‘Dream Feathers’ – Ron Caines / Martin Archer AXIS

THE DEPTH OF ORIGINAL MUSIC, newly created by artists and then fathomed further by our own imagination, remains a never-fading fascination – an opportunity to hear sounds for the very first time, and then continue to appraise and interpret them in relation our own experiences and circumstances. The possibilities are limitless.

Dream Feathers, presented by Ron Caines / Martin Archer AXIS, beautifully exemplifies that fact in a nine-track soundscape led by veteran saxophonist Caines (“composer”) and Sheffield multi-instrumentalist Archer (“studio enabler and magician”) where a multiplicity of melodies, textures, rhythms and field recordings abound. And whilst entirely accessible, both the freedom and blend of scored and improvised music takes this septet’s output far beyond a sequence of ‘jazz tunes’ and into an hour-long realm where the mind might freely roam the unexpected, eliciting visual and even visceral responses on a personal level.

Completing the line-up, pianist Laura Cole, guitarist Anton Hunter, double bassist Gus Garside and drummer Johnny Hunter – also proven masters of invention – paint canvases of acoustic and electronic colour which are enhanced with great effect by Hervé Perez’s field recordings, electronics and processing.

Throughout, Caines’ clear saxophonic tone/vibrato and ‘off-piste’ perambulations are a joy. In memorable, cyclic African Violets, piano and horns create a Coltranesque foundation for him to stretch out across Johnny Hunter’s shimmering cymbals and solid drumming impetus; and his easy alto lyricism in broad Uccello / 1934 (incidentally, a significant year in British classical music) becomes echoed by the most delightfully sparse electronic drones and electric-piano chimes. Free improv is prominent in mischievous, angular Mazeep; in prickly, unpredictable Harmonix; and in darker, mini-maelstrom Nico. But just as effective, and certainly more immersive, are the outer eleven-minute ‘movements’ – Rothko Veil / Dream Feathers and Almazon / 1934 Reprise – whose gently-shifting strata of extemporisation and complementary field captures seep into mind and heart, ultimately carried away through a canopy of woodland birdsong.

Challenging categorisation, Dream Feathers is a three-dimensional, headphones-on exploration of beauty and openness. The grooves may become pleasingly familiar, each time you listen, but the improvisatory spirit also sustains interest to return again and again to discover more.

Released on 13 November 2019 and available as CD or download from Discus Music at Bandcamp.

 

Ron Caines soprano, alto and tenor saxophones
Martin Archer bass clarinet, organ, electronics, horn section
Laura Cole acoustic and electric pianos, harmonium
Hervé Perez field recordings, electronics, sound design/processing
Anton Hunter guitar and electronics
Gus Garside double bass
Johnny Hunter drums

discus-music.co.uk
roncaines.co.uk

Discus Music (Discus 88CD) – 2019

‘Our New Earth’ – Sirkis/Bialas IQ (2CD)

IN HIS LINER NOTES to Our New Earth, esteemed drummer Bill Bruford references the dual basis of this 2CD release from the Sirkis/Bialas IQ (International Quartet): the challenge of improving our turbulent world, and an exploratory approach to music – “you don’t play what you practiced anymore”.

Read my full review at LondonJazz News…

Released 20 November 2019 and available as CD or digital download at MoonJune Records.

 

Asaf Sirkis drums, crotales, konnakol, manjira, frame drums
Sylwia Bialas voice, waterphone, overtone singing, konnakol, lyrics
Frank Harrison piano, keyboards
Kevin Glasgow six-string electric bass

MoonJune Records – MJR099 (2019)

‘e.s.t. live in Gothenburg’ – e.s.t. (2CD)

WHAT MORE can be said, what more can be heard of a band who, between 1993 and 2008, came to inspire a generation of artists and significantly expand the landscape of contemporary jazz?

Read my full review at LondonJazz News…

Released on 25 October 2019 and available from ACT Music.

 

Esbjörn Svensson piano
Dan Berglund double bass
Magnus Öström drums

est-music.com

ACT Music – ACT 9046-2 (2019)

‘Street Talk’ – Saxophone Summit

WHEN THE JOY AND THRILL of music-making gushes out of your speakers with a life force such as this, you know you’re onto a good thing.

Saxophone Summit is not simply the meeting of renowned reedsmen Dave Liebman, Joe Lovano and Greg Osby, but a fervent sextet completed by the similarly luminous names of drummer Billy Hart, pianist Phil Markowitz and double bassist Cecil McBee.

Read my full review at LondonJazz News…

Released on 4 October 2019, Street Talk is available from Proper Music.

Dave Liebman soprano sax
Joe Lovano tenor sax
Greg Osby alto sax
featuring
Billy Hart drums
Phil Markowitz piano
Cecil McBee bass

daveliebman.com
joelovano.com
gregosby.com

Enja Records – ENJA 9769 (2019)

‘Hidden Seas’ – Maria Chiara Argirò

PIANIST AND COMPOSER Maria Chiara Argirò’s 2017 album The Fall Dance arrived like a bolt out of the blue – an unexpected, emotional swirl from a sextet featuring the striking vocalisations of Leïla Martial. Now, follow-up release Hidden Seas takes a particularly pelagic theme, allowing Argirò’s imaginative, often driving artistry to swim freely.

Read my full review at LondonJazz News…

Released on 27 September 2019 and available as CD, 12″ vinyl and download from Bandcamp.

 

Maria Chiara Argirò piano, synthesizers, Fender Rhodes, Mellotron
Sam Rapley tenor saxophone, clarinet
Tal Janes electric guitar, acoustic guitar (percussion on Ocean)
Andrea Di Biase double bass
Gaspar Sena drums, percussion (vocals on Nautilus)
Leïla Martial vocals
featuring
Mauro Polito programming

www.mariachiaramusic.com

Cavalo Records (2019)

‘Beyond Good and Evil’ – Eyal Lovett

“I DIDN’T REALLY MEAN to make this album”, Eyal Lovett declares on the sleeve of his latest release, Beyond Good and Evil. It’s an intriguing opening gambit that is clarified by the fact that, after recording in the studio over the last few years, the Berlin-based pianist decided to capture his current band’s live shows at Leipzig’s Horns Erben music venue over three nights.

Read my full review at LondonJazz News…

Released on 26 July 2019, Beyond Good and Evil is available from Amazon.

 

Eyal Lovett piano
Eran Har Even electric guitar
Aidan Lowe drums
Gianfranco Coppola double bass

eyallovett.com

Berthold Records (2019)

‘Finding Home’ – Kate Williams’ Four Plus Three meets Georgia Mancio

‘SECRET, SILENT MOMENTS. Sweet, familiar voices. Colour into colour. Wonder into wonder. Beautiful traces play inside my mind.’

Those words from the coda of Finding Home’s final track, lovingly referencing those who have gone before us, also speak to me of the imaginative approach to this meticulous and poignant collaboration between Kate Williams’ Four Plus Three (the strings of The Guastalla Quartet alongside her piano trio with Oli Hayhurst and drummer Dave Ingamells) and vocalist Georgia Mancio.

Read my full review at LondonJazz News…

Released on 1 June 2019 and available from georgiamancio.com

 

Kate Williams piano, arrangements
Georgia Mancio voice
John Garner violin
Marie Schreer violin – featured on The Key
Francis Gallagher viola
Sergio Serra cello
Oli Hayhurst bass
David Ingamells drums
John Williams guitar – on Caminando, Caminando and We Walk (Slow Dawn)

Illustration by Alban Low

kate-williams-quartet.com
georgiamancio.com

KW Jazz – kwjazz002 (2019)