REVIEW: ‘Let the world be a question’ – Monika Lidke

SINCE IF I WAS TO DESCRIBE YOU, and through 2017’s Gdyby każdy z nas… (If all of us…), singer-songwriter Monika Lidke has seemingly been absorbing musical influences and experimenting with vocal styles to bring divergent atmospheres to latest album Let the world be a question.

Polish-born and London-resident, Lidke’s earlier output has comfortably breezed between light jazz, European folk and easy-going pop. But this collection of a dozen songs, self-penned or co-written, also reveals different facets to her vocal expression. So alongside the recognisably carefree numbers, there are others which display a seasoned edge; and a host of accomplished musicians (listed below, including guitarists Matt Chandler, Kristian Borring and Maciek Pysz) interpret the contrasting moods and grooves with attractive detailing. These are unashamedly direct pop songs – but the trick is that they avoid lovelorn clichés, focusing rather on deepening family relationships and the circle of life, as well as the quiet beauty of the natural world.

Some lovely scenes are painted, including the Paul Simon-like, country-guitar-enhanced shuffle of Making it up as we go, Lidke’s vocal occasionally veering towards that of Suzanne Vega. The characteristic innocence of her wordless (‘dooh-dooh’) melodies break into poetic profundity in A Winter Morning, Curious Puzzle and heartfelt Mother, while Lazy Detour’s bluesy electric-piano groove, including a feature for trumpeter Dawid Frydryk, suggests the illumination of new artistic pathways. Alle Choir London’s snappy backing brings frissons of delight to numbers such as gospel-tinted Not a Bad Bone and hip-swinging Samba, Biodra i Nogi; and soft-rock Słuchaniem być (To be listening) especially stays in the memory, with Matt Chandler’s fluid electric-guitar improv a real treat.

Initially quaint, Snowflake’s Dream’s lyric implies a touching mother-to-son conversation about life (“…always remember me shining… I’ll make a full circle… a teardrop in the corner of your eye”), then ramping up into a more effusive aspect of Lidke’s performance we should hear more of. Tango’s descending-bass mystery, too, has an attraction, the Polish-sung lyric of encouragement offering up pictorial lines such as “I’m not afraid [of] your words which fight like a windmill with light” before hitting a bright rock-out; and rhythmic W deszczu pod parasolem (In the rain under an umbrella) is joyously uplifting – Could it really have happened, a miracle between us.

Finally, alongside Zimowy Poranek (a Polish version of A Winter Morning) are three remixes by producers Happy Cat Jay and Wulfnote. While such arrangements can sometimes appear to be gimmicky or even questionable add-ons, these are imaginatively refashioned with a peppy, radio-play vibe. Wulfnote’s Lazy Detour, in particular, abounds with so much interest.

There’s a sense, from the depth of a clutch of these songs, that Monika Lidke’s journey could flourish in more challenging areas, perhaps led by a theme, a concept. Certainly her harder vocal timbres point that way… in a direction I’d follow.

Released on 8 October 2020, Let the world be a question is available as CD, vinyl and digital download at the monikalidke.com store.

 

Monika Lidke vocals
Alle Choir London* backing vocals (tracks 5, 6, 8)
Matt Chandler guitars (tracks 1, 6, 7, 8, 9, 10, 11, 12, 15)
Kristian Borring electric guitar (tracks 4, 5, 14)
Maciek Pysz acoustic guitar (tracks 4, 5)
Adam Teixeira drums (tracks 1, 7, 9, 10, 11, 12)
Waldemar Franczyk drums (tracks 2, 6, 8, 13, 16)
Chris Nickolls drums (tracks 3, 4, 5)
Tim Fairhall double bass (tracks 1, 3, 5, 7, 9, 10, 11, 12)
Marcin Grabowski fretless bass (tracks 2, 13, 16), double bass (track 6), electric bass (track 8)
Shez Raja electric bass (tracks 4, 5)
Jan Freicher piano (tracks 3, 5, 6, 8, 14), vibraphone (tracks 2, 6, 13, 16), synth (tracks 2, 13)
Adam Spiers cello (tracks 1, 4, 5, 7, 9, 10, 11, 12)
Wayne Urquhart cello (track 14)
Dawid Frydryk trumpet (tracks 3, 6, 14)
Happy Cat Jay drums, piano (track 15), synth (tracks 15, 16), bass guitar (track 16)

*Alle Choir London are:
Marta Mathea Radwan director, backing vocal arrangements
Klaudia Baca, Anita Łazińska, Karolina Micor, Marta Mathea Radwan,
Justyna Rafalik, Krystian Godlewski, Krzysztof Suwała singers

monikalidke.com

MLCD002 (2020)

REVIEW: ‘Connections: without borders’ – Julian Costello Quartet

IT’S NOT DIFFICULT to warm to a recording whose character reflects that of its leader – and in Connections: without bordersJulian Costello and his quartet interpret the saxophonist’s original chamber jazz writing which meanders between wistfulness, adventure and perky mischief.

Read my full review at LondonJazz News…

Released on 28 February 2020 and available from 33 Jazz RecordsAmazon, Apple Music, etc.

 

Julian Costello tenor saxophone, soprano saxophone
Maciek Pysz electric guitar, classical guitar
Jakub Cywinski double bass
Adam Teixeira drums, percussion

juliancostello.co.uk

33 Jazz Records – 33JAZZ283 (2020)

RECENT LISTENING: February 2020 (2)

Connections: without borders – Julian Costello Quartet
Julian Costello, Maciek Pysz, Jakub Cywinski, Adam Teixeira
Release date: 28 February 2020 (33 Jazz Records)
www.33jazz.com

The Sleepless Kind – Andy Fleet
Andy Fleet, Andre Canniere, Zane Maertens, Joe Evans, Pete Kershaw, Chez Taylor, Sarah Doe
Release date: 31 March 2020
andyfleet.bandcamp.com

No Boundaries – Andrew Bain
Andrew Bain, Alex Bonney, Peter Evans, John O’Gallagher
Release date: 13 March 2020 (Whirlwind Recordings)
andrewbain.bandcamp.com

Sefrial – Sefrial
Sophie Stockham, Jake McMurchie, Joe Wilkins, Greg Cordez, Matt Brown
Release date: 6 March 2020
sefrial.com

Deep Blue Love – Sarah Thorpe
Sarah Thorpe, Olivier Hutman, Darryl Hall, John Betsch plus T.K. Blue, Josiah Woodson, Ronald Barker, Ismaël Nobour
Release date: 17 January 2020 (Dot Time Records)
dottimerecords.com / amazon.co.uk

Laslafaria – Katrine Amsler
Katrine Amsler, Qarin Wikström, Samuel Hällkvist, Nils Berg, Josef Kallerdahl, Knut Finsrud, Frederik Hauch, Stue Ericson, Stephan Sieben, Mike Højgaar
Release date: 6 March 2020 (BoogiePost Recordings)
katrineamsler.bandcamp.com

REVIEW: ‘Transitions’ – Julian Costello Quartet

JulianCostello_Transitions

THE THREE subtle soprano sax keys on Julian Costello’s album cover hint at the assiduous craftsmanship which he applies, both compositionally and in performance, to this new quartet release, Transitions; and entirely appropriate that he’s joined by the similarly focused minds of guitarist Maciez Pysz, double bassist Yuri Goloubev and drummer/percussionist Adam Teixeira.

Read the full review at LondonJazz News…

Released on 15 September 2017 and available from 33 Jazz and Amazon.

 

Julian Costello tenor saxophone, soprano saxophone
Maciek Pysz electric guitar, classical guitar
Yuri Goloubev double bass
Adam Teixeira drums, percussion

juliancostello.co.uk

33 Jazz Records – 33JAZZ268 (2017)