‘Groove or Die’ – Paul Jackson Trio

PaulJackson

THIS MUST surely be one of the most addictive jazz/funk/soul grooves of the year! As a founding member of Herbie Hancock’s Headhunters – and having forged, over the years, strong associations with musical dignitaries such as Stevie Wonder, Chick Corea, Sonny Rollins and George Benson – California-born Paul Jackson remains one of the most influential and revered electric bass players around.

Now, featuring Xantoné Blacq (keys, vocals) and Tony Match (drums), the seasoned bassist and vocalist brings all of his musical wisdom and showmanship to this trio’s debut release, Groove or Die – and, with a decision on that title choice obvious, the resulting tracklist of ten original numbers becomes increasingly compelling. It’s said that once you’re in the right groove, you don’t wanna come out – and here’s proof from a slick triumvirate whose saturation of sound easily exceeds its number.

Take opener Groove, for example, which is immediately set up with an irresistible major/minor ground for Jackson’s fulsome, gritty voice (imagine an intoxicating blend of Clapton and Tom Jones!) plus solid background harmonies. The bass tempo erupts halfway through, Blacq’s sizzling Rhodes rising magnificently through an electronics forcefield, and Tony Match’s flamboyancy at the kit quite mesmeric. Everything coolly strides the sidewalk to Blacq’s upbeat, loftier-range vocoder lines, Jackson’s bass delivering looping high-fretboard riffs as well as that all-important rasping momentum. Doleful and slow-burning, Pain is curiously reminiscent of late ’70s chart hits such as Float On, though with greater profundity; and the vocalised (almost Methenyesque) instrumental Slick It that follows is compelling in its pithy burst of energy.

African percussion break Nuru precedes a real showstopper of a performance from Xantoné Blacq – What You’re Talkin’ ‘Bout. Unabashedly Stevie Wonder-like in its soulful, molten vocal and animated keyboard approach, the rhythm section’s entrance encourages Blacq to climb to the most astonishing falsetto pitch. And Jackson’s heartfelt crooning in Midnight is a Lonely Heart informs its slow bluesyness, with tightly-meshed background vocals and Blacq’s soaring embellishments adding layer after layer of textures.

Tiptoe Through The Ghetto, introduced by a brilliant Stanley Clarke-like harmonic-bass riff, bustles with impassioned verve. Suggesting, Earth Wind & Fire and Zawinul/Weather Report, the colourful percussive impetus of Tony Match is key to the thrill of it all – and with that seductive Rhodes, it’s got to be a live showstopper. Bringing the album to a close, the wide-open feel-good is confirmed in the jauntiness of People Cry, followed by short, Santana-like bookend, Die.

Some of the stateside vocal lines might initially appear clichéd to an audience this side of the ‘Pond’, but my belief is that it’s all part of the charm of Groove or Die – that and the downright ardent musicality this team exudes. As Match explains: “The trio is like a family; we support each other, we create and share ideas together. I can feel a unique energy and vibration in our music.” And that’s certainly palpable.

Released on 3 November 2014, and launching at The Hideaway, London, on 14 November, visit Whirlwind’s album page for details, videos and samples. Get your groove thang… ohwwwn!

 

Paul Jackson vocals, electric bass, background vocals
Xantoné Blacq vocals, background vocals, keyboards, talk box, percussion
Tony Match drums, percussion

Whirlwind Recordings – WR4656 (2014)

‘Anything But Look’ – Jason Rebello

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A NEW solo studio release from Jason Rebello was always going to be something of an event, given his track record as one of the UK’s most respected jazz/rock keyboard players – and, with an album a year in the making, he’s certainly back with a funky, soulful BANG!

The excitement of ‘Anything But Look’ is due, in part, to so many of its ten originals having considerable commercial appeal (easily radio hits) – yet, delving deep into the detail, there is much to savour in terms of differing vocal performances, shifting time signatures and modulations, clever tricks, flicks and textures… all held together by Rebello’s multifarious, entertaining keyboard work. He has a terrific understanding of the ‘nuts and bolts’ of jazz (his Steinway-only interpretations of standards and folksong were brilliantly displayed in a recent acoustic trio gig at Kings Place with Stephen Keogh on drums and bassist Alex Davis). Here, he combines that mastery with his vast experience of touring over the years as keyboardist for the likes of Jeff Beck, Sting, Peter Gabriel and Joss Stone.

The hand-picked personnel of established and up-and-coming instrumental and vocalist friends provide a sumptuous programme, the result being an intensely joyous, positive and personal album which Rebello describes as “a musical kaleidoscope of jazz, soul, Latin, funk and rock, painting a picture of a soul’s journey into the unknown. We all are made up of light and dark, but we don’t usually want to acknowledge what we really are, due to a fear that we may discover something terrible… we will do anything, but look!”

The funkiest of electric bass and clav grooves open the show, celebrated soul singer Omar’s resolute tones delivering the catchy Know What You Need, Pino Palladino providing a fantastic ground for Rebello’s typically glittering piano and electric piano soloing. Sumudu Jayatilaka’s beguiling voice intertwines effortlessly with Rebello’s piano on The Man on the Train (with a hint, maybe, of Gordon Sumner in its sublime slower section) – and Troy Miller’s drums, the percussion of Miles Bould and Karl Rasheed-Abel’s acoustic bass provide the irresistible pulse. Bouncy 7/8 instrumental Without a Paddle, with cheeky contrary motion hook and Paul Stacey’s bristling guitar, is breathlessly compelling – so much going on, a real smile-inducer!

Solid bass and pitch-bent synth characterise the beautifully-measured chill-out title track Anything But Look before Alicia Carroll’s soprano voice brings theatrical urgency to the more sinister Dark Night of the Soul, an intoxicating multitracked masterclass in Rebello’s considerable piano and keyboard prowess – breathtaking to listen closely. With Immediate Effect flows along with all the amiability of a Lyle Mays/Pat Metheny favourite, backing vocals, guitar and synth soloing the key to this likeness. Sadness-tinged ballad Is This How? features the vocals of US jazz/R&B singer Will Downing and the adept, prodigious drumming of Rebello’s 14 year-old son George – a particularly beautiful, poignant and memorable chorus here; and young singer Jacob Collier’s precise wordless vocals are a perfect match for the bright keys of In The Thick Of It, jazz stalwart Tim Garland (on flute) adding to the lightness of touch.

Joy Rose’s vocal warmth and dexterity in the deliberate, soulful New Joy symbolise the sincerity of this release, Miller and Palladino again creating a fantastic rhythm, Rebello and Garland just magnificent – joy all round! Concluding, Xantoné Blacq presents the uplifting, perhaps even spiritual lyric of Lighten Up The Load, the Latin flavour of Bould’s percussion and Rebello’s piano octaves taking us on our onward journey.

Released on LYTE Records on 4 November 2013, the fervour and craftsmanship of ‘Anything but Look’ are stunningly evident. Indeed, Jason Rebello’s creativity, optimism and technical wizardry might well encourage us through the long, dark winter months – as the fade-out whispers, “See you on the other side”!……

 

Jason Rebello keyboards; bass, track 7; backing vocals, track 6
Troy Miller drums, tracks 1,2,3,4,5,8,9,10; guitar, track 7; percussion, track 4
Pino Palladino bass guitar, tracks 1,4,6,7,9,10
Karl Rasheed-Abel acoustic bass, tracks 2,3,5,8
Paul Stacey guitar, tracks 3,6,9
Jeremy Stacey drums, track 6
George Rebello drums, track 7
Miles Bould percussion, tracks 1,2,3,10
Tim Garland flute, bass clarinet, tracks 8,9
Joy Rose vocals, track 9; backing vocals, tracks 1,6,9,10
Omar Lye-Fook vocals, track 1
Sumudu Jayatilaka vocals, track 2
Alicia Carroll vocals, track 5
Will Downing vocals, track 7
Jacob Collier vocals, track 8
Xantoné Blacq vocals, track 10
Aja Downing backing vocals, track 7

jasonrebello.com

LYTE Records – LR021 (2013)