MUSICAL DISCOVERIES are, I believe, waymarkers on a lifetime’s journey of appreciation and enjoyment of the artistic creativity that those blessed with a talent bestow upon us. Once experienced, they stay with us forever, evoking memories of the first unexpected rush of exhilaration that touched our soul.
In 2010, I chanced upon a debut release (Kairos Moment) by hitherto unknown contemporary jazz ensemble, Kairos 4tet. Led by indomitable saxophonist Adam Waldmann, their originality spoke loudly and clearly to me – and amongst the instrumental energy, a jazz vocalist delivered a single heartfelt ballad, Unresolved. Transfixed by its depth and beauty, I went on to discover this solo artist’s own debut album (And So It Goes… with pianist Barry Green) as well as appearances on subsequent Kairos albums and intimate piano-accompanied performances in London and Manchester.
Unsurprisingly, Emilia Mårtensson is rapidly making a name for herself on the London jazz circuit and beyond. A grounding in the folksongs of her native Sweden and standards of the leading ladies of jazz, combined with an admiration for a singer-songwriter genre that includes Paul Simon, James Taylor and Joni Mitchell, has resulted in a meltingly gorgeous voice characterised by sincerity, warmth, dynamic control and endearingly crisp Anglo-Swedish diction.
Masterminded by producers Rory Simmons and Alex Bonney, this second solo release features a particularly inventive instrumental line-up, the spacial detail of which complements and colours Mårtensson’s sensitive approach so appropriately. As before, Barry Green’s expressive and intuitive piano is the perfect match for Emilia’s velvety tones. Rhythmic and ornamental zest is provided via a refreshing range of timbres from Brazilian percussionist Adrian Adewale; and bringing a deep sense of equilibrium is bassist Sam Lasserson. Finally, fashioning the most wonderfully interwoven textures on half of the album’s ten tracks are the Fable String Quartet, whose precision and integrality with this project are outstanding.
Illustrating all of this is opening number Harvest Moon, written by Jamie Doe, Emilia’s soft vocals floating above a gently bubbling momentum. In profound dedication to her grandmother, Ana is communicated with love (Soft, at night, her hand on mine, she says, “Close your eyes before you open up your mind”), Barry Green decorously enhancing the affectionate mood over Sam Crowe’s delicate string arrangement. Barnaby Keen’s Learnt from Love is a standout, the distinctive chord progressions and melody of the chorus, in particular, still lodged in my mind from a live first hearing last July; and Emilia’s voice also displays a brighter, stronger edge.
Tomorrow Can Wait is perfect for Mårtensson, the heart-on-sleeve poignancy of writer Emine Pirhason’s verses emphasised by the initial sparseness of solo piano, and Emilia’s digitally-layered harmonies are used to great effect here, suggesting her folk roots. Traditional Swedish folksong is represented by bass/percussion-accompanied När Som Jag Var På Mitt Adertonde År; and Black Narcissus Music, Joe Henderson’s familiar tune set to Emilia Mårtensson’s skilfully-intoned words, is interpreted breezily courtesy of a great Rory Simmons string arrangement which melds perfectly with the instrumental trio.
Paul Simon’s Everything Put Together Falls Apart comes so naturally to Mårtensson before Green and co. run with it in a jaunty, bluesy direction. Moffi’s Song confirms her own songwriting prowess, its string-led arrangement imbuing this tribute to her grandfather with the feel of an old jazz classic; and to close, a folksy unaccompanied miniature, Vackra Människa – the translation, ‘beautiful person’, so very fitting for this accomplished singer.
Released on 7 April 2014 (in Babel Label’s 20th anniversary year), Ana is available here … a musical discovery awaits.
Video: The Making of Ana
Video: Harvest Moon
Emilia Mårtensson voice
Barry Green piano
Sam Lasserson double bass
Adriano Adewale percussion
The Fable String Quartet
Kit Massey violin
Paloma Deike violin
Becky Hopkin viola
Natalie Rozario cello
Babel Label – BDV14126 (2014)