#recentlistening – September 2019 (3 of 3)

Fat-Suit – Waifs & Strays
Mark Scobbie, Stephen Henderson, Grant Cassidy, Martyn Hodge, Gus Stirrat, Dorian Cloudsley, Fraser Jackson, Craig McMahon, Alan Benzie, Moss Taylor, Ciaran McEneny, Murray McFarlane, Alex Sharples, Mateusz Sobieski, Liam Shortall, Mhairi Marwick, Laura Wilkie, Katie Rush, Rhona Macfarlane, Lissa Robertson, Colin McKee, Sarah Leonard, Nicola Boag, Rachel Wilson, David Munn, Johnny Woodham, Corinna Hewat, David Dunsmuir
Release date: 4 October 2019 (Equinox Records / Birnam CD)
fatsuit.bigcartel.com/product/fat-suit-waifsandstrayspreorder

Anthropology Band – Anthropology Band
Martin Archer, Charlotte Keeffe, Chris Sharkey, Pat Thomas, Corey Mwamba, Dave Sturt, Peter Fairclough, Kim Macari, George Murray, Ben Higham, Mick Somerset, Nathan Bettany, James Mainwaring, Hannah Brady, Riley Stone-Lonergan, Alicia Gardener-Trejo
Release date: 27 September 2019 (Discus Music)
discusmusic.bandcamp.com/album/anthropology-band-90cd

MPH – Taxonomies
Alex Maguire, Martin Pyne, Mark Hewins
Release date: 27 September 2019 (Discus Music)
discusmusic.bandcamp.com/album/taxonomies-87cd

ISQ – Requiem for the Faithful
Irene Serra, Richard Sadler, Chris Nickolls, Naadia Sheriff
Release date: 27 September 2019
isqmusic.bandcamp.com/album/requiem-for-the-faithful-2

Matthew Halsall – Oneness
Matthew Halsall, Nat Birchall, Stan Ambrose, Adam Fairhall, Gavin Barras, Gaz Hughes, Rachel Gladwin, Mohamed Assani, Chris Davies
Release date: 27 September 2019 (Gondwana Records)
matthewhalsall.bandcamp.com/album/oneness

Overground Collective – Super Mario
Chris Williams, Julie Kjær, Rachel Musson, Mike Lesirge, Tom Ward, Cath Roberts, Paul Taylor, Raph Clarkson, Olivir Haylett, Ben Kelly, Noel Langley, Yazmeen Ahmed, Andre Canniere, Chris Batchelor, Paulo Dias Duarte, Jason Simpson, Dave O’Brien, Jon Scott
Release date: 27 September 2019 (Babel Label)
babellabel.co.uk

#recentlistening – August 2019 (1 of 2)

Ingi Bjarni – Tenging
Ingi Bjarni Skúlason, Jakob Eri Myhre, Merje Kägu, Daniel Andersson, Tore Ljøkelsøy
Release date: 30 August 2019 (Losen Records)
losenrecords.no/release/tenging

Eddie Parker’s Debussy Mirrored Ensemble – Reflections Transformations | Improvisations
Eddie Parker, James Allsopp, Gareth Lockrane, Jan Hendrickse, Rowland Sutherland, Alcyona Mick, James Gilchrist, Brigitte Beraha, Imogen Ridge, Steve Watts, Simon Limbrick, Martin France
Release date: 13 September 2019
debussymirroredensemble.org

Michael Janisch – Worlds Collide
Michael Janisch, Jason Palmer, John O’Gallagher, Rez Abbasi, Clarence Penn
with John Escreet, George Crowley, Andrew Bain

Release date: 6 September 2019 (Whirlwind Recordings)
michaeljanisch.bandcamp.com/album/worlds-collide

Zac Gvi – Monk Spent Youth
Zac Gvirtzman, Ben Davis, Fred Thomas
Release date: 13 August 2019 (F-IRE)
zacgvi.bandcamp.com/album/monk-spent-youth

Michael J Bolton – Earthrise
Michael J Bolton, Mike Walker, Neil Yates, David Hentschel, Alex Smith, Matthew Johns, Marc Russo, Tim Garland, Noelle Rollings
Release date: 30 August 2019 (Market Square Music)
propermusic.com/product-details/Michael-J-Bolton-Earthrise-267575

Corey Mwamba – NTH
Corey Mwamba, Laura Cole, Andy Champion, Johnny Hunter
Release date: 2 July 2019 (Discus Music)
discus-music.co.uk/catalogue-mobile/dis86-detail

‘Beyond These Voices’ – Nick Malcolm Quartet

NickMalcolm

BRIMMING with intelligent and zesty exploration, this second release from the Nick Malcolm Quartet (plus guest Corey Mwamba) charts a truly absorbing path ‘twixt the written and the free, between rhythmic intensity and spacial tranquillity, sparking and igniting the deep creativity of the varied individual characters within a remarkable jazz blend. 

Trumpeter and composer Nick Malcolm clearly has an eclectic musical persona, as well as a multi-faceted style, often found belting out riffs (along with drummer Mark Whitlam, also of this quartet) between the dusky, enigmatic vocals of Emily Wright’s song-based Moonlight Saving Time. Put into this particular mix experimental jazz pianist Alexander Hawkins (whose solo and ensemble album releases created ripples of excitement earlier this year) plus the inspired, improvisatory bass playing of Olie Brice… and the result is a sophisticated quartet/quintet team capable of a satisfyingly original collaborative output. Beyond These Voices follows the band’s 2012 début, Glimmers, and explores, intentionally and quite beautifully, an equal appreciation of sound and silence (which Malcolm describes as “the essential paradox of music”).

Take, for example, Grimes, an eight-minute improvisation which opens with brash and brassy intent, Malcolm bouncing off Whitlam’s wide-open drums before the steadying undercurrent of Hawkins’ lush, deep chords and Brice’s bass enter, only to develop more strongly. The contrast between the two forms is marked, yet the whole combined concept is realised perfectly. And then the ‘silence’ – the most limpid and emotionally-charged high piano extemporisation, with space taking equal importance, plus an affirming, sustained bass. There’s Lead In Their Pencils is great fun – a kind of dissonant Ellington boogie in which Malcolm blasts and neighs his way through the pulsating, rhythmic chaos, Corey Mwamba’s sparky, hard vibes adding vivid colour.

Views takes a gentler back seat, although this is no straight-laced ballad. Malcolm’s tone is lazily mellow, peppered with the occasional flutter, and the precise vibraphone playing of Mwamba is a joy. The shuffling momentum of A Very Blusterous Day, upheld magnificently by Whitlam and Brice, offers a broad canvas for the written and improvised thoughts of Malcolm and Hawkins, with Mwamba offering again his distinctive approach to vibes, eddying and gyrating (like a supercharged Pierre Moerlen) to the shimmerings of Hawkins’ piano – and an orchestral, Brittenesque trumpet flourish to close. It’s Alright, We’re Going to the Zoo is a cheeky, smouldering, fizzing affair, Malcolm improvising freely and brightly against Brice’s bass bounce; Sidereal (the album opener) develops and opens out to display more of that spontaneous quartet interaction, whilst the the two free improvisations that punctuate the programme further reveal their insightful and creative abilities.

To close, something quite affecting… Where, Beyond These Voices, There is Peace. Prompted by Alexander Hawkins’ quiet then increasingly anguished piano chords, the trumpet of Nick Malcolm chatters and squawks to the bowed scratchings of Brice and tempered percussion of Whitlam. And, for a final magical minute, Hawkins almost completely suspends animation with characteristic piano weightlessness.

If you’re searching for new experiences, and the fascination of free-yet-accessible improvisation, Beyond These Voices demonstrates the heights that British jazz is currently achieving – and this is certainly a ‘grower’ of an album. Most impressive.

 

Nick Malcolm trumpet
Alexander Hawkins piano
Olie Brice double bass
Mark Whitlam drums

Guest
Corey Mwamba vibraphone

nickmalcolm.co.uk

Green Eyes Records – GE15 (2104)