#recentlistening – September 2019 (3 of 3)

Fat-Suit – Waifs & Strays
Mark Scobbie, Stephen Henderson, Grant Cassidy, Martyn Hodge, Gus Stirrat, Dorian Cloudsley, Fraser Jackson, Craig McMahon, Alan Benzie, Moss Taylor, Ciaran McEneny, Murray McFarlane, Alex Sharples, Mateusz Sobieski, Liam Shortall, Mhairi Marwick, Laura Wilkie, Katie Rush, Rhona Macfarlane, Lissa Robertson, Colin McKee, Sarah Leonard, Nicola Boag, Rachel Wilson, David Munn, Johnny Woodham, Corinna Hewat, David Dunsmuir
Release date: 4 October 2019 (Equinox Records / Birnam CD)
fatsuit.bigcartel.com/product/fat-suit-waifsandstrayspreorder

Anthropology Band – Anthropology Band
Martin Archer, Charlotte Keeffe, Chris Sharkey, Pat Thomas, Corey Mwamba, Dave Sturt, Peter Fairclough, Kim Macari, George Murray, Ben Higham, Mick Somerset, Nathan Bettany, James Mainwaring, Hannah Brady, Riley Stone-Lonergan, Alicia Gardener-Trejo
Release date: 27 September 2019 (Discus Music)
discusmusic.bandcamp.com/album/anthropology-band-90cd

MPH – Taxonomies
Alex Maguire, Martin Pyne, Mark Hewins
Release date: 27 September 2019 (Discus Music)
discusmusic.bandcamp.com/album/taxonomies-87cd

ISQ – Requiem for the Faithful
Irene Serra, Richard Sadler, Chris Nickolls, Naadia Sheriff
Release date: 27 September 2019
isqmusic.bandcamp.com/album/requiem-for-the-faithful-2

Matthew Halsall – Oneness
Matthew Halsall, Nat Birchall, Stan Ambrose, Adam Fairhall, Gavin Barras, Gaz Hughes, Rachel Gladwin, Mohamed Assani, Chris Davies
Release date: 27 September 2019 (Gondwana Records)
matthewhalsall.bandcamp.com/album/oneness

Overground Collective – Super Mario
Chris Williams, Julie Kjær, Rachel Musson, Mike Lesirge, Tom Ward, Cath Roberts, Paul Taylor, Raph Clarkson, Olivir Haylett, Ben Kelly, Noel Langley, Yazmeen Ahmed, Andre Canniere, Chris Batchelor, Paulo Dias Duarte, Jason Simpson, Dave O’Brien, Jon Scott
Release date: 27 September 2019 (Babel Label)
babellabel.co.uk

‘Blackwater’ – Henrik Jensen’s Followed by Thirteen

Blackwater

DANISH-BORN, London-resident double bassist Henrik Jensen’s second release with his Followed By Thirteen ensemble – Blackwater (named after the river by which he proposed to his wife-to-be) – follows up 2013’s debut, Qualia.

Read the full review at LondonJazz News…

Released on 2 September 2016, Blackwater is available from Jellymould Jazz.

 

Andre Canniere trumpet, flugelhorn
Esben Tjalve piano
Henrik Jensen bass
Antonio Fusco drums

henrik-jensen.com

Jellymould Jazz – JM-JJ023 (2016)

‘New Era’ – Entropi

ent_cover_04a

ANNOUNCED by deep-space sleeve art and track listing, the crew of the Entropi head towards a galactic destination – and phasers are most emphatically set to stun. For debut album New Era, saxophonist and composer Dee Byrne’s quintet explore group improvisation in the context of “notions of chance and fate, our relationship with space and the cosmos and the unpredictable and insecure nature of existence.” 

Read the full review at LondonJazz News…

 

Dee Byrne alto sax
Andre Canniere trumpet
Rebecca Nash piano
Olie Brice double bass
Matt Fisher drums

entropimusic.com

F-IRE Collective – F-IRECD 78 (2015)

‘Coalescence’ – Andre Canniere

Coalescence

A MASTERLY new release from trumpeter and composer Andre Canniere, ‘Coalescence’ presents a strong quintet line-up and a fine collection of nine originals.

Canniere’s debut with Whirlwind (‘Forward Space’, 2011) received numerous plaudits for its rock-driven jazz grooves. This new recording marks a shift to a more elaborate post-bop feel, displaying greater compositional eloquence… and delivered by a top team of Hannes Riepler (guitar), Ivo Neame (piano and accordion), Ryan Trebilcock (bass) and Jon Scott (drums).

American-raised Canniere (based in London since 2008) consistently delivers a clear, bright trumpet tone, immediately making its mark on his confident, bustling opener, Sweden Hill – Ivo Neame’s piano a particularly brilliant rhythmic and textural core. Hans Riepler’s guitar tone and technique are vital ingredients in this album’s mix. As well as his nimble soloing, a fascinating ‘chemical reaction’ occurs when he either shares or harmonises a melody with Canniere. Their tones are surprisingly close, beginning to resemble a paired trumpet or trumpet/sax frontline, but with the added string attack that Riepler’s guitar can bring – a full and engaging sound.

Gibbs and East is a great showcase for the trademark drumming of Jon Scott – a rock-solid, hard-edged, but also sensitive and imaginative player (heard with Kairos 4tet and Dice Factory) who provides the spectacular ‘snap, crackle and pop’ to a number which Canniere describes as his homage to Rochester, New York. Riepler comes to the fore in Nylon, providing pleasing guitar textures as well as a warm yet agile lead in a punchy and sometimes wonderfully clumping track in which Canniere bristles chromatically. In contrast, Gaslands – a commentary on the topical issue of US and UK fracking activity – finds Canniere soloing mournfully over a troubled backdrop of guitar wash and high piano elaboration.

The eleven-minute Zuid is a brash and lively stand-out, opening with impressive, sonorous, flexing bass. Canniere positively flies on this (Hubbard-like), Scott and Trebilcock providing and maintaining its fabulous motion which intentionally suggests memories of train journeys through Europe. And Ivo Neame provides characteristic shape, reflection and embellishment. Neame is becoming something of a pianistic chameleon in differing line-ups, able to re-invent his ‘colour’ of play – yet his innate musicality and wizardry always reveal the identity of an artist who is so evidently at the top of his game.

Parallax, from its first ear-catching guitar and bass riff, possesses a questioning, tentative air. As Trebilcock’s bass continues the same pulse, Canniere and Riepler freely expound on its subject of perceived change in perspectives, guitar and piano here a classy combination. The more urgent, guitar-led Point Zero acknowledges Canniere’s abhoration of inadequate gun laws in the States, Scott’s straight-talking drums and Neame’s accordion giving weight to the trumpet line. Finally, Neame’s spacious and delightful countrified piano is a key element of the homely, closing, Pennsylvania-inspired Elk Run – mellowness and memories the watchwords from Canniere.

This new quintet somehow has the ability to continually shed new light on their offering, the various nuances frequently revealing themselves differently each time – an indicator of their superb collaborative musicality. An excellent programme, and definitely a repeat player, ‘Coalescence’ is released on Whirlwind Recordings on 28 October 2013.


Andre Canniere
trumpet
Hannes Riepler guitar
Ivo Neame piano, accordion
Ryan Trebilcock bass
Jon Scott drums

Whirlwind Recordings – WR4642 (2013)

andrecanniere.com

‘Qualia’ – Henrik Jensen’s Followed by Thirteen

Qualia

IT’S A PLEASURE to hear a new quartet release that’s bristling with such obvious vitality and ebullience! Danish bassist and composer Henrik Jensen presents a debut album of ten jazz originals, with compatriot Esben Tjalve at the piano, American trumpeter Andre Canniere and popular British drummer Peter Ibbetson.

Jensen has spent the last few years playing for a variety of artists, but now focuses his creativity on leading and writing for this four-piece which he calls Followed by Thirteen. The album’s title, Qualia, is defined as “an unfamiliar term for something that could not be more familiar to each of us; the way things seem to us.”

Andre Canniere is already known to audiences for his own driving jazz/rock fusion group, but here we discover his more acoustic persona with a technique which is clean and fluent, either at full throttle or when more reflective. At times, his pairing with Jensen is reminiscent of American bassist/composer Ben Allison and trumpeter Ron Horton, though clearly both here express their own individual and appealing characteristics.

Esben Tjalve has a beguiling pianistic style, the opening The Post Office inviting and delivering more than a hint of Thelonious Monk (perhaps even Ellington), courtesy of his fun, even brazen, melodic and improvisatory lead – a great, smile-raising lightness of touch. Pete Ibbetson displays a reliable sense of momentum here, similarly keeping things breezy with brushes and cymbals. The slower-paced The Milden Hall Museum (one of a number of tracks with intriguing, Google-prompting titles!) sees Tjalve and Jensen soloing skilfully around a memorable trumpet hook from Canniere. Dog of the Day returns the band to swing mode, all personnel evidently and brightly demonstrating their affinity with each other (as does Hep Hep, later on in the programme).

And so the album continues, with delight after delight being conjured. A Wave Goodbye sets up an entrancing, slightly disquieting Avishai-like bass and drum groove – a great vehicle for Canniere and Tjalve to roam free, whilst also playing off each other very effectively. City Fox‘s lively pace is addictive (and over all too quickly!), but then gives way to the quirky, twisting bassline of Landmarks where Tjalve and Canniere need no encouragement to follow suit with the freedom to explore, Ibbetson arrestingly and shimmeringly entertaining! Beautifully lyrical, Schmetteling reveals the quartet’s mastery of space, with Jensen soloing so eloquently; and finally, the moving, piano-led Mum Melody honours the album’s dedicatee, Henrik’s mother, and provides another opportunity for his bass to sing.

The recording is favourably direct, with an almost ‘captured live’ feel, helping to make the connection between band and listener. Jellymould Jazz are building their relatively new catalogue with some fine albums, and it’s certainly worth bookmarking their website to keep an eye on their output with releases of this high calibre.

Qualia – certainly distinctive in quality – is on general release from 29 July 2013, following a press launch of 18 July.

 

Andre Canniere trumpet
Henrik Jensen double bass
Esben Tjalve piano
Pete Ibbetson drums

henrik-jensen.com

Jellymould Jazz – JM-JJ013 (2013)