‘Salvator Mundi’ – Mark Lockheart & Roger Sayer

THE POWER of music, to move and transport us in very personal and sometimes surprising directions, only seems to strengthen as the years roll on. Illustrating that boundless phenomenon is transcendental new album Salvator Mundi – a collaboration between one of the UK’s most treasured jazz saxophonists, Mark Lockheart, the organist and director of music at London’s Temple Church, Roger Sayer, and composer/arranger John Ashton Thomas.

Read my full review at LondonJazz News…

Released on 5 July 2019 and available from Edition Records.

 

Mark Lockheart soprano saxophone, tenor saxophone
Roger Sayer the organ of the Temple Church, London

marklockheart.co.uk
rogersayer.org

Edition Records – EDN1132 (2019)

 

#recentlistening – June 2019 (2 of 2)

Huw Warren & Mark Lockheart – New Day (live at Livio Felluga Winery)
Huw Warren, Mark Lockheart
Release date: 24 May 2019 (CamJazz)
camjazz.com

Abdullah Ibrahim – The Balance
Abdullah Ibrahim, Noah Jackson, Alec Dankworth, Will Terrill, Adam Glasser, Cleave Guyton Jr, Lance Bryant, Andrae Murchison, Marshall McDonald
Release date: 28 June 2019 (Gearbox Records)
abdullahibrahim.bandcamp

Joshua Espinoza Trio – Journey Into Night
Joshua Espinoza, Mikel Combs, Jaron Lamar Davis
Release date: 14 June 2019
joshuaespinoza.com

Alexi Tuomarila Trio (featuring Verneri Pohjola) – Sphere
Alexi Tuomarila, Mats Eilertsen, Olavi Louhivuori, with Verneri Pohjola
Release date: 28 May 2019 (Edition Records)
alexituomarilatrio.bandcamp

Yazz Ahmed – A Shoal of Souls (single*)
Yazz Ahmed, George Crowley, Samuel Hällkvist, Ralph Wyld, Naadia Sheriff, Dudley Phillips, Corrina Silvester, Martin France
Release date: 5 June 2019 (IXCHEL Records / Bandcamp)
yazzahmed.bandcamp
(*the ‘final chapter’ of album La Saboteuse. New album, Polyhymnia, releases in October 2019)

Sean Foran & Stuart McCallum – Counterpart
Sean Foran, Stuart McCallum
Release date: 21 June 2019 (Naim Records)
seanforanstuartmccallum.bandcamp

#recentlistening – May 2019

Jonny Mansfield – Elftet
Ella Hohnen-Ford, James Davison, Tom Smith, George Millard, Rory Ingham, Dominic Ingham, Laura Armstrong, Oliver Mason, Jonny Mansfield, Will Harris, Boz Martin-Jones + guests Chris Potter, Gareth Lockrane and Kit Downes
Release date: 21 June 2019 (Edition Records)
jonnymansfield.bandcamp.com

Partisans – Nit De Nit
Phil Robson, Julian Siegel, Thaddeus Kelly, Gene Calderazzo
Release date: 17 May 2019 (Whirlwind Recordings)
partisansjazz.bandcamp.com

Shez Raja – Journey to Shambhala
Shez Raja, Trilok Gurtu, Wayne Krantz, Monika Lidke, Chris Nickolls, Pascal Roggen, Alex Stanford, Vasilis Xenopoulos
Release date: 17 May 2019 (Raja Records)
shezraja.com

Leïla Martial – Baa Box – Warm Canto
Leïla Martial, Eric Perez, Pierre Tereygeol
Release date: 24 May 2019 (Laborie Jazz)
leilamartial.com / laboriejazz.fr

Gabriel Grossi Quintet – #motion
Gabriel Grossi, Sergio Coelho, Eduardo Farias, André Vasconcellos, Rafael Barata + special guests Mauricio Einhorn and Hermeto Pascoal
Release date: 28 June 2019 (Whirlwind Recordings)
gabrielgrossi.bandcamp.com

Mark Lockheart and Roger Sayer – Salvator Mundi
Mark Lockheart & Roger Sayer
Release date: 5 July 2019 (Edition Records)
mark lockheart.bandcamp.com

#recentlistening – February 2019

Stephan Thelen Fractal Guitar
Stephan Thelen, Markus Reuter, David Torn…
Released 18 January 2019 on MoonJune Records
stephanthelan-moonjune.bandcamp.com

John Turville Head First
John Turville, Julian Argüelles, Robbie Robson, Dave Whitford, James Maddren
Releases 22 February 2019 on Whirlwind Recordings
johnturville.bandcamp.com

Mark Lockheart Days on Earth
Mark Lockheart, Alice Leggett, Liam Noble, John Parricelli, Tom Herbert, Sebastian Rochford
and 30-piece orchestra conducted by John Ashton Thomas
Released 18 January 2019 on Edition Records
marklockheart.bandcamp.com

Lieven Venken/Rene Hart/Anat Fort Trio Bubbles
Lieven Venken, Rene Hart, Anat Fort
Released 1 February 2019 on Hypnote Records
hypnoterecords.com

‘Fellow Creatures’ – Jasper Høiby

FellowCreatures

THE EXPERIENCE is entrenched in mind and soul – those purely analogue days of poring over and falling in love with a new vinyl and its gatefold sleeve art, flipping the 12″ over at the exit groove so many times that one grew to anticipate every track, every bar, every instrumental entry. 

There’s something of that sentiment captured within double bassist, composer and bandleader Jasper Høiby’s new release, Fellow Creatures. Now a prominent personality and musical backbone of so many outstanding contemporary jazz line-ups – most notably as creator of enduringly successful trio Phronesis, but also a key player with names such as Marius Neset, Django Bates, Mark Guiliana and Kairos 4tet – the bassist sees these ten, eloquent tracks as a narrative in which the listener might connect with the music and its interpreters across the album’s near-full-hour entirety. In that context, he couldn’t have wished for a more empathetic personnel than Mark Lockheart (saxes), Laura Jurd (trumpet, flugel), Will Barry (piano) and Corrie Dick (drums).

Høiby explains that he has long wished to broaden his writing to a larger ensemble, including two melody instruments; and whilst his signature percussive/cantabile bass technique and Phronesis-based compositional identity are pleasingly evident here, he opens up a refreshingly bright, undulating vista which takes in graceful, Scandinavian folkiness, zesty post-bop jazz riffs and improvisational free-spiritedness… plus a dash of characteristic mischief. Canadian author Naomi Klein’s This Changes Everything is cited amongst the inspiration for the writing and track titles, highlighting the need to recognise and embrace the fragility of the earth and its natural resources; that, and also the importance of family and human accord.

Key to the album’s intent are Høiby’s memorable hooks which become enchantingly familiar – Folk Song‘s plaintive trumpet and piano tune in thirds which, traced with high, wiry arco bass harmonics, follows the otherwise spacial freedom of its beginnings; or the close trumpet and tenor sax ‘crashing wave’ phrases in title track Fellow Creatures, a number which excitedly ripples to the kind of unison piano-and-bass riffs that Phronesis fans will easily recognise. Laura Jurd’s increasing prominence on the UK jazz circuit (currently a BBC Radio 3 New Generation artist) includes left-field projects such as Blue-Eyed Hawk and, recently, Huw V Williams’ album Hon. Yet here, her particularly clear tones combine perfectly with those of distinguished saxophonist Mark Lockheart to create a rich frontline, as in urgent soundtrack for troubled times, World of Contradictions, and especially in Little Song for Mankind where their intertwining boisterousness (Jurd as high and hard-hitting as, say, Jon Faddis) is swelled by the remaining trio’s turbulent undercurrent.

Optimistic mariachi dance Song for the Bees finds the horn duo gyrating around Høiby’s unmistakably conversational bass ground (almost guaranteed to bring out the sun), whilst Tangible is reminiscent of Ivo Neame’s compositions for trio, Will Barry’s pianistic invention just as engaging. Quartet piece Collective Spaces (minus piano) feels intimately folky, akin to a journeying minstrel band, whereas the bassist’s groove which sets up Suddenly, Everyone inspires a ‘Phronesis big band’ episode which explodes to Corrie Dick’s skittering, crashing percussion and impressive tenor and trumpet improv. Lumbering, tricksy Before feels just on the edge of hysterics from duo Lockheart and Høiby; and closer Plastic Island perpetuates the band camaraderie as it stomps both gleefully and anarchically to a choppy bass-and-piano motif, swaggering tenor, growling trumpet and impertinent percussion – fabulous!

Høiby’s summing-up of this album is surely something to which most of us would aspire: “This music is an encouragement to the love between human beings and an acknowledgement of our belonging to nature, that I believe we all share as fellow creatures.” Indeed, this quintet’s joyous, life-enriching creativity provides us with a continuing hope.

Released on Edition Records on 15 July 2016, Fellow Creatures is available as CD or digital download from Bandcamp.

 

Jasper Høiby double bass, composer
Mark Lockheart saxophones
Laura Jurd trumpet, flugel
Will Barry piano
Corrie Dick drums

jasperhoiby.com

Edition Records – EDN1075 (2016)

‘The Day I Had Everything’ – Malija

Malija

IT’S A FEELING that probably resonates with most of us; as kids, relishing those long, school summer holidays stretching out in front, safe in the knowledge that with each seemingly endless day came the freedom to explore and make new discoveries with friends.

Entitling this new album The Day I Had Everything, saxophonist Mark Lockheart expresses that same kind of excitement in a working environment with equally adroit colleagues, Jasper Høiby (double bass) and Liam Noble (piano). “The sheer excitement one has as a child getting up in the morning and not being able to decide what to do first” is Lockheart’s parallel to the process of pooling their own, original compositions and the pleasure of developing and recording them in the studio; and whilst their perhaps African-sounding trio name is nothing more than a connecting of forenames, it clearly reinforces their unalloyed musical cohesion and friendship (first collaborating on Mark Lockheart’s impressive 2009 album In Deep).

What becomes fascinating across these 56 minutes is that each of the three players’ contributions are often stamped with their recognisable, individual characters, whilst also possessing an openness and eclecticism which continually delights. Malija’s realm is far away from a standards trio, and the element of surprise remains strong throughout, as does the group’s flawless musicality and invention… frequently flecked with coltish exuberance and tangible mischievousness.

Enter at any point in this 11-track release and there is soon the realisation of both depth and warmth in the unfolding artistry. The eccentric folksiness of Lockheart’s opener, Squared, might easily have its roots in Dave Brubeck’s Unsquare Dance as his signature full tenor voice weaves around jaunty piano and bass grooving, plus an ever-present tinge of the unexpected; and intricately-constructed Mr Wrack (after Noble’s technical drawing teacher) anarchically bursts into a Beach Boys-style piano riff, increasingly swelled by the Ligeti Quartet’s chattering grandeur and Lockheart’s wonderfully disorderly screeching. Jasper Høiby’s occasionally-tripped-up walking-5/4 Unknown is quietly cheerful, with a cross-pollination of phrases and subtle horn / bass clarinet layering underpinning flighty soprano sax, whilst The Pianist shunts and grunges to Noble’s bass fifths and bluesy ornamentation in tandem with brash, almost cackling tenor (and so deeply satisfying!).

Høiby’s bass harmonics (redolent of his Phronesis) and the added complexity of modal, out-of-body riffs from Noble and Lockheart’s soprano tee-up the pianist’s Wheels, happily jarring the senses before finding a more freewheeling clear road ahead; and the bassist’s shadowy title track Malija (with such a memorable, searching melody) seems to reference his work with Kairos 4tet – an exquisite, richly-tenored wellspring of beauty. Almost a Tango is typically Mark Lockheart, full of shifting dance rhythms, textures and moods (not unlike the writing on his acclaimed release Ellington in Anticipation), all three players seeming to wallow in its quirky splendour.

An echoic, slowly-oscillating piano-and-bass motif in Liam Noble’s miniature, Blues, melds superbly with breathy tenor (Polar Bear minus electronics?); then the saxophonist’s charming, breezy One For Us emerges like a beloved classic at the end of a set, and could easily invite a delicate vocal from Cleo Laine or Norma Winstone. Wayne’s World – Høiby’s tribute to Wayne Shorter, with his sinewy bass encircling the whole piece – gives free rein to Noble and Lockheart to improvise more abstractedly and, in the detail, still more deliciously, Then, closing anthemically yet mysteriously, and integrating the Ligeti’s strings, Mark Lockheart’s With One Voice feels imbued with the spirits of both Michael Tippett and Joe Zawinul, its poignancy filled once again with the tenorist’s unmistakable, luxurious tones.

Listening now, and in musical and emotional terms… this feels like I have everything.

Released on 27 November 2015 – available as CD, download and 12″ vinyl at Edition Records’ Bandcamp store.

 

Mark Lockheart saxophones, bass clarinet
Jasper Høiby double bass
Liam Noble piano
with
Ligeti Quartet (on Mr Wrack and With One Voice)

Edition Records – EDN1064 (2015)

‘Westerly’ – The Printmakers

Printmakers

OHHHHH… and ohhhhh again…… to an exemplary and eagerly anticipated debut release from six leading lights of British contemporary jazz, collectively known here as The Printmakers.

Imagine the perfect vocal/instrumental sextet, and it might easily comprise Nikki Iles (piano), Norma Winstone (vocals), Mike Walker (electric guitar), Mark Lockheart (saxes), Steve Watts (double bass) and James Maddren (drums). Indeed, with a band name explained as a metaphor for the subtle variances in handmade printmaking, the combined artistry revealed in new album Westerly is as satisfying – in light, shade and hue – as any wander through a gallery of fine impressionism. Recorded amidst the painterly charm of the English Lake District, the compositional palette is beautifully balanced, and includes a trio of numbers by leader Nikki Iles with Norma Winstone as lyricist (a remarkable partnership).

The expansive ten-track sequence opens with a bubbling vocal interpretation of Ralph Towner’s A Breath Away, brought to life through Winstone’s authoritative storytelling – and immediately from this personnel there’s a sense of technical ‘safe hands’ and impassioned musicality. The lovelorn vocal of Under the Canopy (an Iles/Winstone original) delicately sambas to Mark Lockheart’s deeply-coloured bass clarinet and Nikki Iles’ trademark crystalline piano – a reminder of their rich contribution to Kenny Wheeler’s Mirrors; and Paul Simon’s jaunty I Do It For Your Love is whisked away into the most sumptuous of slow ballads, Norma Winstone bringing so much weight to Simon’s poetry (and here, as throughout the album, it’s the exquisite detailing which pleases – Lockheart’s subtle, characterful tenor and then Mike Walker’s illustrative guitar glissando on “the colours ran, the orange bled the blue”).

Impish improvisational colourwash precedes an airy rendition of John Taylor’s ‘O’ – strutting to dazzling, shared vocal and sax lines plus Lockheart’s own wonderfully demonstrative soprano creativity, its sunshiny and exploratory demeanour is irresistible. Nikki Iles’ Westerly is curiously imagined in Norma Winstone’s cryptically dark cowboy lyrics, evocatively portrayed through Iles’ accordion, Mike Walker’s pitch-bent guitar and bassist Steve Swallow’s campfire banjo tailpiece; and Winstone’s effortless vocal delivery confirms why she is one of British jazz’s national treasures. The same compositional duo produce lilting, Jobimesque Tideway, its brooding coastal atmospheres conveyed by woodwind breaths and guitar gull cries – at eight minutes, its easy to luxuriate in the broad guitar and tenor extemporisations and Winstone’s gliding lyricism.

The gems in this 68-minute treasure trove keep on turning up, Ralph Towner’s animated The Glide (as heard on Nikki Iles’ trio album, Hush) dancing to Winstone’s impressive high scat and Iles’ signature piano luminosity; and the obsessional story of Joni Mitchell’s Two Grey Rooms is quietly touching, the band supporting and enhancing its resigned lyric. In direct contrast, the Celtic feel of Nikki Iles’ High Lands tumbles and reels to wordless vocal and soprano sax, as well as soaring, rocky guitar from Walker and James Maddren’s pin-sharp flamboyance at the kit. To close, Steve Swallow’s countryfied The City of Dallas finds Winstone teasingly delivering the writer’s delightfully droll lines (“I hope the evening paper’s got a lot of good stuff-in-it… stuff-in-it”!) amongst a consummate-as-ever instrumental performance led by Mike Walker’s woozy guitar.

This, unquestionably, is chamber jazz whose elegance has to be heard to be believed, such is the shared empathy and depth of musical experience on show, all realised in a musical landscape that feels as magical as it is peerless.

Released on 11 May 2015, on Basho RecordsWesterly is available from Jazz CDs and all good jazz retailers.

 

Norma Winstone voice
Nikki Iles piano, accordion
Mark Lockheart tenor sax, soprano sax, bass clarinet
Mike Walker guitar
Steve Watts bass, banjo
James Maddren drums, percussion

nikkiiles.co.uk

Basho Records – SRCD 46-2 (2015)