‘Paradox’ – Andrés Thor

A SUBTLE ‘white album’ cover reflects one of the key attributes of this latest release from Icelandic guitarist/composer Andrés Thor and his quartet with pianist Agnar Már Magnússon, double bassist Orlando Le Fleming and drummer Ari Hoenig.

Though a cursory listen might indicate familiar, four-piece jazz territory, the nine original tracks of Paradox (the follow-up to 2016’s Ypsilon) offer levels of light and clarity not always so prominent in a guitar-led quartet. The coupling of Már Magnússon’s picturesque piano and Thor’s chordal/melodic sensitivity (with warm tremulant) easily visualises open, breathing landscapes; and together, Le Fleming and Hoenig work to provide a crisp, refractional foundation to this cognitively-themed album’s whole.

Eden ripples with sunlight as Thor’s agile-yet-unhurried improvisations meander up and down, through imagined woodland glades, attuned to the quartet’s shared, gentle finesse; and although pacier, Quantum still allows bright diffractions to filter through onto its purposeful path. The guitarist’s eloquence is emphasised in his precise, self-accompanied prelude to Tvísaga, while coolly-swinging 8.J.L. feels especially balanced across the ensemble; and sidewalk-strutting Schrödinger’s Cat certainly teems with snare-accentuated life. Both Dal and the bluesy shuffle of Avi are exquisitely measured, offering room for pondering solos, and there’s beautiful, positive luminosity in bass-riffed Under Stars and the 55-minute set’s concluding title track.

Paradox has been out there for a few months, but the freshness and detail in this studio recording from Brooklyn, New York, is a treat.

Released on 5 April 2019 and available as CD or download at Bandcamp.

 

Andrés Thor guitar, composition
Agnar Már Magnússon piano
Orlando Le Fleming double bass
Ari Hoenig drums

Dimma – DIM 82 (2019)

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Andrés Thor – Paradox
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Release date: 5 April 2019 (Dimma)
andresthor.bandcamp.com

‘Ypsilon’ – Andrés Thor

andresthor

WITH NO INTENTION of sitting on the sidelines, Icelandic electric guitarist Andrés Thor and his impressive quartet serve up a compelling, hour-long set of varied originals in their latest release, Ypsilon.  

Perhaps it’s Thor’s formative musical discoveries – Hendrix, Zeppelin, Bon Jovi, and then Coltrane and Metheny – which inform the eclecticism of his compositional approach; but this nine-track outing with pianist Agnar Már Magnusson, bassist Richard Andersson and drummer Ari Hoenig fixes the attention, combining the eloquence of the guitar-led jazz tradition with a zesty, rock-imbued drive. The mellow fuzziness in Thor’s tonal palette is positively ambrosial, as is the precision of his technique, which reflects out into the rewarding richness of the overall sound (there’s certainly no sense of the leader showboating here, but rather an empathetic balance and clarity to every track).

Richard Andersson and Ari Hoenig together provide the band’s markedly rhythmic stability, identified in the purposeful groove of opening title track, Ypsilon, which sails blithely to guitar and piano improvisations. Across the entire album, the melodic partnership and individual improvisations of Andrés Thor and Agnar Már Magnússon are a joy, April‘s carefree journeyings coloured by warm, pedalled guitar textures and Hoenig’s incisive, ornamented cross-rhythms; and the openness of Zafón affords space for Andersson’s cantabile bass expression and Thor’s relaxed, Frisellian chromatics.

Cool, street-walking Biscuit displays the edginess of John Abercrombie as Magnússon’s hip, jabbing electric piano fuses with Thor’s grittier, rock resonance (each texturally supporting the other’s soloing). The almost insolent, lurching swing of Simple Question, with particularly elegant piano and guitar improv, is irresistible; an underlying pop-bass pulse brings a touch of George Benson ‘easy’ to Farmhouse; and the brooding, descending Andersson/Hoenig propulsion of Paw subtly evokes prog or even funk, as Thor combines effective repeated riffs with fluid extemporisations. Lush, late-night Snævi holds the poise of a Real Book classic, Magnússon’s luxurious chords impressionistically supporting Thor’s melodic sensitivity; and final track Oozy‘s sprightly, samba-like radiance also seems to have ‘jazz standard’ written all over it.

A pleasure to get to know this recording.

Released on 10 August 2016, Ypsilon is available as CD or digital download from Bandcamp.

 

Andrés Thor guitar, compositions
Agnar Már Magnússon piano, electric piano
Richard Andersson bass
Ari Hoenig drums

andresthor.com

Dimma – DIM 17 (2016)