RECENT LISTENING: June 2021

‘Divided Horizon’ – Aki Rissanen
Aki Rissanen – solo piano/Omniwerk
Release date: 25 June 2021
editionrecords.com

‘Right Here, Right Now’Charlotte Keeffe
Charlotte Keeffe, Moss Freed, Ben Handysides, Ashley John Long, Diego Sampieri, London Improvisers Orchestra
Release date: 11 June 2021
discusmusic.bandcamp.com

‘Path of Seven Colors’ – Ches Smith’s We All Break
Ches Smith, Matt Mitchell, Miguel Zenón, Sirene Dantor Rene, Daniel Brevil, Markus Schwartz, Fanfan Jean-Guy Rene
Release date: 11 June 2021
weallbreakpyroclastic.bandcamp.com

‘Tales from the Jacquard’ – Julian Siegel Jazz Orchestra
Julian Siegel, Nick Smart, Tom Walsh, Percy Pursglove, Henry Lowther, Claus Stotter, Mark Nightingale, Trevor Mires, Harry Brown, Richard Henry, Mike Chillingworth, Jason Yarde, Stan Sulzmann, Tori Freestone, Gemma Moore, Mike Outram, Liam Noble, Oli Hayhurst, Gene Calderazzo
Release date: 25 June 2021
juliansiegel-whirlwind.bandcamp.com

‘We’re Young Pilgrims’ – Young Pilgrims
Richard Foote, Kieran McLeod, Mike Adlington, Sean Gibbs, Sam Wooster, Michael Owers, Chris Maddock, Jonathan Silk, Euan Palmer
Release date: 18 June 2021
emporium.stoneylane.net

‘Isn’t It Romantic?’ – Aki Takase, Daniel Erdmann
Aki Takase, Daniel Erdmann
Release date: 7 May 2021
bmcrecords.hu

RECENT LISTENING: August 2019 (2)

Espen Berg Trio – Free to Play
Espen Berg, Bárður Reinert Poulsen, Simon Olderskog Albertsen 
Release date: 6 September 2019 (Odin Records)
propermusic.com/product-details/Espen-Berg-Trio-Free-To-Play-270001

Maria Chiara Argirò – Hidden Seas
Maria Chiara Argirò, Leïla Martial, Sam Rapley, Tal Janes, Andrea Di Biase, Gaspar Sena
Release date: 27 September 2019 (Cavalo Records)
mariachiaramusic.bandcamp.com/album/hidden-seas

João Lencastre’s Communion 3 – Song(s) of Hope
João Lencastre, Jacob Sacks, Eivind Opsvik
Release date: 20 September 2019 (Clean Feed)
joaolencastre.bandcamp.com/album/song-s-of-hope

Pigfoot – Pigfoot Shuffle
Chris Batchelor, James Allsopp, Liam Noble, Paul Clarvis
Release date: 6 September 2019 (Pokey Records)
chrisbatchelor.bandcamp.com/releases

Daniel Erdmann’s Velvet Revolution – Won’t Put No Flag Out
Daniel Erdmann, Théo Ceccaldi, Jim Hart
Release date: 13 September 2019 (BMC Records)
bmcrecords.hu/pages/frameset/index.php

Oddarrang – Hypermetros
Olavi Louhivuori, Osmo Ikonen, Ilmari Pohjola, Lasse Sakara, Lasse Lindgren
Release date: 27 September 2019 (Edition Records)
oddarrang.bandcamp.com/album/hypermetros

RECENT LISTENING: June 2019 (1)

Fred Hersch & The WDR Big Band – Begin Again
Fred Hersch, The WDR Big Band, arranged and conducted by Vince Mendoza
Release date: 7 June 2019 (Palmetto Records)
propermusic.com

Tori Freestone Trio – El Mar de Nubes
Tori Freestone, Dave Manington, Tim Giles
Release date: 31 May 2019 (Whirlwind Recordings)
torifreestone.bandcamp.com

Liam Noble – The Long Game
Liam Noble, Tom Herbert, Seb Rochford
Release date: 7 June 2019 (Edition Records)
liamnoble.bandcamp.com

Dave Liebman ± Richie Beirach – Eternal Voices
Dave Liebman, Richie Beirach
Release date: 14 June 2019 (Jazzline)
propermusic.com

Kevin Holbrough – Influences
Kevin Holbrough, Dave Newton, Sebastian de Krom, Zoltan Dekany
Release date: 29 May 2019 (New Jazz Records)
newjazzrecords.bandcamp.com

Babelfish – Once Upon a Tide
Brigitte Beraha, Barry Green, Chris Laurence, Paul Clarvis
Release date: 29 June 2019 (Moletone Records)
amazon.co.uk [awaiting more links]

RECENT LISTENING: February 2019

Fractal Guitar – Stephan Thelen
Stephan Thelen, Markus Reuter, David Torn…
Released 18 January 2019 on MoonJune Records
stephanthelan-moonjune.bandcamp.com

Head First – John Turville
John Turville, Julian Argüelles, Robbie Robson, Dave Whitford, James Maddren
Releases 22 February 2019 on Whirlwind Recordings
johnturville.bandcamp.com

Days on Earth – Mark Lockheart
Mark Lockheart, Alice Leggett, Liam Noble, John Parricelli, Tom Herbert, Sebastian Rochford
and 30-piece orchestra conducted by John Ashton Thomas
Released 18 January 2019 on Edition Records
marklockheart.bandcamp.com

Bubbles – Lieven Venken/Rene Hart/Anat Fort Trio
Lieven Venken, Rene Hart, Anat Fort
Released 1 February 2019 on Hypnote Records
hypnoterecords.com

‘The Day I Had Everything’ – Malija

Malija

IT’S A FEELING that probably resonates with most of us; as kids, relishing those long, school summer holidays stretching out in front, safe in the knowledge that with each seemingly endless day came the freedom to explore and make new discoveries with friends.

Entitling this new album The Day I Had Everything, saxophonist Mark Lockheart expresses that same kind of excitement in a working environment with equally adroit colleagues, Jasper Høiby (double bass) and Liam Noble (piano). “The sheer excitement one has as a child getting up in the morning and not being able to decide what to do first” is Lockheart’s parallel to the process of pooling their own, original compositions and the pleasure of developing and recording them in the studio; and whilst their perhaps African-sounding trio name is nothing more than a connecting of forenames, it clearly reinforces their unalloyed musical cohesion and friendship (first collaborating on Mark Lockheart’s impressive 2009 album In Deep).

What becomes fascinating across these 56 minutes is that each of the three players’ contributions are often stamped with their recognisable, individual characters, whilst also possessing an openness and eclecticism which continually delights. Malija’s realm is far away from a standards trio, and the element of surprise remains strong throughout, as does the group’s flawless musicality and invention… frequently flecked with coltish exuberance and tangible mischievousness.

Enter at any point in this 11-track release and there is soon the realisation of both depth and warmth in the unfolding artistry. The eccentric folksiness of Lockheart’s opener, Squared, might easily have its roots in Dave Brubeck’s Unsquare Dance as his signature full tenor voice weaves around jaunty piano and bass grooving, plus an ever-present tinge of the unexpected; and intricately-constructed Mr Wrack (after Noble’s technical drawing teacher) anarchically bursts into a Beach Boys-style piano riff, increasingly swelled by the Ligeti Quartet’s chattering grandeur and Lockheart’s wonderfully disorderly screeching. Jasper Høiby’s occasionally-tripped-up walking-5/4 Unknown is quietly cheerful, with a cross-pollination of phrases and subtle horn / bass clarinet layering underpinning flighty soprano sax, whilst The Pianist shunts and grunges to Noble’s bass fifths and bluesy ornamentation in tandem with brash, almost cackling tenor (and so deeply satisfying!).

Høiby’s bass harmonics (redolent of his Phronesis) and the added complexity of modal, out-of-body riffs from Noble and Lockheart’s soprano tee-up the pianist’s Wheels, happily jarring the senses before finding a more freewheeling clear road ahead; and the bassist’s shadowy title track Malija (with such a memorable, searching melody) seems to reference his work with Kairos 4tet – an exquisite, richly-tenored wellspring of beauty. Almost a Tango is typically Mark Lockheart, full of shifting dance rhythms, textures and moods (not unlike the writing on his acclaimed release Ellington in Anticipation), all three players seeming to wallow in its quirky splendour.

An echoic, slowly-oscillating piano-and-bass motif in Liam Noble’s miniature, Blues, melds superbly with breathy tenor (Polar Bear minus electronics?); then the saxophonist’s charming, breezy One For Us emerges like a beloved classic at the end of a set, and could easily invite a delicate vocal from Cleo Laine or Norma Winstone. Wayne’s World – Høiby’s tribute to Wayne Shorter, with his sinewy bass encircling the whole piece – gives free rein to Noble and Lockheart to improvise more abstractedly and, in the detail, still more deliciously, Then, closing anthemically yet mysteriously, and integrating the Ligeti’s strings, Mark Lockheart’s With One Voice feels imbued with the spirits of both Michael Tippett and Joe Zawinul, its poignancy filled once again with the tenorist’s unmistakable, luxurious tones.

Listening now, and in musical and emotional terms… this feels like I have everything.

Released on 27 November 2015 – available as CD, download and 12″ vinyl at Edition Records’ Bandcamp store.

 

Mark Lockheart saxophones, bass clarinet
Jasper Høiby double bass
Liam Noble piano
with
Ligeti Quartet (on Mr Wrack and With One Voice)

Edition Records – EDN1064 (2015)

‘A Room Somewhere’ – Liam Noble

LiamNoble

LISTENING BACK through the CD collection of recent years, it’s the inquiring pianism of Liam Noble that provides an edge to recordings by the likes of Mark Lockheart, Julian Siegel, Alex Garnett and the delightfully anarchic Pigfoot.

As an educator, Noble no doubt inspires the same satisfying, left-field spirit of creativity in others, whilst his 2009 trio ‘take’ on Dave Brubeck’s work was hailed by the late, great man as “an inspiration and a challenge for me to carry on in the avenues that you have opened. I’ve never gone so far into the unknown as you three but I have opened the door and peeked in. Your CD is an invitation to enter.

Now, with his first solo release in 20 years, the pianist quite remarkably reveals his intentional avoidance of writing music for the two-day studio session. And whilst such ultimate freedom in improvisation might initially seem disconcerting, the recorded opportunity to re-visit these imaginings provides the intrigue (Noble likening his deconstructed interpretations of familiar tunes to slalom skiing: “Taking out all the poles, only a bare slope remains. So I leave some in, but try to surprise myself (and the listener) about where they are”).

It’s a fascinating course to traverse, the recognisable melody of Wouldn’t It Be Loverly (the ‘room somewhere’ from My Fair Lady) coming more clearly into view towards the finishing line, once Noble has freestyled obliquely. Through its sparseness and melancholy, Paul Simon’s Tenderness is easily discerned, though flecked with sumptuous, alternative chordal colour and sensitive rubato; and Noble’s bubbling solo piano variation of Directions is striking in its acoustic interpretation of Joe Zawinul’s electronic, early fusion abstractness. Classic There Is No Greater Love swaggers and swings brightly (imagine an animated and varied conversation between Ellington and Monk) – and here, as frequently throughout the album’s sequence, the urge to replay and catch new detail is compelling. Indeed, Thelonious Monk’s own Round Midnight hides amongst the shadows in Noble’s considered ruminations, demanding careful attention.

The memory of the late, great Kenny Wheeler is honoured in a bustling reading of Sophie (from Music for Large & Small Ensembles); and standard Body and Soul is the subject of perhaps the most impressionistic of all of the pianist’s concepts, initially far removed from any thoughts of Louis or Billie – yet it slowly and delicately unfurls to reveal its beauteous jazz hues. Six White Horses is a real ear-grabber, with Noble simulating so well the US Country feel of the galloping, banjo-accompanied original, especially through judicious internal muting of the piano strings.

And then there are Noble’s own creations – Major Minor, which rings to deep-end prepared piano and percussive, Ginastera-like flair; Now, whose chiming harmonics are a joy (with Debussian overdub melodic variation Now and Then); and I Wish Played Guitar, its magnificently disturbed undertow reflecting the title.

Quite what Sir Ed (and Lady Elgar) might think of the pianist’s closing “tinkering” with their engagement celebration piece, Salut d’Amour… well, I could probably guess! But, though it takes far more liberties than Ken Russell’s classic Monitor movie of the early ’60s, it does reveal a deep understanding of the salon favourite’s harmonic structure – and ‘Edu’ enjoyed a jape or two.

So, what of the macaw sharing the cover art spotlight? It’s Liam’s “accomplice” – a visual metaphor for the colourful unpredictability of it all. Mr Brubeck would surely recommend ‘peeking in and entering.’

Released on 25 May 2015 – on Basho Records – A Room Somewhere is available from JazzCDs and all good jazz outlets.

 

Liam Noble piano

liamnoble.co.uk

Basho Records – SRCD 48-2 (2015)