‘Alphabets’ – David Ferris Septet featuring Maria Väli

BIRMINGHAM-BASED pianist David Ferris has already added his considerable skills to a number of recordings emanating from the West Midlands jazz scene including Tom Syson’s Green, Ben Lee Quintet’s In the Tree (also appearing on Live at the Spotted Dog), plus Tom Haines & The Birmingham Jazz Orchestra’s Live.

A 2015 jazz graduate of Birmingham Conservatoire, Ferris benefited from the tutelage of Dave Holland, Hans Koller, Jeff Ballard (amongst many others), and summer schools also brought him into contact with established artists such as Mark Lockheart, Nikki Iles and Martin Speake.

Larger ensembles and big bands seem to be enjoying an increasingly strong presence across Birmingham’s contemporary jazz landscape, and the David Ferris Septet debut release, Alphabets, brings his own compositional and leadership prowess to the fore in a programme of seven numbers mostly inspired by and set to literary works of Seamus Heaney, Ted Hughes, W B Yeats and W H Auden. Already familiar, emerging names – trumpeter Hugh Pascall, trombonist Richard Foote, saxophonists Chris Young and Vittorio Mura, bassist Nick Jurd and drummer Euan Palmer – combine to create original and lively jazz explorations from Ferris’ tight arrangements whilst taking advantage of their improvisational freedom. Guest vocalist Maria Väli illuminates the verse with dexterity and finesse.

The pianist references ‘song’ – from jazz standards through Rodgers & Hammerstein to The Beatles – as a particular source of inspiration in his writing, alongside the Art Blakey golden years; and his ability to meld melodies with existing poetry, as well as encourage individual instrumental creativity, is central to the overarching vibe. It’s a buoyant affair, teeming with fluctuating moods, lush harmonic episodes and zesty solos.

Heralded by close-knit horns, Chorale unpacks its hymnal foundation with rhythmic purpose and contrapuntal fervour, building to a grand groove; and the album’s only other purely instrumental number, Fred (acknowledging one of the composer’s heroes, Fred Hersch), joyously rolls to its memorable main ensemble riff and bright, open piano. The words of Ted Hughes’ Crow Hill are fashioned sublimely by Ferris (almost redolent of Michel Legrand’s The Summer Knows), Maria Väli’s vocal clarity supported by contrasting light-and-shade textures and Chris Young’s lyrical alto soloing; whilst in W B Yeats’ The Hawk, Richard Foote’s free trombone invention is married to Väli’s cascading phrases to create swirling, brooding atmospheres. Seamus Heaney’s work is twice represented: his eight-line poem, Song, becomes elegantly flecked with a lyricism reminiscent of Kenny Wheeler’s Mirrors suite; and Alphabets – a picturesque text on a child’s introduction to and love of the written word – takes a nursery-rhyme/folksong-like motif and develops it into a flowing, glowing jazz poem of beauty. To close, W H Auden’s The Willow-Wren and the Stare is treated to a lively, snare-rattling hoedown (with hints of “boop-boop dit-tem-dat-tem what-tem chu”!).

At this early stage in his career, David Ferris’ writing and playing already suggest maturity and imagination, with an interpretive assuredness which could find him a strong niche in contemporary jazz, theatre, etc.

Originally released in February 2018, with support from Help Musicians UK, the album is available as CD only (harking back to the exciting discovery experiences of pre-digital days) from the website of David Ferris.

Alphabets is very much worth hearing.

 

David Ferris piano
Hugh Pascall trumpet
Richard Foote trombone
Chris Young alto saxophone, soprano saxophone
Vittorio Mura tenor saxophone, baritone saxophone
Nick Jurd bass
Euan Palmer drums
with special guest
Maria Väli vocals

david ferris.co.uk

Self-released with support from Help Musicians UK (2018)

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‘Jam Experiment’ – Jam Experiment

jamexperiment

IT’S MORE THAN ENOUGH to make the heart sing – a quintet of young musicians, on the threshold of successful lifetime careers, presenting a jazz/funk/soul album of remarkable musicianship and expressive depth.

Read the full review at LondonJazz News…

Available directly from the band’s website.

 

Alexander Bone alto and tenor saxophones, synth pads/keyboards
Rory Ingham trombone
Toby Comeau keyboard, piano
Joe Lee electric bass
Jonny Mansfield drums, percussion

jam experiment.com

Self-released, sponsored by Yanagisawa (2017)

‘Pocket Compass’ – Trish Clowes

PocketCompass

THE BELIEF in staying true to oneself, particularly as a creative, improvising musician (hence Pocket Compass), is very much the thread running through this third release from British saxophonist and composer Trish Clowes. A journey to California early in 2013, including a meet-up with jazz icon Wayne Shorter, provided considerable inspiration for these latest imaginings and writings, resulting in an adventurous recorded project which reflects “the people who help us stay on the right paths.”

Concluding three years as a BBC Radio 3 New Generation Artist, and recording here in full for the first time with her experienced and intuitive Tangent quintet, Clowes has also chosen to collaborate with the BBC Concert Orchestra to provide a luxurious weave of timbres and textures across all eight expansive originals.

From the outset, in the first of the three orchestral sessions, Radiation unfurls into a smorgasbord of delights as the quintet dances freely and comfortably with the lush breadth of its larger counterpart; and Clowes’ commanding, lyrical tenor is equalled by the familiar high dexterity of pianist Gwilym Simcock. With the orchestra extemporising from a melodic fragment, there’s a lot going on, yet it melds intriguingly well. Tangent’s Question Mark, written ahead of the Californian trip, introduces a mood of encircling apprehension as soprano sax pirouettes to Chris Montague’s distinctively unpredictable guitar staccato, the whole episode driven by the bass and drum urgency of Calum Gourlay and James Maddren; and Porcupine is expectedly spiky as its pointed rhythms jar against the satisfying amplified ramblings of Montague, whilst Clowes’ almost mocking tenor encourages a rapid swing to rise out of glorious disorder – just perfect.

From Oscar Wilde’s Symphony in Yellow, Trish Clowes interprets his paradoxical impressions of London’s vistas – “like a yellow silken scarf, the thick fog hangs along the quay” – into the most ravishing of quintet pieces, its combination of soft lyricism and light, workaday scurrying tempered by Montague’s sinewy, shadowier moments. Chattering octaves introduce high-spirited Balloon, as Clowes’ soprano and the oboe (fondly labelled ‘jazzboe’) of the BBCCO’s Lauren Weavers spiral upwardly against boisterous quintet action (Maddren as extravagant as ever) and striking, full orchestration with flickers of the late, great Kenny Wheeler.

Heralded by imitation mammal calls, courtesy of saxophone harmonics plus delicately plucked piano strings, the serenity of whale-watching in Big Sur is communicated beautifully in echoic Pfeiffer and the Whales; and in homage to the genius of Wayne Shorter, Wayne’s Waltz dazzles with the improvisatory soprano spark of its dedicatee, Clowes impressively unwavering throughout. To close, a sensitively-balanced Chorale displays the pellucid soloing of Calum Gourlay and Gwilym Simcock; and with luscious orchestral arrangements reminiscent of Claus Ogerman, the leader’s tenor searchings here become increasingly spellbinding.

All the while – as with 2012’s And In the Night-Time She Is There – this album carries the spine-tingling realisation that Trish Clowes is constantly knocking at the door of innovation, needing to pass through to discover further, uncharted avenues. It’s that inquiring edge, along with an innate musicality, that defines this collection of intelligently-crafted, collaborative compositions – a truly compelling addition to the catalogue as well as another indicator of this artist’s undoubtable advancement.

Releasing on 10 November 2014 and available from JazzCDs via Basho Records, the Pocket Compass album launch takes place at the Queen Elizabeth Hall, London on 18 November as part of the EFG London Jazz Festival 2014, including work by Guy Barker and Norma Winstone.

 

TANGENT
Trish Clowes
 composer/arranger; tenor and soprano saxophones
Gwilym Simcock piano
Chris Montague electric guitar
Calum Gourlay double bass
James Maddren drums

BBC Concert Orchestra
André de Ridder conductor

trishclowes.com

Basho Records – SRCD 45-2 (2014)