‘meets I Dig Monk, Tuned’ – ReDiviDeR

Redivider

AN INTRIGUING and, ultimately, satisfying second album from experimental Irish four-piece, ReDiviDeR, led by drummer and composer Matthew Jacobson.

The chordless (and palindromic) quartet have frequently trodden the festival trail of their homeland with an interesting mix of textures, grooves and samples, all melded by an innate jazz sensibility played out on alto sax, trombone, bass and drums. Citing such influences as Thelonius Monk, Charles Mingus and Tim Berne, this latest release reveals their sharp creativity to a wider audience. And, if your ears are responsive (as well as eyes open to one or two track/guest-name japes – though my guess is the ‘AleX’s were an anagram too far!), there is much here to savour. Following up 2012 debut ‘Never odd or eveN’, they are found here in collaborative vein as four established UK jazz musicians guest on tracks written specifically with them in mind (the anagram of ‘United Kingdom’ as album title ‘I Dig Monk, Tuned’ far too clever for me!).

Leaping straight to the centrepoint of the seven tracks (a couple of which are brief interludes), Bin Saved begins with a compelling descending pattern over which a resonant fretless electric bass with trombone, plus alto embellishment, invites guest cellist Ben Davis to improvise impassionedly into a solo spotlight. Nick Roth’s alto then takes the piece on a new, raunchier route, Davis and Derek Whyte sharing the rocky bassline, Jacobson snapping cleanly on drums. Concluding with mellower, more echoic trombone and bass, it’s quite a number!

Opener, Twin Kodes, features the now-almost-trademark abstract Rhodes wizardry of Kit Downes, followed by effective, trippy, post-produced trombone from Colm O’Hara; then… a twist into Downes’ ‘Troyka’ territory and a random-yet-structured trombone/sax dash to the finish. Animal Code sees Alex Bonney’s trumpet beefing-up the horns, a wild elephantine cacophony ensuing over stampeding drums and electronics.

The guitar of Alex Roth brings an altogether different timbre to Velvet Pouch, a dark, smouldering track of repeated riffs and effects against an intensifying bass and drum groove whilst, finally, May I Agree‘s semitone-clustered, cascading horn melodies tumble along to Jacobson’s pointed, snare-driven rhythm.

As members of touring initiative Match & Fuse, it’s easy to understand why ReDiViDeR are a popular live act – check out the links below for further information.


Matthew Jacobson
drums  matthewjacobsonmusic.com
Derek Whyte bass
Nick Roth alto sax
Colm O’Hara trombone
with
Kit Downes keys
Alex Roth guitar
Alex Bonney trumpet/electronics
Ben Davis cello

ReDiviDeR
Diatribe
Match & Fuse

Diatribe – DIACD016 (2013)

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