‘Skyline’ – Tom Green Septet

Skyline

THE GRACEFULNESS of the cover art speaks volumes about the creative balance that shines out from Skyline, the debut septet recording from Cambridge-born trombonist Tom Green – a collection of expansive new compositions coloured by ever-changing hues, light and shade, allowing each of his players considerable freedom in improvisation.

The robust four-horn line-up of Green, Sam Miles (tenor), James Davison (trumpet/flugelhorn) and Matthew Herd (alto/soprano) offers impressive big band dynamism and breadth, yet also a supple luminosity which breathes life into the trombonist’s seven originals, plus one arrangement of a much-loved standard. Still in his 20s, Tom Green’s credentials are indubitable – the Royal Academy’s first postgraduate trombonist, winner of the 2013 Dankworth Composition Prize (leading Dame Cleo to declare his work as “some of the most exciting original new music I have heard for a long time”) as well as a 2014 Help Musicians UK ‘Emerging Excellence’ award winner. And his mercurial brass dexterity is a delight, ranging from blistering riffs to svelte tonal lyricism.

Initial impressions are of crisp arrangements and sharp execution, typified by the opener, Sticks and Stones. It’s brisk and propulsive, with layers of textures and ideas over which Green and James Davison solo brightly; and gear changes throughout this album (such as the brief trombone and piano contrapuntalism here) add greatly to a sense of variety, not unlike the fluctuations of light on a plain caused by fast-moving cumulonimbus. The dilatory drawl of a Deep South-suggested horn preamble to thirteen-minute Equilibrium opens into an addictive bossa of moody twists and turns, bejewelled with Sam James’ precise piano expression – and then, all at once, it gleams to lush arrangements and, also, cacophonous scribbles which Green glides through with proverbial swan-like ease.

Arctic Sun swings delicately to the rhythm of bassist Mullov-Abbado and drummer Chapman, building towards elaborate, soaring soprano from Matthew Herd (a saxman who always displays a real penchant for pushing the envelope). There are shades of contemporary pop ballad in the memorable phrases of Peace of Mind, Green fluent in his extemporisations; and easy-going Mirage prompts fine soloing amongst the exacting full horn scoring.

Hoagy Carmichael’s perennial favourite, Skylark, is both chirpy and breezy in Green’s hands, though perhaps loses a little of the charm of mellower renditions; and Winter Halo might easily conjure luminescent landscapes and vacillating murmurations (startling rapidity of soprano bird calls from Herd!), including another of those delectable duo interludes – Sam Miles’ rich tenor against pellucid bass. DIY is an irresistible closer, pictorialising the brash, processional jazz of New Orleans and encouraging overlapping showy solos from all quarters, as well as more examples of the leader’s flair for snappy, complex arrangements (no doubt a crowd pleaser on their recent launch tour).

As a jazz release, this displays so many hallmarks of a classic, seasoned ensemble. As an ambitious debut from a young, close-knit septet, it’s a striking first statement with great potential for future development. And, above all… such an upbeat listen!

Released on 2 February 2015, Skyline can be purchased directly from Spark or Tom Green’s website.

 

Tom Green trombone
Sam Miles tenor saxophone
James Davison trumpet and flugelhorn
Matthew Herd alto and soprano saxophones
Sam James piano
Misha Mullov-Abbado double bass
Scott Chapman drums

Illustration/artwork by Tom Barley

tomgreenmusic.com

Spark Label – Spark 001 (2015)

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‘meets I Dig Monk, Tuned’ – ReDiviDeR

Redivider

AN INTRIGUING and, ultimately, satisfying second album from experimental Irish four-piece, ReDiviDeR, led by drummer and composer Matthew Jacobson.

The chordless (and palindromic) quartet have frequently trodden the festival trail of their homeland with an interesting mix of textures, grooves and samples, all melded by an innate jazz sensibility played out on alto sax, trombone, bass and drums. Citing such influences as Thelonius Monk, Charles Mingus and Tim Berne, this latest release reveals their sharp creativity to a wider audience. And, if your ears are responsive (as well as eyes open to one or two track/guest-name japes – though my guess is the ‘AleX’s were an anagram too far!), there is much here to savour. Following up 2012 debut ‘Never odd or eveN’, they are found here in collaborative vein as four established UK jazz musicians guest on tracks written specifically with them in mind (the anagram of ‘United Kingdom’ as album title ‘I Dig Monk, Tuned’ far too clever for me!).

Leaping straight to the centrepoint of the seven tracks (a couple of which are brief interludes), Bin Saved begins with a compelling descending pattern over which a resonant fretless electric bass with trombone, plus alto embellishment, invites guest cellist Ben Davis to improvise impassionedly into a solo spotlight. Nick Roth’s alto then takes the piece on a new, raunchier route, Davis and Derek Whyte sharing the rocky bassline, Jacobson snapping cleanly on drums. Concluding with mellower, more echoic trombone and bass, it’s quite a number!

Opener, Twin Kodes, features the now-almost-trademark abstract Rhodes wizardry of Kit Downes, followed by effective, trippy, post-produced trombone from Colm O’Hara; then… a twist into Downes’ ‘Troyka’ territory and a random-yet-structured trombone/sax dash to the finish. Animal Code sees Alex Bonney’s trumpet beefing-up the horns, a wild elephantine cacophony ensuing over stampeding drums and electronics.

The guitar of Alex Roth brings an altogether different timbre to Velvet Pouch, a dark, smouldering track of repeated riffs and effects against an intensifying bass and drum groove whilst, finally, May I Agree‘s semitone-clustered, cascading horn melodies tumble along to Jacobson’s pointed, snare-driven rhythm.

As members of touring initiative Match & Fuse, it’s easy to understand why ReDiViDeR are a popular live act – check out the links below for further information.


Matthew Jacobson
drums  matthewjacobsonmusic.com
Derek Whyte bass
Nick Roth alto sax
Colm O’Hara trombone
with
Kit Downes keys
Alex Roth guitar
Alex Bonney trumpet/electronics
Ben Davis cello

ReDiviDeR
Diatribe
Match & Fuse

Diatribe – DIACD016 (2013)