‘Wild Life’ – Hannes Riepler

wildlife_4-page-booklet.indd

RADIATING easy-going confidence and expressive, improvisatory freedom, guitarist Hannes Riepler’s new quartet release, Wild Life, balances West Coast cool with East End ebullience.

Born in Austria, though resident in London for the last decade and increasingly a key figure on the capital’s lively music scene, Riepler assembled this fine personnel from his popular weekly melting pot of international ‘happening’ jazz – Sunday night downstairs sessions at the Vortex Jazz Club. The spark of playing a set there with celebrated New York saxophonist Chris Cheek and established UK musicians Oli Hayhurst (double bass) and James Maddren (drums) ignited further collaboration, resulting in a 2015 European tour and this ‘live feel’ studio recording (his second as leader).

Riepler suggests that these eight tracks – mostly his own originals – are a reflection of the thronging multicultural community he is a part of (hence the ‘marketplace minstrel’ appearance on the CD cover!). There’s certainly a sense of momentum and discovery here; and whilst the predominant ‘easiness’ of this ensemble might initially allow these fifty-or-so minutes to blend pleasantly into the background, its impressive invention, detail and buoyant energy soon begin to emerge.

The guitarist’s sound is wholly integral to the quartet, either in understated chordal exploration or fleet solo line improvisation, as in Golden Rainbow which brightly breezes along to Chris Cheek’s fluid tenor delivery and James Maddren’s distinctive, hard-snare/tom exuberance. Nothing New … Just Beautiful‘s smooth openness highlights the lynchpin role of Riepler, laying down smouldering riffs and melodies for Cheek to take in new directions, as well as providing his own precise, self-accompanied forays; and the mobile guitar groove to Gillett Square Blues (alight at Dalston Kingsland station!) might conjure retro, swingin’ ’60s imagery, with tenor tumblings and a driving pulse from Maddren and Hayhurst.

Cheek’s composition Sailing Ships cuts through the swell with the sunniest of sax deliveries, Riepler matching Cheek’s feel-good with chromatic solo deftness and carefully woven rhythms to ease back into; and One Shot (the album opener) rocks out to this quartet’s incisive, responsive drum/bass pairing, with a whiff of livelier Joe Pass in Riepler’s showcases. Completing the urban portrait, title track Wild Life shuffles chirpily, and the impudence of the closing interpretation of singer-songwriter Beck’s pop-stomp, Modern Guilt, can’t fail to raise a smile (nay, a dance).

Released on 9 February 2016, Wild Life may well nudge its way into your affections – and there it might stay. Available directly from Jellymould Jazz.

 

Hannes Riepler guitar
Chris Cheek tenor saxophone
Oli Hayhurst double bass
James Maddren drums

hannesriepler.com

Jellymould Jazz – JJ-JM022 (2016)

‘Coalescence’ – Andre Canniere

Coalescence

A MASTERLY new release from trumpeter and composer Andre Canniere, ‘Coalescence’ presents a strong quintet line-up and a fine collection of nine originals.

Canniere’s debut with Whirlwind (‘Forward Space’, 2011) received numerous plaudits for its rock-driven jazz grooves. This new recording marks a shift to a more elaborate post-bop feel, displaying greater compositional eloquence… and delivered by a top team of Hannes Riepler (guitar), Ivo Neame (piano and accordion), Ryan Trebilcock (bass) and Jon Scott (drums).

American-raised Canniere (based in London since 2008) consistently delivers a clear, bright trumpet tone, immediately making its mark on his confident, bustling opener, Sweden Hill – Ivo Neame’s piano a particularly brilliant rhythmic and textural core. Hans Riepler’s guitar tone and technique are vital ingredients in this album’s mix. As well as his nimble soloing, a fascinating ‘chemical reaction’ occurs when he either shares or harmonises a melody with Canniere. Their tones are surprisingly close, beginning to resemble a paired trumpet or trumpet/sax frontline, but with the added string attack that Riepler’s guitar can bring – a full and engaging sound.

Gibbs and East is a great showcase for the trademark drumming of Jon Scott – a rock-solid, hard-edged, but also sensitive and imaginative player (heard with Kairos 4tet and Dice Factory) who provides the spectacular ‘snap, crackle and pop’ to a number which Canniere describes as his homage to Rochester, New York. Riepler comes to the fore in Nylon, providing pleasing guitar textures as well as a warm yet agile lead in a punchy and sometimes wonderfully clumping track in which Canniere bristles chromatically. In contrast, Gaslands – a commentary on the topical issue of US and UK fracking activity – finds Canniere soloing mournfully over a troubled backdrop of guitar wash and high piano elaboration.

The eleven-minute Zuid is a brash and lively stand-out, opening with impressive, sonorous, flexing bass. Canniere positively flies on this (Hubbard-like), Scott and Trebilcock providing and maintaining its fabulous motion which intentionally suggests memories of train journeys through Europe. And Ivo Neame provides characteristic shape, reflection and embellishment. Neame is becoming something of a pianistic chameleon in differing line-ups, able to re-invent his ‘colour’ of play – yet his innate musicality and wizardry always reveal the identity of an artist who is so evidently at the top of his game.

Parallax, from its first ear-catching guitar and bass riff, possesses a questioning, tentative air. As Trebilcock’s bass continues the same pulse, Canniere and Riepler freely expound on its subject of perceived change in perspectives, guitar and piano here a classy combination. The more urgent, guitar-led Point Zero acknowledges Canniere’s abhoration of inadequate gun laws in the States, Scott’s straight-talking drums and Neame’s accordion giving weight to the trumpet line. Finally, Neame’s spacious and delightful countrified piano is a key element of the homely, closing, Pennsylvania-inspired Elk Run – mellowness and memories the watchwords from Canniere.

This new quintet somehow has the ability to continually shed new light on their offering, the various nuances frequently revealing themselves differently each time – an indicator of their superb collaborative musicality. An excellent programme, and definitely a repeat player, ‘Coalescence’ is released on Whirlwind Recordings on 28 October 2013.


Andre Canniere
trumpet
Hannes Riepler guitar
Ivo Neame piano, accordion
Ryan Trebilcock bass
Jon Scott drums

Whirlwind Recordings – WR4642 (2013)

andrecanniere.com