REVIEW: ‘A New Dawn’ – Marius Neset

SAFE TO SAY, in these uncertain times, we’re all looking for that silver lining; or, in the case of acclaimed Norwegian tenor saxophonist Marius Neset, the gilt-edged promise of A New Dawn.

Over the last decade or so, Neset has produced an extraordinary catalogue of original work – a distinctive melange of contemporary jazz and Scandinavian folk – often overloading the senses with complex, dizzying arrangements for small and large forces (the latter, in 2020 big band creation, Tributes). But as we know, the pandemic’s restrictions have dramatically shifted the current artistic landscape, with numerous ‘lockdown’ recordings appearing as musicians have sought alternative ways to express their artistry and keep their craft, technique and livelihoods on track. For the saxophonist, this global situation provided the opportunity to fulfil a long-held ambition – to record an album of solo tenor explorations (some of which he had originally written for band or symphony orchestra) without overdubs or effects. He describes it as “an amazing challenge – and also a bit scary: I cannot lean back on a rhythm section or another player, I am completely responsible for every little detail in the music myself”.

The proposition of a single horn player presenting an entire recording of solo material may not, initially, seem entirely tantalising. But those who can cast their mind back to 2011 debut Golden Xplosion – and his astounding live sets – will know that ‘unaccompanied’ in Neset’s world is anything but. Captured earlier this year, A New Dawn celebrates those extraordinary (dare it be said, unique) capabilities which naturally, over time, have been developed and honed into the bewildering wonder heard across these nine self-composed tracks. It’s an engaging display of melodic, rhythmic and chordal prowess – ‘chordal’, because Neset’s signature wizardry in stating or implying key signatures and progressions, through agile employment of ‘arpeggioed’ phrases and harmonics, is pivotal to this album’s success.

Those attributes can clearly be heard in the opening title track, where melodic phrases (in thirds, including bass line!) push it towards pop ballad territory, though also including Neset’s seemingly effortless improvisations. Theme from Manmade crackles like popcorn, its complex, bopping structure unfathomable in terms of such deft execution, and with the snatched breathing and rapidity of key clicks clearly audible. Taste of Spring unfurls, fern-like, in the lower registers before gradually climbing towards the sun with preening optimism and astonishing fluidity. In that vein, folk dance Brighter Times creates wondrous, gruff chordal sequences from harmonics, even hinting at a bluesy, Caribbean vibe; and with such richness, it’s easy to envisage one of Neset’s sumptuous big band arrangements piling in, midway.

Two numbers from that decade-old golden debut (with Django Bates, Jasper Høiby and Anton Eger) are reinterpreted. Old Poison (XL) rises from its impudent, slow beginnings (including a sneaky “look at me” at 0:38) into an audicious, mesmeric climax whose transcription would no doubt be mindblowing to view. Equally impertinent, groove-chasing The Real Ysj squeaks and rollercoasters at a hair-raising tempo. Back nearer terra firma, chirpy folksong A Day in the Sparrow’s Life is another ‘self-accompanied’ delight, its suggested verse-and-chorus structure pausing for contemplation before one of Neset’s most scintillating full-band impressions. Morning Mist’s murky trudge is shot through with shrill tenor wails and screams, but amidst it all is also the most beautifully wistful descending figure; and alpenhorn-hued multiphonics herald Theme from Every Little Step, a near-seven-minute paean reminiscent of Neset’s sublime work with tubist Daniel Herskedal, his mind wandering free.

Describing the “beautiful, sunny and very cold winter day” on which this recording was created, in a studio close to his Oslo home – while also contemplating the good and simple things in life: walking, running, skiing and being with family – Marius Neset’s solitary performances look ahead to brighter days. The spirit and grace of A New Dawn can point us in that direction, too.

Released on 30 April 2021 and available from ACT Music.

 

Marius Neset tenor saxophone, compositions

mariusneset.info

ACT Music – 9930-2 (2021)

TOP 12 OF 2020

DISTILLING a year’s music into just a few highlights isn’t easy! But during 2020, when (perhaps for all of us) emotions have been unpredictable, the wonderful creativity of much-valued jazz artists, alongside classical and folk interests, has been instrumental in ‘holding it together’. So, below are a dozen reviewed albums that I have frequently returned to for solace, for joy, for introspection, for escapism, and to accompany an eventual reacquaintance with ‘the great outdoors’. Presented in no particular order, I encourage you to follow the links to sample, purchase and enjoy these treasures.

Season’s greetings. Stay safe.

🎹 AP

Going Down The Well – MoonMot
Dee Byrne, Simon Petermann, Cath Roberts, Oli Kuster, Seth Bennett, Johnny Hunter
Release date: 14 February 2020 (Unit Records)
Review and purchasing link:
https://ap-reviews.com/2020/02/13/going-down-the-well-moonmot/

Tributes – Marius Neset
Marius Neset, Danish Radio Big Band conducted by Miho Hazama
Release date: 25 September 2020 (ACT Music)
Review and purchasing link:
https://ap-reviews.com/2020/09/22/review-tributes-marius-neset/

By And By – Graham South Quartet
Graham South, Richard Jones, Seth Bennett, Johnny Hunter
Release date: 18 September 2020 (Efpi Records)
Review and purchasing link:
https://ap-reviews.com/2020/09/18/review-by-and-by-graham-south-quartet/

Tenacity – Django Bates
Django Bates, Petter Eldh, Peter Bruun, Norbotten Big Band
Release date: 2 October 2020 (Lost Marble)
Review and purchasing link:
https://ap-reviews.com/2020/09/30/review-tenacity-django-bates/

Rickety Racket – Martin Pyne
Philippe Guyard, Russell Jarrett, Marianne Windham, Martin Pyne
Release date: 3 April 2020 (Tall Guy Records)
Review and purchasing link:
https://ap-reviews.com/2020/05/08/rickety-rackety-martin-pyne-quartet/
(see also Spirits of Absent Dancers)

Mór – Agnar Már Magnússon
Agnar Már Magnússon, Valdimar Kolbeinn Sigurjónsson, Matthías Hemstock, Stefán Jón Bernharðsson, Asbjörn Ibsen Bruun, Frank Hammarin, Nimrod Ron
Release date: 1 September 2020 (Dimma)
Review and purchasing link:
https://ap-reviews.com/2020/10/05/review-mor-agnar-mar-magnusson/

While Looking Up – Jimmy Greene
Jimmy Greene, Reuben Rogers, Kendrick Scott, Aaron Goldberg, Lage Lund, Stefon Harris
Release date: 3 April 2020 (Mack Avenue)
Review and purchasing link:
https://ap-reviews.com/2020/03/30/while-looking-up-jimmy-greene/

Another Kind of Soul – Tony Kofi
Tony Kofi, Andy Davies, Alex Webb, Andrew Cleyndert, Alfonso Vitale
Release date: 24 April 2020 (The Last Music Company)
Review and purchasing link:
https://ap-reviews.com/2020/04/23/another-kind-of-soul-tony-kofi/

Flow – Maria Chiara Argirò + Jamie Leeming
Maria Chiara Argirò, Jamie Leeming
Release date: 16 October 2020 (Cavalo Records)
Review and purchasing link:
https://ap-reviews.com/2020/10/12/review-flow-maria-chiara-argiro-jamie-leeming/

Totem – Ferdinando Romano
Ralph Alessi, Tommaso Iacoviello, Simone Alessandrini, Nazareno Caputo, Manuel Magrini, Ferdinando Romano, Giovanni Paolo Liguori
Release date: 24 April 2020 (Losen Records)
Review and purchasing link:
https://ap-reviews.com/2020/05/04/totem-ferdinando-romano-feat-ralph-alessi/

High Heart – Ben Wendel
Ben Wendel, Shai Maestro, Gerald Clayton, Michael Mayo, Joe Sanders, Nate Wood
Release date: 30 October 2020 (Edition Records)
Review and purchasing link:
https://ap-reviews.com/2020/10/26/review-high-heart-ben-wendel/

Humble Travelers – Floating Circles Quartet
Aidan Pearson, Matt Hurley, Jonny Wickham, Arthur Newell, Johanna Burnheart
Release date: 12 September 2020
Review and purchasing link:
https://ap-reviews.com/2020/09/10/review-humble-travelers-floating-circles-quartet/

REVIEW: ‘Tributes’ – Marius Neset

IT’S ALMOST TEN YEARS since Marius Neset’s ‘Golden Xplosion’ onto the European jazz scene with his debut album of that name, on the Edition Records label. Since then, this master of remarkable saxophonic technique has forged a prolific career, recording an impressive series of albums (most of them reviewed at this site). Neset describes latest ACT Music release, Tributes, as marking “a new phase”…

Read my full review at LondonJazz News…

Released on 25 September 2020 and available from ACT Music.

 

Marius Neset tenor saxophone, soprano saxophone, compositions/arrangements

DANISH RADIO BIG BAND, conducted by Miho Hazama
Erik Eilertsen trumpet
Lars Vissing trumpet
Thomas Kjærgaard trumpet
Gerard Presencer trumpet (solo on Children’s Day Part 2)
Mads la Cour trumpet (solo on Leaving The Dock)
Peter Fuglsang alto saxophone, soprano saxophone, flute, clarinet
Nicolai Schultz alto saxophone, flute
Hans Ulrik tenor saxophone, soprano saxophone, bass clarinet (solo on Tribute)
Frederick Menzies tenor saxophone, clarinet (solo on Children’s Day Part 1)
Anders Gaardmand baritone saxophone (solo on Children’s Day Part 1)
Peter Dahlgren trombone (solo on Bicycle Town Part 1)
Vincent Nilsson trombone
Kevin Christensen trombone
Annette Saxe bass trombone
Jakob Munck Mortensen bass trombone, tuba
Per Gade guitar (solo on Children’s Day Part 1)
Henrik Gunde piano (solo on Leaving The Dock)
Kaspar Vadsholt double bass, electric bass
Søren Frost drums

mariusneset.info

ACT Music – ACT 9051-2 (2020)

RECENT LISTENING: November 2019

Silent Fires – Forests
Karoline Wallace, Hilde Marie Holsen, Håkon Aase, Alessandro Sgobbio
Release date: 6 December 2019 (AMP Music & Records)
silentfires.com

Marius Neset, London Sinfonietta – Viaduct
Marius Neset, Ivo Neame, Jim Hart, Petter Eldh, Anton Eger,
London Sinfonietta conducted by Geoffrey Paterson

Release date: 22 November 2019 (ACT Music)
actmusic.com/en/Artists/Marius-Neset/Viaduct/Viaduct-CD

Harish Raghavan – Calls For Action
Harish Raghavan, Joel Ross, Kweku Sumbry, Micah Thomas, Immanuel Wilkins
Release date: 8 November 2019 (Whirlwind Recordings)
harishraghavan.bandcamp.com/album/calls-for-action

Abekejser – Floating Through The Universe
Jon Døssingen, Jeppe Lavsen, Frederik Emil Bülow, Rasmus Fisker Pedersen
Release date: 12 October 2019 (AMP Music & Records)
abekejser.comampmusicrecords.com

Gunnar Halle – Halle’s Planet
Gunnar Halle, Stephan Sieben, Putte Johander, Knut Finsrud, Weile Holte
Release date: 1 November 2019
gunnarhalle.com

Platimo – Platimo
Benjamin Hidas, Felix Bertulis-Webb, Marcus Cain, Alasdair Pennington
Release date: 10–17 November 2019
platimomusic.com

RECENT LISTENING: October 2019 (2)

Sirkis/Bialas IQ – Our New Earth (2CD)
Asaf Sirkis, Sylwia Bialas, Frank Harrison, Kevin Glasgow
Release date: 2 October 2019 (MoonJune Records)
asafsirkis-moonjune.bandcamp.com/album/our-new-earth-hd

The Bad Plus – Activate Infinity
Reid Anderson, Orrin Evans, Dave King
Release date: 25 October 2019 (Edition Records)
thebadplus.bandcamp.com/album/activate-infinity

Bill Laurance & WDR Big Band – Live at the Philharmonie Cologne
Bill Laurance, WDR Big Band conducted by Bob Mintzer
Release date: 8 November 2019 (Jazzline)
propermusic.com/catalog/product/view/id/95057/s/d77074-live-at-the-philharmonie-cologne/

Blicher Hemmer Gadd – Get That Motor Runnin’
Michael Blicher, Dan Hemmer, Steve Gadd with guest Paul Carrack
Release date: 1 November 2019 (C-Nut Records)
michaelblicher.bandcamp.com/album/get-that-motor-runnin

Alison Rayner Quintet (ARQ) – Short Stories
Steve Lodder, Deirdre Cartwright, Alison Rayner, Buster Birch, Diane McLoughlin
Release date: 25 October 2019 (Blow the Fuse Music)
alisonrayner.com/albums/short-stories/

Jim Beard / Jon Herington – Chunks and Chairknobs
Jim Beard, Jon Herington
Release date: 15 November 2019 (Jazzline)
propermusic.com/catalog/product/view/id/95063/s/d77069-chunks-chairknobs/category/61846/

REVIEW: ‘Circle of Chimes’ – Marius Neset

MariusNeset_Circle

SAXOPHONIST and composer Marius Neset’s kaleidoscopic music increasingly fills mind and soul with that ‘kid in a sweet shop’ thrill, the senses bombarded with a dizzying array of timbres and rhythms to assimilate.

Following 2016’s acclaimed, orchestrally-focused Snowmelt, Neset returns to an ensemble more closely aligned with its predecessor Pinball for new album Circle of Chimes. The familiar names of pianist Ivo Neame, vibraphonist Jim Hart, double bassist Petter Eldh and drummer Anton Eger are again joined by flautist Ingrid Neset and cellist Andreas Brantelid, whilst the inclusion of guitarist/vocalist Lionel Loueke adds a new compositional and improvisational dimension, imbuing Neset’s Scandinavian folk characteristics with attractive African hues.

A New Year’s Day commission premiered at Kölner Philharmonie, Cologne, in 2016, Neset describes this 78-minute suite as the darkest, most melancholic music he has created – yet amongst those emotions, his innate, breathless exuberance is never far away. The tubular bell chimes of Satellite (whose fluctuating rhythmic peals the saxophonist experimented with at length, at the piano) ‘ring in the new’, its brooding cello emotion encircled by a passed-around melodic riff redolent of Tallis’ Canon. It’s the first sign of an octet working as one to express a huge, romantically cinematic landscape, segueing into Star which bounces and rebounds to a typically ecstatic folk tune, with Eger’s engine-room clamour driving its disco groove. Neset does well to engineer and contain the ferocity, bringing his electronically-charged tenor down to lyrical pools of cello, piano and soft African enunciations.

There’s a sense of progression, as if the year unfolds with fresh experiences – so funky A New Expression struts assuredly to Neset’s boppy improv (it can only be Neset) plus Loueke’s scratchy, synthesised fretwork and accompanying scat; and soprano sax in classically-inspired Prague’s Ballet dances delicately across pizzicato cello and featherweight marimba. Life Goes On tumbles – nay, somersaults – to Marius Neset’s melodica signature-tune positivity, a sign of Spring in the air as its jazz-orchestra cheerfulness (enhanced by Ingrid Neset’s lithe flute) is gatecrashed by percussion-fuelled vibraphone and pleasantly abrasive guitar chords. Perhaps its the West African influence which sparks such variety, Sirens of Cologne whirling to intoxicating samba grooves, deep vocal resonances, flutey songbirds – a full-on celebration.

Going right back to his 2011 release Golden Xplosion, as well as duo album Neck of the Woods with tubist Daniel Herskedal, Neset has always had a feel for an otherworldliness – and tenor feature Silent Room imagines lofty arches with its suspended sax lines and sensitive bass, piano and vibes support as it spirals into the heavens. At close on twelve minutes, 1994 almost needs separating from the pack to appreciate its fullness as it mesmerises with episodic vibrancy; and the saxophonist’s distinctive solo ‘hiccups’ announce ebullient Eclipse which brings the album’s opening chants and time-evocative carillons full circle.

Neset conceives such incredibly elaborate stories that they can sometimes be overwhelming to take in at one hearing – but Circle of Chimes becomes a joy as that intricate weave is gradually understood.

Released on 29 September and available from ACT Music, iTunes, Amazon, etc.

 

Marius Neset tenor saxophone, soprano saxophone, melodica
Lionel Loueke guitar, vocals
Andreas Brantelid cello
Ingrid Neset flute, piccolo, alto flute
Ivo Neame piano
Jim Hart vibraphone, marimba, percussion
Petter Eldh double bass
Anton Eger drums, percussion

mariusneset.info

ACT Music – ACT 9038-2 (2017)