‘While Looking Up’ – Jimmy Greene

LOVE at first ‘sound’. All it took was the brightly flowing and eddying preview track, April 4th. But that touch of ‘American cool’, with glinting soprano sax, flute and vibraphone, is just one facet of saxophonist and woodwind player Jimmy Greene’s latest release, While Looking Up.

Greene is clearly a man whose faith guides him through the best and certainly the very worst of times (the latter, specifically, an unimaginable family tragedy in 2012). And amidst the turbulence of our world, his pastor‘s words provided inspiration for the title: “If I’m not able to find strength or peace by looking inward, or if I’m not able to do it by looking outward to my immediate surroundings, I have to look upward”.

From a back catalogue including Grammy-nominated Beautiful Life, 2009’s Mission Statement marked a specific musical turning point for Greene and more recently reminded him of those musicians he hadn’t recorded with for some time. So as well as a core trio with bassist Reuben Rogers and drummer Kendrick Scott, the majority of these ten tracks are also greatly illuminated by Aaron Goldberg (piano, Fender Rhodes) and Lage Lund (guitar), with piquant contributions from Stefon Harris (marimba, vibes). All are established bandleaders in their own right, which explains how assuredly their personal expressions meld in an album of exquisite beauty and positivity.

Arranging Cole Porter’s So In Love, Greene’s soprano displays the kind of playful agility associated with Wayne Shorter, chromatically darting above the joyful sway of its bossa rhythms. But his own compositions can hit a pressing complexity – for example, the smouldering, bluesy Fender Rhodes groove of No Words with discordant guitar and husky tenor and the fever-pitch morse-code pulsations of Always There, accentuated by Harris’s marimba – an outstanding sextet collaboration. In Good Morning Heartache (remember – Billie Holliday), Greene’s deliciously fluid tenor almost sings those ‘might as well get used to you hanging around’ lyrics, though it’s also tinged with a father’s grief; and it’s Goldberg’s piano riff again, on Overreaction, which sparks the breathless Weather Report/Moutin Reunion Quartet-style fervour. The title track, too, shares something of that feel, with lustrous guitar.    

In addition to charming April 4th (a poignant anniversary for Greene), there are other pure, airy moments of reflection such as optimistic Steadfast and the leisurely gospel-soul of Simple Prayer. But perhaps most unlikely is a luscious, balladic reworking of the Whitney Houston hit I Wanna Dance With Somebody (Who Loves Me), full of serene nostalgia and emotion; and, as ever, the gorgeous tenor technique is supported by the spacial sensitivity of this band.

Throughout While Looking Up, Jimmy Greene unequivocally confirms his absolute truth, recognised by empathetic musicians and listeners alike: “At its best, music transforms us and transports us to another place. We lose ourselves in it”. Amen to that.

Released on 3 April 2020 and available from Proper Music, Mack Avenue and Apple Music.

 

Jimmy Greene soprano saxophone, tenor saxophone, flute, clarinet, bass clarinet
Reuben Rogers bass
Kendrick Scott drums
Aaron Goldberg piano, Fender Rhodes
Lage Lund guitar
Stefon Harris marimba, vibraphone

jimmygreene.com

Mack Avenue – MAC1154 (2020)

#recentlistening – March 2020 (2)

Jimmy Greene – While Looking Up
Jimmy Greene, Reuben Rogers, Kendrick Scott, Aaron Goldberg, Stefon Harris, Lage Lund
Release date: 3 April 2020 (Mack Avenue Records)
mackavenue.com / propermusic.com

Pericopes+1 – UP
Emiliano Vernici, Alessandro Sgobbio, Nick Wight
Release date: 6 March 2020 (Losen Records)
pericopes.it / losenrecords.no

Jasper Høiby – Planet B
Jasper Høiby, Josh Arcoleo, Marc Michel
Release date: 6 March 2020 (Edition Records)
jasperhoiby.bandcamp.com

Kenny Barron / Dave Holland Trio feat. Johnathan Blake – Without Deception
Kenny Barron, Dave Holland, Johnathan Blake
Release date: 6 March 2020 (Dare2 Records)
dave holland.com / propermusic.com

Article XI – Live in Newcastle
Sam Andreae, Oliver Dover, Simon Prince, Cath Roberts, Graham South, Nick Walters, Kieran McLeod, Tullis Rennie, Seth Bennett, Johnny Hunter, Anton Hunter
Release date: 16 March 2020 (Discus Music)
discusmusic.bandcamp.com

Agile Experiments – Alive in the Empire (vinyl)
John Edwards, Dan Nicholls, George Crowley, Dave De Rose
Release date: 27 March 2020 (Dave De Rose Records)
davederosemusic.bandcamp.com

‘We Make The Rules’ – Jochen Rueckert

CDDG6T1-002.pdf

THE MAXIM of German drummer, composer and bandleader Jochen Rueckert is certainly meritorious as his quartet releases We Make The Rules, captured following an international tour: “I’m getting a little allergic to ‘project style recordings’, where you play music in the studio without being able to fine tune it on the road. All said and done, the music on the album was recorded in only seven hours and six of the tracks are first takes, the rest second takes. The perks of having a working band!”.

That ethos is palpable in the assured immediacy of his interaction with fellow NYC-based band members Mark Turner (tenor sax), Lage Lund (electric guitar) and Matt Penman (acoustic bass), with whom he has worked for the last few years – all nine numbers here were written specifically for this grouping. It’s a sequence that requires ‘total immersion’ to fully appreciate its experiential depth, as these musicians are experts in detail and have evidently honed Rueckert’s technical, written frameworks before embarking with their panoply of break-loose extemporisations – there’s never any sense that this quartet is safely going through the motions.

The luxuriance of Mark Turner’s tenor is immediately apparent in opening number Eggshells, perfectly matched to the mellow solo and chordal reverberations of Lage Lund’s guitar; and Matt Penman and Jochen Rueckert provide its sensitive, detailed rhythmic buoyancy. Pretty From Afar displays a similar line of accomplishment, with a freer central section which finds guitar and sax weaving ideas together, the balance beautifully observed; and fans of TV’s Breaking Bad, take note – Saul Goodman swaggers to fine bass work from Penman (‘s’all good, man!).

Title track We Make The Rules is delightfully ebullient – and Rueckert, though never dominating proceedings, underpins his three colleagues’ improvisations with increasingly strident, ticking complexity. Slow ballad Bess glides unerringly to the softness of bass and drums, Turner’s congenial tenor lines melding effortlessly with Lund’s lusciously-woven chords; and there’s a mischievous streak to The Cook Strait which invites a more open dialogue amongst the quartet.

Rueckert’s cerebrally-intended Alloplasty is characterised by the enhanced echoings of Lund’s guitar, and the entire sequence ripples pleasingly to impressive drum patterns and Turner’s eloquent searchings. Following, the faster swing of Yellow Bottoms encourages Lund further into the spotlight with his measured-yet-leftfield creativity – a joy to hear; and finally, Manong Twilight At The Whatever Hotel (inspired by an artwork by the composer’s late jazz aficionado uncle) comfortably relaxes into a sublime, soporific haze in which tenorist Mark Turner basks.

Jochen Rueckert’s Whirlwind debut may not shout out strongly memorable melodies or revolutionary techniques – but it radiates an understated warmth and sophistication which is so very appealing. Released on 13 October 2014, visit the We Make The Rules album page for further information, audio samples, promo video and purchasing.

 

Mark Turner tenor sax
Lage Lund electric guitar
Matt Penman acoustic bass
Jochen Rueckert drums

jochenrueckert.net

Whirlwind Recordings – WR4658 (2014)