‘Hidden Seas’ – Maria Chiara Argirò

PIANIST AND COMPOSER Maria Chiara Argirò’s 2017 album The Fall Dance arrived like a bolt out of the blue – an unexpected, emotional swirl from a sextet featuring the striking vocalisations of Leïla Martial. Now, follow-up release Hidden Seas takes a particularly pelagic theme, allowing Argirò’s imaginative, often driving artistry to swim freely.

Read my full review at LondonJazz News…

Released on 27 September 2019 and available as CD, 12″ vinyl and download from Bandcamp.

 

Maria Chiara Argirò piano, synthesizers, Fender Rhodes, Mellotron
Sam Rapley tenor saxophone, clarinet
Tal Janes electric guitar, acoustic guitar (percussion on Ocean)
Andrea Di Biase double bass
Gaspar Sena drums, percussion (vocals on Nautilus)
Leïla Martial vocals
featuring
Mauro Polito programming

www.mariachiaramusic.com

Cavalo Records (2019)

‘Minor Moments’ (EP) – Laura Zakian

LONDON-BASED JAZZ VOCALIST and educator Laura Zakian has released four solo albums to date, the most recent – 2014’s Songs for Modern Lovers – including in its line-up pianist Steve Lodder, double bassist Simon Thorpe, drummer Nic France and baritone saxophonist Paul Bartholomew. For new project and EP release Minor Moments she returns with that same quartet – but, notably, it marks her creative collaboration with vibraphonist, percussionist and composer Martin Pyne.

Read my full review at LondonJazz News…

Released on 13 May 2019, the EP is available at Bandcamp, Amazon, iTunes, etc.

 

Laura Zakian voice, lyrics
Steve Lodder piano
Simon Thorpe bass
Nic France drums
Paul Bartholomew baritone saxophone
Martin Pyne percussion, composition

laurazakian.com
tallguyrecords.com

Tall Guy Records (2019)

‘Reflections & Odysseys’ – Rymden

THERE’S A MAJOR STORY behind this unassuming cartoon rocket ship hurtling up through the firmament. A decade after the tragic death of revered Swedish pianist Esbjörn Svensson, his longtime colleagues Dan Berglund and Magnus Öström have returned to the trio format which launched global high flyers, e.s.t. Alongside them on Rymden’s Reflections & Odysseys is one of Norwegian jazz’s respected names, pianist Bugge Wesseltoft, known for his enduring New Conception of Jazz project and various ECM and ACT collaborations over the years. 

Read my full review at LondonJazz News…

Released 8 February 2019 and available from Proper MusicBandcamp, Amazon and iTunes.

 

Bugge Wesseltoft piano, keyboards
Dan Berglund bass
Magnus Öström drums, percussion

rymden-music.com

Jazzland Recordings – CD: 3779206 / 2LP: 3779207 (2019)

‘Space Jazz’ – Inwardness

THE MEMORY remains vivid of three musicians taking to the stage at 2017’s Manchester Jazz Festival, where an intimate gathering had little or no preconception of what they might experience; and, in many ways, neither had the performers. Inwardness comprises Davy Sur, David Amar, Maciek Pysz – and their vision is to create improvised soundscapes both from and using the space around them.

Read my full review at LondonJazz News…

Released on 11 May 2018 and available from Ozella Music, Amazon, Apple Music, etc.

 

Davy Sur drums, percussion
David Amar soprano saxophone, synthesiser, electronic effects
Maciek Pysz electric guitar, classical guitar, effects

maciekpysz.com/inwardness 
davysur.com/inwardness-music

Ozella Music – OZ085CD (2018)

‘Standard Time’ – Trio HLK

A MARKEDLY ATYPICAL debut trio album with a disciplined and almost industrial approach to rhythm, Trio HLK’s Standard Time declares a mission to ‘deconstruct classic tunes and rework them using contemporary classical compositional techniques’.

Read my full review at LondonJazz News…

Released on 11 May 2018 and available as CD, double vinyl and digital download at Bandcamp.

 

Rich Harrold piano
Ant Law 8-string guitar and effects
Richard Kass drums, percussion
featuring
Steve Lehman alto sax
Evelyn Glennie vibraphone, marimba

triohlk.com

Ubuntu Music – UBU0006 (2016)

‘Thought You Knew’ – Snowpoet

ThoughtYouKnew

THE IMMERSIVE experience of Snowpoet’s eponymous 2016 debut album left a lasting imprint…

Read my full review at LondonJazz News.

Released on 9 February 2018 and available in CD, digital and vinyl formats from Edition Records at Bandcamp.

 

Lauren Kinsella vocals, backing vocals, lyrics
Chris Hyson electric bass, double bass, piano, synths
Nicholas Costley-White acoustic guitar
Matthew Robinson piano
Dave Hamblett drums
Josh Arcoleo saxophone
with
Alice Zawadzki violin
Francesca Ter-Berg cello
Lloyd Haines drums, percussion (tracks 1, 2 and 7)

Produced by Chris Hyson

snowpoet.co.uk

Edition Records – EDN1105 (2018)

‘Trudi’s Songbook: Volume Two’ – Ruby Rushton

YOU MAY BE LOOKING at that cover and thinking: this, surely, is a re-release of a typically twee 1970s folk singer-songwriter album. But take a listen at Bandcamp, and you’ll discover that Ruby Rushton is actually an inventive, occasionally quirky instrumental sextet delivering a collection of contemporary originals (and a fine Herbie Hancock interpretation) which has at its roots a blend of early jazz fusion and soul, plus a soupçon of Canterbury scene and new-age bohemianism.

Following their 2015 quartet debut Two for Joy, and Trudi’s Songbook: Volume One from earlier this year, the London-based band’s ‘period’ echoes are defined by a delicious blend of timbres and grooves. The pulsating Earth Wind and Fire or Santana redolence of Charlotte Emma Victoria, with bubbling electric bass, drums and percussion, features Edward Cawthorne’s impassioned sax as well as Aidan Shepherd’s clustered electric piano chords and clear synth lines. Cawthorne’s breathy, Roland Kirk-style flute character, too, can be heard in swingin’ organ interlude Together At Last; and the ease-back funk of Trudi’s Mood feels tantalisingly brief.

But Ruby Rushton mainly get their teeth into some fabulously extended episodes (written and arranged by Cawthorne or Cawthorne/Shepherd) which suggest an exciting live experience. Tisbury Truckin‘s gentle aubade evolves into a bass-fizzing groove boasting lively riffs and improvisations, especially from trumpeter Nick Walters (a familiar name on the Manchester jazz scene), all effusively ornamented by the bright, varied percussion of Joseph Deenmamode. Edward Cawthorne’s lithe flute colorations are key to a sound which will resonate with many ‘who were there’ as jazz turned a new corner, yet is also retro-relevant to new ears today. Indeed, the gradually-introduced electric piano and bass riff of Song for Christopher ignites fond memories of Mike Ratledge and Roy Babbington in Soft Machine’s many, seminal recordings – and here, alongside Aidan Shepherd and Fergus Ireland, Eddie Hick is an especially glittering starman as this number widens out with fervour. To close, Herbie Hancock’s cruiser, Butterfly, wraps flute and trumpet improv around smooth grooves and slouchy dubstep playfulness.

Jazz and its interconnected genres currently offer a wealth of under-the-radar brilliance; and on this album, there’s much to discover and enthuse about in what, surprisingly (because it’s so satisfying), is a run-time totalling just 36 minutes… so the perfect spur to then head over to Volume One* for more!

Released on 11 November 2017.

*UPDATE: volumes one and two now combined as vinyl or digital download at Bandcamp.

 

Edward Cawthorne flute, sax
Nick Walters trumpet
Aidan Shepherd keys
Fergus Ireland bass
Joseph Deenmamode percussion
Eddie Hick drums
with
Tom Marriott trombone (on Charlotte Emma Victoria)
Ben Kelly sousaphone (on Charlotte Emma Victoria)

22amusic.bandcamp.com

22a Records – 019 (2017)