‘Paradox’ – Andrés Thor

A SUBTLE ‘white album’ cover reflects one of the key attributes of this latest release from Icelandic guitarist/composer Andrés Thor and his quartet with pianist Agnar Már Magnússon, double bassist Orlando Le Fleming and drummer Ari Hoenig.

Though a cursory listen might indicate familiar, four-piece jazz territory, the nine original tracks of Paradox (the follow-up to 2016’s Ypsilon) offer levels of light and clarity not always so prominent in a guitar-led quartet. The coupling of Már Magnússon’s picturesque piano and Thor’s chordal/melodic sensitivity (with warm tremulant) easily visualises open, breathing landscapes; and together, Le Fleming and Hoenig work to provide a crisp, refractional foundation to this cognitively-themed album’s whole.

Eden ripples with sunlight as Thor’s agile-yet-unhurried improvisations meander up and down, through imagined woodland glades, attuned to the quartet’s shared, gentle finesse; and although pacier, Quantum still allows bright diffractions to filter through onto its purposeful path. The guitarist’s eloquence is emphasised in his precise, self-accompanied prelude to Tvísaga, while coolly-swinging 8.J.L. feels especially balanced across the ensemble; and sidewalk-strutting Schrödinger’s Cat certainly teems with snare-accentuated life. Both Dal and the bluesy shuffle of Avi are exquisitely measured, offering room for pondering solos, and there’s beautiful, positive luminosity in bass-riffed Under Stars and the 55-minute set’s concluding title track.

Paradox has been out there for a few months, but the freshness and detail in this studio recording from Brooklyn, New York, is a treat.

Released on 5 April 2019 and available as CD or download at Bandcamp.

 

Andrés Thor guitar, composition
Agnar Már Magnússon piano
Orlando Le Fleming double bass
Ari Hoenig drums

Dimma – DIM 82 (2019)

#recentlistening – January 2020 (1)

Elliot Galvin – Live In Paris at Fondation Louis Vuitton
Elliot Galvin – solo piano
Release date: 24 January 2020 (Edition Records)
elliotgalvin.bandcamp.com

MoonMot – Going Down The Well
Dee Byrne, Simon Petermann, Cath Roberts, Oli Kuster, Seth Bennett, Johnny Hunter
Release date: 14 February 2020 (Unit Records)
moonmot.bandcamp.com

Will Vinson – four forty one
Will Vinson, Sullivan Fortner, Tigran Hamasyan, Gerald Clayton, Fred Hersch, Gonzalo Rubalcaba, Matt Brewer, Matt Penman, Rick Rosato, Larry Grenadier, Obed Calvaire, Billy Hart, Eric Harland, Clarence Penn, Jochen Rueckert  
Release date: 31 January 2020 (Whirlwind Recordings)
willvinson.bandcamp.com

The Gaz Hughes Sextet plays Art Blakey
Gaz Hughes, Alan Barnes, Bruce Adams, Dean Masser, Andrzej Baranek, Ed Harrison
Release date: 1 February 2020
gazhughes.bandcamp.com

Pablo Held – Ascent
Pablo Held, Robert Landfermann, Jonas Burgwinkel, Nelson Veras with Veronika Morscher, Jeremy Viner
Release date: 7 February 2020 (Edition Records)
pabloheld.bandcamp.com

Andrés Thor – Paradox
Andrés Thor, Agnar Már Magnússon, Orlando Le Fleming, Ari Hoenig
Release date: 5 April 2019 (Dimma)
andresthor.bandcamp.com

‘Entanglement’ EP – Paradox Ensemble

Paradox

NICK WALTERS’ Manchester-based nonet, Paradox Ensemble, certainly packs a punch thanks to the earthy grooving of trumpet, tenor and alto saxes, sousaphone, trombone, electric bass, drums and piano, as well as the inventive inclusion of accordion and electronics. And this 30-minute four-track EP captures much of the excitement and exuberance of their live jazz performances.

Hitch Slap, building electronically and organically from a single 5/4 sousaphone riff, sets the pace – Walters’ trumpet combining closely with both the tenor sax of Ed Cawthorne and the alto of Tom Harrison to create a powerful front line. The recorded sound is pleasingly close and immediate – Tim Cox’s rasping, echoic trombone soloing adding greater depth – and the brightness of Aidan Shepherd’s agile accordion and the electric piano of Rebecca Nash (with beautifully gyrating electric bass from Paul Michael) contrasts well. The whole ensemble at full tilt creates an intensely strong and original sound… and this is an irresistible opener!

Over a mesmerising, swift 7/8 walking bass, LJM finds Cawthorne’s simple bass clarinet motif shared and elaborated by the horns, Walters soloing on trumpet above the resulting ‘big band’ sound. Once again, the intensity of the forces is impressive, Yussuf Dayes’ solid drumming a key factor in the band’s pulsating energy.

At rhythmic ‘6s and 7s’, Entanglement twines together alto and tenor saxes, whilst accordion also demands a piece of the action (such a pleasing, folky timbre amongst the overall scale and brashness). Retro electric piano, bass and brightly ticking drums create a captivating interlude ahead of the final ‘tousle’.

Finally, Photo 51 showcases the tenor soloing of Ed Cawthorne over Michael’s propulsive 5/4 bass lick. Shepherd’s spiralling accordion, in conjunction with Dayes’ drumming, is a real treat before a triumphant and characteristically cacophonous close!

Nick Walters and his colleagues can be justifiably proud of Paradox – and the enthusiastic reaction to their live shows (as I witnessed at 2013’s Manchester Jazz Festival) is testament to their broad appeal. Meanwhile, fans will await… the album!

For further information on this and other Efpi albums, and to purchase, visit efpirecords.com.


Nick Walters
trumpet, electronics
Tom Harrison alto sax
Ed Cawthorne tenor sax , bass clarinet, vibraphone
Tim Cox trombone
Ben Kelly sousaphone
Aidan Shepherd accordion
Rebecca Nash piano, keyboards
Paul Michael bass
Yussuf Dayes drums

Efpi Records – FP012 (2013)