‘Slowly Rolling Camera’ – Slowly Rolling Camera

SRC

IF YOU’RE SEARCHING for a pigeonhole in which to drop this eponymous debut release by new UK band Slowly Rolling Camera… well, you may struggle. Because, with a stirringly congruous mix of soul, electronica, trip hop, jazz, rock and soundtrack, Dave Stapleton and his associates have conceived a mesmerising yet cohesive soundscape which almost warrants a genre of its own.

There are obvious comparisons with the music of The Cinematic Orchestra and Portishead – but, somehow, this leaps beyond, into another vista. The core quartet comprises Stapleton himself as composer and keyboardist; vocalist and lyricist Dionne Bennett; Deri Roberts (producer, sound design and electronics); and drummer Elliot Bennett. But, in addition, from Stapleton’s Edition Records label, he employs the considerable skills of some of British jazz’s finest – bassist Jasper Høiby, Mark Lockheart on saxes, guitarist Chris Montague, and Neil Yates on trumpet, as well as synth player Matt Robertson – plus, important to the overall ‘widescreen’ sound, a splendid string octet. And, for the majority of the eleven numbers (with two bonus tracks), it is the commanding and enigmatic presence of Dionne Bennett, with her rich, dusky and soulful vocals, that ignites the project’s incandescent blaze.

The overriding groove of the whole album is one of smouldering intensity, as portrayed by opening track Protagonist which is propelled by the complex drum patterns of Elliot Bennett and coloured with Stapleton’s Zero7-type Fender Rhodes and organ. The unmistakably animated input of guitarist Chris Montague and alto sax player Mark Lockheart add weight to the layered vocals (“you give me the air I want to need to breathe”), all expertly sound-designed by Deri Roberts. From Jasper Høiby’s pliant opening bass riff, Dream a Life inhabits the world of movie soundtrack, with serene-but-edgy strings backing Dionne Bennett’s echoey, impassioned voice; and Rain That Falls conjures ‘007’ opening titles, lead vocal supported by the watery electric piano and high unison violins so evocative of that motion picture realm, Mark Lockheart displaying his customary, improvisatory sax eloquence. Bridge is redolent of Stapleton’s successful ‘Flight’ album, his Gorecki/Pärt-sounding strings laying the foundation for Dionne Bennett’s emotional words, beautifully enhanced by Neil Yates’ heartfelt, breathy, flugel-like trumpet, before dramatically bursting into fully-fledged majesty, drums underpinning with solid, shimmering brilliance.

Fragile Ground is particularly strong, both in terms of writing and production. Its ominous beginnings give way to powerful multi-tracked vocals matched by intense strings and drums (Elliot Bennett brings great intricacy as well as weight to his percussion) and clanging, sustained guitar chords provide that ‘TV thriller’ feel. Stapleton clearly relishes the real Rhodes sound (no samples here), his strongly-tremulant no-thirds chords a key feature of heavy-beat Two Roads; and the subtle momentum of segue River Runs Free flows beautifully into Rolling Clouds, an electronically-infused 11/8 instrumental featuring Montague’s sparky guitar lead and Lockheart’s sprightly soprano sax. But for a couple of bonus tracks included on the digital download, Color completes the album with Dionne Bennett’s floaty voice above swirling strings, backing vocals and electro-wizardry.

Experiencing one of the band’s early live performances, in London, I confirm that Slowly Rolling Camera create a soundworld which, if not unique, is pretty much unlike anything in our current sphere. The combination of smoky-soul vocals and cross-genre compositions – recorded and mixed by the highly regarded Andy Allan with Deri Roberts – is already creating quite a stir (with album two in development).

Available from Edition Records’ Bandcamp store, as well as iTunes and usual outlets (listen at SoundCloud).


Dionne Bennett
 lyricist, vocals
Dave Stapleton composer, Fender Rhodes, piano, Hammond organ
Deri Roberts producer, sound design, electronics, trombone, additional saxophone
Elliot Bennett drums
with
Jasper Høiby double bass
Chris Montague guitar
Mark Lockheart tenor and soprano saxophones
Neil Yates trumpet
Matt Robertson synths

Strings:
Jon Visanji violin
Catrin Win Morgan violin
Victoria Stapleton violin
Katy Rowe violin
Ilona Bondar viola
Rebekah Frost viola
Alice Hoskins cello
Sarah Stevens cello

Edition Records – EDN1048 (2014)

editionrecords.com

‘Everything We Hold’ – Kairos 4tet

Kairos

SURELY the greatest crime for any creative musician is to stand still – to churn out more of the same, ad infinitum (which, it has to be said, some recording artists are content in doing). But not so, in the case of venturous sax player Adam Waldmann’s ‘Kairos 4tet’. Since their highly promising 2009 debut, ‘Kairos Moment’ and sparkling 2011 follow-up, ‘Statement of Intent’, they have continued to push jazz frontiers to successfully forge a distinctive, progressive path for themselves.

Read my full review at LondonJazz News…

Available at Bandcamp.

Adam Waldmann saxophones
Ivo Neame piano
Jasper Høiby bass
Jon Scott drums
with guest vocalists
Emilia Martensson
Marc O’Reilly
Omar

kairos4tet.com

Nail Label – naimcd191 (2013)

‘Entertaining Tyrants’ – Compassionate Dictatorship

CompassionD

COMPASSIONATE DICTATORSHIP have been playing together for around six years, recording twice before (‘Coup d’Etat’ and ‘Cash Cows’). ‘Entertaining Tyrants’, however, is the quartet’s first release with progressive young British label, Jellymould Jazz, consolidating their already distinctive sound.

The personnel is outstanding – Tori Freestone (tenor sax), Jez Franks (guitar), Jasper Høiby (double bass), James Maddren (drums) – and, between them, this esteemed line-up create a powerful yet beautifully crafted set of nine Franks and/or Freestone compositions, all presented with an impressive display of mutual understanding, collaboration and musicianship. The melodic pairing is excellent: Freestone’s characteristic tenor delivery, in turns both mellifluous and gritty; Franks slickly switching from bright solo cadences to lush chord progressions.

Having listened over and over to ‘Tyrants’ (released 29 April 2013), this is a classic example of what I happily refer to as a ‘jazz treasure chest’. Opening the lid, it’s obvious straightaway that there is much inside to delight – deeper inspection, though, fascinatingly reveals greater ‘jewels’ as they very gradually come to the surface. And what a hoard!…

‘Anger Management’, with its sarcastic opening tenor call and sneering guitar replies, immediately provides a curiously-appealing, edgy tension. The energy here is wonderful, as is the terrific interplay between these close musical minds – and what sounds like a free-for-all is, in fact, a masterclass in control and shared voice. ‘In the Chophouse’ displays smart improvisation, as well as delicate guitar washes. ‘Bubble and Squeak’s momentum is skilfully carried by Jasper Høiby’s fluent bass and James Maddren’s incisive rhythm; calm is briefly restored with the lofty ‘Sit Tight’.

Changing tempi and close sax/guitar work are a feature of the attractive ‘Universal 4’, with Høiby’s recognisably colourful lines breaking through and Maddren setting an intricately shimmering pace. On ‘Ratios’, the guitar lays down a gentler pulse for Freestone to solo over, with Franks also contributing flowing improvisation. ‘Pottering Around’ is a standout, the tenor’s initial plaintive sound encouraging the group to freely exchange ideas (it’s lovely stuff) before gleefully breaking into a great guitar-driven groove with a mischievous ascending, spiralling tenor catch, Høiby and Maddren again a class act with their tight rhythmic contribution. A sense of anarchy (and fun!) pervades ‘Precious’, Freestone contrasting hard-pushing screeches with beautifully sonorous low-register passages, whilst ‘Loop’ closes the album with a mellow, perhaps slightly dark, serenity.

The quartet’s recorded sound, thanks to Nic Taylor and Dominic Sales, is crisp and clean, giving the listener a satisfyingly close experience, as well as a longing to witness, first hand, their exciting live chemistry! Good to see, then, that the Dictatorship have issued an accompanying tour schedule (with more dates to be added):

11 May 2013: Skein Jazz, Norway
23 May 2013: Hebden Bridge, UK
2 June 2013: Colchester Arts, UK
3 June 2013: Sela Bar, Leeds, UK
11 June: The Spin, Oxford, UK
1 September 2013: Milestones Jazz Club, Lowestoft, UK
17 November 2013: Teignmouth Jazz Festival, UK

A great album to get inside – highly recommended.

 

http://www.jellymouldjazz.net/releases/compassionate-dictatorship-entertaining-tyrants/
http://www.compassionatedictatorship.co.uk/

Jellymould Jazz – JM-JJ011 (2013)