#recentlistening – February 2020 (2)

Julian Costello Quartet – Connections: without borders
Julian Costello, Maciek Pysz, Jakub Cywinski, Adam Teixeira
Release date: 28 February 2020 (33 Jazz Records)
www.33jazz.com

Andy Fleet – The Sleepless Kind
Andy Fleet, Andre Canniere, Zane Maertens, Joe Evans, Pete Kershaw, Chez Taylor, Sarah Doe
Release date: 31 March 2020
andyfleet.bandcamp.com

Andrew Bain – No Boundaries
Andrew Bain, Alex Bonney, Peter Evans, John O’Gallagher
Release date: 13 March 2020 (Whirlwind Recordings)
andrewbain.bandcamp.com

Sefrial – Sefrial
Sophie Stockham, Jake McMurchie, Joe Wilkins, Greg Cordez, Matt Brown
Release date: 6 March 2020
sefrial.com

Sarah Thorpe – Deep Blue Love
Sarah Thorpe, Olivier Hutman, Darryl Hall, John Betsch plus T.K. Blue, Josiah Woodson, Ronald Barker, Ismaël Nobour
Release date: 17 January 2020 (Dot Time Records)
dottimerecords.com / amazon.co.uk

Katrine Amsler – Laslafaria
Katrine Amsler, Qarin Wikström, Samuel Hällkvist, Nils Berg, Josef Kallerdahl, Knut Finsrud, Frederik Hauch, Stue Ericson, Stephan Sieben, Mike Højgaar
Release date: 6 March 2020 (BoogiePost Recordings)
katrineamsler.bandcamp.com

‘Last Things Last’ – Greg Cordez

Greg Cordez_Last

MUSIC sometimes has the curious approach of making one wait, in a ‘just stay with me, let’s see where this takes us’ kinda way; but after doing exactly that with bassist/composer Greg Cordez’s latest release, Last Things Last, its restrained beauty has gradually unfurled.   

UK-born and New Zealand-raised Cordez’s 2015 album, Paper Crane, is a return-to delight – and with a different instrumental angle and line-up, this follow-up presents a cool, Stateside aura which is perhaps enhanced by its Brooklyn recording location as well as the influence of production associate (and respected US bassist) Ben Allison. The leader describes his original compositions as exploring “themes of coincidence, optimism, and the slow dissolution of a personal relationship” – but, as suggested by its desolate gas-station cover, there’s also the tangibility of contemplative night-time journeying; a fitting soundtrack to endlessly snaking freeway lights ahead.

Alongside guitarist Steve Cardenas and drummer Allison Miller, Cordez pairs cornettist Kirk Knuffke and saxophonist Michael Blake upfront, their unison and contrapuntal horn melodies featuring strongly in eight numbers which don’t overstay their welcome; in fact, they succinctly say what they need to say, yet happily prompt repeat play.

The streetlight shuffle of Chekhov’s Gun is maintained through mobile electric bass groove, Rhodes-like guitar chords and fleeting electronics, with Knuffke and Blake intertwined in attractive, close riffs; and Cherry v Des Moines‘ American-rock bass pulse might easily invite a shouty vocal. But elsewhere, a hazy stillness pervades Cordez’s writing. Figlock‘s beautiful drowsiness is created by echoic horns and thrummed strings before crescendoing to pitch-bent electric guitar heaven; Last Things Last‘s resigned serenity is imbued with frail doubt, its brighter dawn inviting sublime individual guitar, sax and cornet improv; and Low Winter Sun‘s positivity is felt through gently propulsive rhythms and lasting melodies.

Charmingly soporific All That Is, with malleable rubato, allows the softness of Knuffke’s cornet and Blake’s sax to roam as they please, whilst Clementine‘s similar confidence in creating lush, open ground for solo and ensemble creativity provides a balm-like feel-good; and Junebug‘s cheery guitar-and-cornet ‘all is well’ tunefulness might even hint at Herb Alpert.

Cruise into the afterglow with Last Things Last… and see where it takes you.

Released on 18 August 2017 and available as a CD through Greg’s website (the break-up ‘F37 Glaser Street’ font takes an impressive tumble on the inlay tray!) or digitally at Bandcamp.

 

Kirk Knuffke cornet
Michael Blake saxophones
Steve Cardenas guitar
Greg Cordez bass
Allison Miller drums

gregcordez.com

Self-released (2017)