‘Reflections & Odysseys’ – Rymden

THERE’S A MAJOR STORY behind this unassuming cartoon rocket ship hurtling up through the firmament. A decade after the tragic death of revered Swedish pianist Esbjörn Svensson, his longtime colleagues Dan Berglund and Magnus Öström have returned to the trio format which launched global high flyers, e.s.t. Alongside them on Rymden’s Reflections & Odysseys is one of Norwegian jazz’s respected names, pianist Bugge Wesseltoft, known for his enduring New Conception of Jazz project and various ECM and ACT collaborations over the years. 

Read my full review at LondonJazz News…

Released 8 February 2019 and available from Proper MusicBandcamp, Amazon and iTunes.

 

Bugge Wesseltoft piano, keyboards
Dan Berglund bass
Magnus Öström drums, percussion

rymden-music.com

Jazzland Recordings – CD: 3779206 / 2LP: 3779207 (2019)

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‘Minusgrader’ – Örjan Hultén Orion

IT WAS THE ARTICULATION and focus in this recording which first drew my attention; and indeed, Minusgrader, from Swedish saxophonist Örjan Hultén and his Orion quartet, has only continued to charm with its sparky animation and romantic lyricism – an evenly-balanced conversation glistening with individual flecks of personality along the way.

Read my full review at LondonJazz News…

Released on 18 January 2019, Minusgrader is available online from Artogrush, Plugged or Bengans in Sweden, and also at iTunes.

 

Örjan Hultén tenor and soprano saxophones
Torbjörn Gulz piano
Filip Augustson double bass
Peter Danemo drums

artofsound.se/minusgrader

Artogrush – OCD-012 (2019)

‘Fundur’ – Ingi Bjarni Trio

Fundur - cover 300 x 300

ICELANDIC pianist and composer Ingi Bjarni Skúlason’s 2015 album, Skarkali, was released under the name of the Skarkali Trio. Now continuing as the Ingi Bjarni Trio, he and colleagues Bárður Reinert Poulsen (double bass) and Magnús Trygvason Eliassen (drums) explore eight more of the pianist’s originals in Fundur (translated: ‘a finding/discovery’ or ‘to have found something’).

Read my full review at LondonJazz News…

Released on 7 September 2018, Fundur is available from Dot Time RecordsAmazon and iTunes.

 

Ingi Bjarni Skúlason piano, compositions
Bárður Reinert Poulsen double bass
Magnús Trygvason Eliassen drums

ingibjarni.com

Dot Time Records – DT9079 (2018)

‘First Flight’ – Trialogue

Trialogue_300px

A NEUROSCIENTIST, a physicist and a biologist walk into a studio – and the outcome is a pretty tasty account of what they’ve been working on to achieve debut release First Flight. Dankworth Prize-winning composer Chris McMurran (piano), Arvin Vaghela (double bass) and Alexander Blackwell (drums) lift their trio recording off the runway with seven originals and an interpretation of a popular standard, fronted by original cover art which appears to nod to the mathematical graphic genius of M C Escher.

Read my full review at LondonJazz News…

Released on 29 April 2018 and available as CD or digital download at Spark Label.

 

Chris McMurran piano
Arvin Vaghela double bass
Alexander Blackwell drums

trialoguetrio.com

Spark Label – SPARK005 (2018)

‘Reset’ – Andy Nowak Trio

Reset2

ANDY NOWAK TRIO (ANt) follow-up 2016’s debut, Sorrow and the Phoenix, with another fine sequence of eight numbers (virtually all originals) in new album, Reset.

Read my full review at LondonJazz News…

Reset releases on 2nd March 2018, when it will be available as CD or digital download at Bandcamp.

Andy Nowak piano
Spencer Brown double bass
Steve Davis drums

andynowaktrio.com

Self-released – 2018

‘Thought You Knew’ – Snowpoet

ThoughtYouKnew

THE IMMERSIVE experience of Snowpoet’s eponymous 2016 debut album left a lasting imprint…

Read my full review at LondonJazz News.

Released on 9 February 2018 and available in CD, digital and vinyl formats from Edition Records at Bandcamp.

 

Lauren Kinsella vocals, backing vocals, lyrics
Chris Hyson electric bass, double bass, piano, synths
Nicholas Costley-White acoustic guitar
Matthew Robinson piano
Dave Hamblett drums
Josh Arcoleo saxophone
with
Alice Zawadzki violin
Francesca Ter-Berg cello
Lloyd Haines drums, percussion (tracks 1, 2 and 7)

Produced by Chris Hyson

snowpoet.co.uk

Edition Records – EDN1105 (2018)

‘Circle of Chimes’ – Marius Neset

MariusNeset_Circle

SAXOPHONIST and composer Marius Neset’s kaleidoscopic music increasingly fills mind and soul with that ‘kid in a sweet shop’ thrill, the senses bombarded with a dizzying array of timbres and rhythms to assimilate.

Following 2016’s acclaimed, orchestrally-focused Snowmelt, Neset returns to an ensemble more closely aligned with its predecessor Pinball for new album Circle of Chimes. The familiar names of pianist Ivo Neame, vibraphonist Jim Hart, double bassist Petter Eldh and drummer Anton Eger are again joined by flautist Ingrid Neset and cellist Andreas Brantelid, whilst the inclusion of guitarist/vocalist Lionel Loueke adds a new compositional and improvisational dimension, imbuing Neset’s Scandinavian folk characteristics with attractive African hues.

A New Year’s Day commission premiered at Kölner Philharmonie, Cologne, in 2016, Neset describes this 78-minute suite as the darkest, most melancholic music he has created – yet amongst those emotions, his innate, breathless exuberance is never far away. The tubular bell chimes of Satellite (whose fluctuating rhythmic peals the saxophonist experimented with at length, at the piano) ‘ring in the new’, its brooding cello emotion encircled by a passed-around melodic riff redolent of Tallis’ Canon. It’s the first sign of an octet working as one to express a huge, romantically cinematic landscape, segueing into Star which bounces and rebounds to a typically ecstatic folk tune, with Eger’s engine-room clamour driving its disco groove. Neset does well to engineer and contain the ferocity, bringing his electronically-charged tenor down to lyrical pools of cello, piano and soft African enunciations.

There’s a sense of progression, as if the year unfolds with fresh experiences – so funky A New Expression struts assuredly to Neset’s boppy improv (it can only be Neset) plus Loueke’s scratchy, synthesised fretwork and accompanying scat; and soprano sax in classically-inspired Prague’s Ballet dances delicately across pizzicato cello and featherweight marimba. Life Goes On tumbles – nay, somersaults – to Marius Neset’s melodica signature-tune positivity, a sign of Spring in the air as its jazz-orchestra cheerfulness (enhanced by Ingrid Neset’s lithe flute) is gatecrashed by percussion-fuelled vibraphone and pleasantly abrasive guitar chords. Perhaps its the West African influence which sparks such variety, Sirens of Cologne whirling to intoxicating samba grooves, deep vocal resonances, flutey songbirds – a full-on celebration.

Going right back to his 2011 release Golden Xplosion, as well as duo album Neck of the Woods with tubist Daniel Herskedal, Neset has always had a feel for an otherworldliness – and tenor feature Silent Room imagines lofty arches with its suspended sax lines and sensitive bass, piano and vibes support as it spirals into the heavens. At close on twelve minutes, 1994 almost needs separating from the pack to appreciate its fullness as it mesmerises with episodic vibrancy; and the saxophonist’s distinctive solo ‘hiccups’ announce ebullient Eclipse which brings the album’s opening chants and time-evocative carillons full circle.

Neset conceives such incredibly elaborate stories that they can sometimes be overwhelming to take in at one hearing – but Circle of Chimes becomes a joy as that intricate weave is gradually understood.

Released on 29 September and available from ACT Music, iTunes, Amazon, etc.

 

Marius Neset tenor saxophone, soprano saxophone, melodica
Lionel Loueke guitar, vocals
Andreas Brantelid cello
Ingrid Neset flute, piccolo, alto flute
Ivo Neame piano
Jim Hart vibraphone, marimba, percussion
Petter Eldh double bass
Anton Eger drums, percussion

mariusneset.info

ACT Music – ACT 9038-2 (2017)