REVIEW: ‘Christmas With My Friends VII’ – Nils Landgren

NO ONE could have imagined, when this project first began in a Swedish medieval church in December 2005, what a poignancy its title would bring some fifteen years later. For alongside the observance and festivity of the Christmas season, this year we may also be remembering those lost to a global pandemic, as well as family and friends with whom we cannot yet get together. But amidst all of this, Nils Landgren and colleagues have chosen to continue their reassuringly familiar and easy-going brand of schmaltz, tenderness, joy and reflection in Christmas With My Friends VII.

Following the previous six volumes (including IV and V), Landgren is again joined by singers Sharon Dyall, Jeanette Köhn and Jessica Pilnäs, while Ida Sand (vocals, piano), Jonas Knutsson (saxophones), Eva Kruse (bass) and Johan Norberg (guitar, mandolin) provide the distinctive ambient glow. At the suggestion of ACT Music label owner Siggi Loch, the trombonist and vocalist has cast the net wider in terms of garnering fourteen songs from around the world, their listed countries of origin connecting us through the best and, indeed, the worst of times.

Credited with shaping the album’s eclectic sequence, Swedish guitarist Johan Norberg provides acapella introduction This Christmas, whose theme of joy and hope is continued in Comin’ Home For Christmas, Jonas Knutsson’s soprano sax embellishing its easy pop/folk groove. Franz Schubert’s Ave Maria is given a balladic, almost 1950s rock‘n’roll lilt through its vocal harmonies and Landgren’s signature trombone smoothness; and traditional Irish carol This Endris Night is bathed in gentle, shimmering light.

The predictable melody and chord sequence of Russian song The Forest Raised A Christmas Tree, in this arrangement, has a whiff of soft American folk/rock; but forgettable US soul/pop tune Just Another Christmas Song feels a touch too shallow for this collection, a ‘cheeseboard’ crammed with as many festive song lines or titles as possible! Back on track, delicate Polish lullaby of the nativity, Gdy süliczna Panna, has far greater charm, particularly for its memorable chorus; and in a swift change of mood, joyful, harmonized South African chant Sizalelwe Indodana (Unto Us A Son Is Born) features a delightful baritone sax and trombone break.

Sweet Was the Song begins a sequence of candlelit intimacy that harks back to the project’s humble but special beginnings – there’s something so wonderfully spatial about the blend of instrumentation and vocalisation in these pieces. For example, Ingibjörg Þorbergs’ simple Icelandic tune Hin fyrstu jól (The First Christmas) is attractively stated then improvised upon by a gallery quartet of mandolin, double bass, soprano sax and trombone; and Benjamin Britten’s processional Hodie Christus (from ‘A Ceremony of Carols’) becomes exalted through an expectant, sky-filled plainchant-and-horn annunciation – a beautiful, crisp atmosphere.

This sense of tradition continues in tender Finnish carol Sylvian Joululaulu – Knutsson’s soft, subtly gruff sax tone is always a pleasure to hear, complementing the clear vocal. En förtvivlad vän offers a similar aura of calm before the concluding ensemble greeting of José Feliciano’s Feliz Navidad is extended with gentle, fireside warmth.

Christmas 2020’s celebrations will need some alternative imagination on our part. But the unswerving feel-good of Nils Landgren and friends this yuletide, and in years to come, offers us some semblance of peace and cheer. ‘Gud välsigna oss alla’.

Released on 10 October 2020 and available in CD and vinyl formats at ACT Music.

 

Nils Landgren trombone, vocals
Sharon Dyall vocals
Jonas Knutsson saxophones
Jeanette Köhn vocals
Eva Kruse bass
Jessica Pilnäs vocals
Ida Sand vocals, piano
Johan Norberg guitar, mandolin

nilslandgren.com

ACT Music – ACT 9916-2 (2020)