REVIEW: ‘Stillefelt’ – Stillefelt

IN THE STILLNESS of the night, this is an enthralling place to inhabit.

Stillefelt (translated from Norwegian as ‘quiet field’) is the eponymous debut release from improvising trio Chris Mapp, Percy Pursglove and Thomas Seminar Ford; and their ‘nattmusikk’ drew an immediate, emotional reaction at a late hour… and then called me back to listen more deeply.

Misty, often brooding landscapes are created from the relative simplicity of electric bass, trumpet/flugelhorn and electric guitar – but the digital manipulation of these otherwise traditional tones expands the creativity in a subdued wonder reminiscent of e.s.t.’s final studio experiments (Leucocyte and 301). The album’s progression – in six tracks, named perhaps for distinction only – has the remarkable, continuous effect of eliciting sometimes indeterminate feelings. But, warm or cold, they arrive. So, in a quiet space, the music can become personal to the listener; and that, in essence, is the profound alchemy of improvisation. 

From the thriving Birmingham jazz scene, Stillefelt is described as a ‘dynamically quieter response’ to Mapp’s band, Gonimoblast (which features vocalist Maja SK Ratkje and trumpeter Arve Henriksen). Their explorations are prompted by ‘short cell-like ideas’ from the bassist, provided simply as starting points; so, in live performance, the landscape is ever-changing. Ostinati and riffs might suggest the root of each piece, but it’s their complete evolutionary and immersive nature which stands so effectively.

While nocturnal imagery is tangible through the album, slowly stirring aubade, opening, paints a springlike awakening through sustained guitar layers and breathy trumpet; and Pursglove’s mouthpiece sputters combine with radio-wave electronics to widen what seems like a heat-hazy portrayal of nature. Mapp’s bass regularly provides an effective (sometimes chordal) foundation, and the initial hint of Scandinavian folksong in a kind of day is tinged with an ominous, hollow jarring which becomes more urgent.

This sound world cleverly adopts a ‘three-dimensionality’ akin to photographic depth of field. The industrial hisses, gargles, squawks and whistles of expansive towards a rusty future can be unsettling, set against a subliminal ticking metre. But segueing into the more saturated quiet field, Mapp’s muted, pulsating bass takes the trio towards a hopeful horizon. Pursglove’s tone is now cleaner as it melds into half life, where open guitar, bass and skywards electronics create an otherworldly beauty only interrupted by the opening, free-jazz clamour of never…ending – until tentative calm is restored.

It’s an environment of invention and discovery; a broad canvas over which we might wander through our own imagination – and all sparked by this spontaneous artistry. A magical thing. 

Recorded live at Royal Birmingham Conservatoire, Stillefelt is released on 3 April and available as a limited edition CD, or digital download, at Bandcamp.

Video promo.

 

Chris Mapp bass, electronics
Percy Pursglove trumpet, flugelhorn 
Thomas Seminar Ford guitar, electronics

Visual art / sleeve design: Tom Tebby

chrismapp.co.uk/stillefelt

Stoney Lane Records – SLR1883 (2020)

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