sharon Dyall’s colourful vocal to a slick and eager instrumental arrangement complete with bluesy sax break.

The tingle factor in these recordings so often comes from a sense of stillness. There Is No Rose‘s medieval strains are carried on the late-evening air by Jeanette Köhn’s crystalline annunciation; the clear, midnight-sky trombone melodies of Johan Norberg’s Seven Stains from Christmas Eve are reminiscent of Landgren’s duo album collaborations with pianist Esbjörn Svensson (Swedish Folk Modern and Layers of Light); and Norberg’s intricate kantele timbres are threaded through such fine delicacies as O Heiland, Reiß Die Himmel Auf and his own gossamer solo Kokles Christmas.

Amongst our regular, seasonal fare of choral, orchestral and pop favourites, Landgren’s concept remains a welcome breath of alternative, chilled enjoyment. A number of these eighteen tracks could be tagged #schmalzy, and there’s certainly variety in arrangements. As with all four previous albums, V possesses a special something – including more, rather attractive European folk-tinged discoveries – all presented with warmth and sincerity by accomplished musicians. A charming gift with which to scent the air during the Advent and Christmas seasons.

Christmas With My Friends V can be found at ACT Music, iTunes and other outlets (promo video here). The complete 5CD box set, The Jubilee Collectionis also available.

 

Nils Landgren trombone, vocals
Jonas Knutsson saxophones
Johan Norberg guitars, kantele
Ida Sand vocals, piano, school organ
Jeanette Köhn vocals
Jessica Pilnäs vocals
Sharon Dyall vocals
Eva Kruse bass

nilslandgren.com

ACT Music – ACT 9830-2 (2016)

‘Christmas With My Friends IV’ – Nils Landgren

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‘IT’S COMING ON Christmas’… so thoughts turn to seasonal musical fare to accompany the annual twelve-day celebration.

On a purely personal note, much of my Advent and Christmas listening is based on choral music and the 20th Century British classical tradition. But this series of albums, Christmas With My Friends, has caught my attention since its inception in 2006. Now on its fourth volume, respected Swedish trombonist and vocalist Nils Landgren once again gathers together colleagues from the ACT Music label to join him in this now-distinctive, collaborative selection of music for Christmastide which is both secular and spiritual, bridging genres (including traditional, folk, jazz, pop, choral, classical) with particular warmth, intimacy and harmony.

So, amongst the fifteen numbers: familiar English carol The First Noel, led by vocalist Ida Sand, is given an amiable jazz flavour with the soprano sax extemporisations of Jonas Knutsson; Duke Ellington’s Come Sunday makes it into the festive season with an upbeat, bluesy vocal against gently rhythmic guitar courtesy of Sharon Dyall and Johan Norberg, as Nils Landgren adds typically nimble trombone lines; and a jaunty Santa Claus Is Coming To Town jives to the winsome duet simplicity of the funkmeister’s trombone and Eva Kruse’s double bass. The original SATB precision of John Rutter’s Angels’ Carol is translated into a hearty popular ballad delivered by vocalists Jeanette Köhn and Ida Sand, complete with soft jazz sax break; and Johan Norberg’s evocatively chilly Icicles, played on kantele (similar to a dulcimer), is reminiscent of the ambiences of the Knutsson/Norberg album Skaren: Norrland III (ACT).

Renditions of popular tunes include What A Wonderful World and Wham’s Last Christmas, and enduring carols such as In The Bleak Midwinter (Holst/Rossetti) are bathed in a different, contemporary light. But, so often, it’s the revelatory interpretations of lesser-known treasures that magically become established in the holiday soundtrack – for example, Maria dutch ein Dornwald ging and Det grinner en stjärna for solo voice, embellished by the sensitivity of Landgren’s trombone and shimmering to watercolour kantele. Adolphe Adam’s O helga natt (O Holy Night) is enchanting in its measured delicacy, and the unassuming, closing interpretation of O du fröhliche glistens in vocal/instrumental new-age innocence.

On reflection, this may not be the strongest in the series, occasionally veering a touch close to ‘schmalz’ (though perhaps a vital ingredient for some). Nevertheless, it still makes a very welcome addition to Landgren’s delightful, continuing project – and volumes I-III are now wrapped up neatly in a limited edition 3-CD set (see below) or available singly. As December proceeds, all four are recommended to bring cheer – ‘singing songs of joy and peace’* – in alternative, heartwarming style.

Released on 3 November 2014, further information and audio clips are available at ACT Music.

 

Nils Landgren trombone, vocals
Sharon Dyall vocals, harmonica
Jonas Knutsson baritone and soprano saxophones
Jeanette Köhn vocals
Eva Kruse bass
Jessica Pilnäs vocals
Ida Sand piano, vocals, glockenspiel
Johan Norberg guitar, kantele

*Joni Mitchell’s River features on volume III

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nilslandgren.com

ACT Music – ACT 9568-2 (2014)