#recentlistening – April 2020 (2)

Let Spin – Steal the Light
Moss Freed, Ruth Goller, Finlay Panter, Chris Williams
Release date: 17 April 2020 (Efpi Records)
letspin.bandcamp.com

Rob Luft – Life is the Dancer
Rob Luft, Joe Wright, Joe Webb, Tom McCredie, Corrie Dick with Byron Wallen, Luna Cohen
Release date: 17 April 2020 (Edition Records)
robluft.bandcamp.com

Martin Pyne Quartet – Rickety Racket
Philippe Guyard, Russell Jarrett, Marianne Windham, Martin Pyne
Release date: 3 April 2020 (Tall Guy Records)
martinpyne.bandcamp.com

Yuri Goloubev – Two Chevrons Apart
Tim Garland, John Turville, Yuri Goloubev, Asaf Sirkis
Release date: 17 April 2020 (Basho Records)
bashorecords.com

Beresford Harries – Neutral Tones
Charlie Beresford, Tim Harries
Release date: 15 April 2020 (The 52nd)
the52nd.bandcamp.com

Felix Jay – Trio (3CD)
Felix Jay, Rob Luft, Byron Wallen, Nicola Alesini, Susan Alcorn, BJ Cole, Jan Steele
Recorded 1999–2019 (Hermetic Recordings)
burningshed.com (TBC) and ebay.co.uk

‘Portrait: Reflections on Belonging’ – Byron Wallen

DISPLAYING integrity and humanity, respected trumpeter/flugelhornist Byron Wallen’s Portrait – his first recorded release in thirteen years – drew me in at the very first listen… and hasn’t let go yet!

It’s a beautiful concept. Wallen’s original, storytelling compositions are carried on a kaleidoscopic, journeying wave of urban ‘field recordings’ and communal interactions from his native London. In these tarnished days of discrimination and hatred (countered, thankfully, by positive expressions such as #BeKind), it’s worth reading Byron’s heartfelt words… and then responding in gratitude by feeling his and his band’s uplifting, even healing, creativity:

“This album is a meditation and reflection on the powerful impact that music has had on my life. It was conceived whilst sitting in the central square in Woolwich, an area of South East London. I was struck by the community around me with its mixture of cultures and nationalities, from Nepalese elders to young Nigerian men, Somali mothers with their children, a new Eastern European contingent and descendants of families who used to work in the docks and at the Arsenal. Music paved my way to travel and see the world, meeting people from all different cultures and walks of life. The study of music and the process of striving to become a better musician furnished me with a deeper knowledge of self and a gift I could share on so many different levels. In Portrait I am meditating on identity, culture and what it means to belong. The compositions, workshops, performances, and social interaction born out of this project deepened my artistic and personal relationships with the people in my neighbourhood. The album pays tribute to the heart, soul and vibrant provenance of the community I call my home.”

Rising-star guitarist Rob Luft features alongside bassist Paul Michael, drummer Rod Youngs and percussionist Richard ‘Olatunde’ Baker – and together, the leader and his Four Corners band produce a rich swell of vibrant celebration, as well as atmospheres of introspection and reminiscence (sleeve notes provide background to several numbers).

It’s no surprise that Byron Wallen studied with Jon Faddis, Hugh Masekela, George Benson and Chaka Khan; and there’s also a semblance of Freddie Hubbard in his joyful, natural phrases and improvisations. Each For All and All For Each, as an example, presents a warmly-grooving South African vibe, plus a freer sense of looking back; and percussively-driven No Stars No Moon (its title referencing historic racial tensions) features a memorable, chromatic guitar riff supporting Wallen’s almost growling, dual-tracked lead.

Chordal and rhythmic arrangements are tightly executed, Luft usually at the heart, providing agile coloration quite different to that of a keyboard instrument. Reflective moments summon imagery, also – especially the eery, flugelhorn/mouthpiece repetition of Alert (for the workers at the Royal Arsenal) which seemingly pictorialises ships’ horns, seagull cries and gunfire echoing around the docklands of (former) heavy industry. Wallen’s miniatures, such as sweetly-dancing Ferry Shell and bold percussion solo Warren to Arsenal, are tantalisingly brief; and calming Fundamental, with jazz-country pedalled guitar textures, is described as ‘a meditation on what it is to be human’.

The educational aspects of Wallen’s career are fascinatingly woven into the fabric of this album, too, employing the choral exuberance of Plumcroft Primary School, in the heart of Woolwich. Young voices chant ’Spirit of the Ancestors (is calling)’ to a bass-and-drum groove as Wallen bluesily improvises across, connecting to the classes’ examination of family and ancestry; and calypsoing, “soft and squishy” Banana Man (for Bannockburn Primary School) highlights the importance of street markets. Harmonious joy, indeed – something further communicated through gyrating, sunshiny instrumental, Holler.

Byron Wallen tours Portrait in the UK from 2 February to 14 October 2020 – and the album, released on 17 February, is available as CD or download from Bandcamp.

 

Byron Wallen trumpet, flugelhorn, shells, piano, percussion
Rob Luft guitar
Paul Michael bass guitar
Rod Youngs drums
Richard ‘Olatunde’ Baker congas, talking drums
Plumcroft Primary School, classes 3G and 3H vocals

Illustration: Marc Drostle

byronwallen.co.uk

Twilight Jaguar Recordings – TJCD3 (2020)

#recentlistening – January 2020 (2)

Byron Wallen – Portrait: Reflections on Belonging
Byron Wallen, Rob Luft, Paul Michael, Rod Youngs, Richard ‘Olatunde’ Baker
with Plumcroft Primary School
Release date: 17 February 2020 (Twilight Jaguar Recordings)
byronwallen.co.uk

Julia Biel – Black and White, Vol. 1
Julia Biel – solo piano
Release date: 28 February 2020 (Rokit Records/Ankhtone Records)
juliabiel.bandcamp.com

Jim Hart & Ivo Neame – Multiverse
Jim Hart, Ivo Neame
Release date: 21 February 2020 (Edition Records)
jimhartivoneame.bandcamp.com

Talinka – Rainbow Over Kolonaki
Tali Atzmon, Gilad Atzmon, Jenny Bliss, Yaron Stavi
with Ross Stanley, Billy Pod
Release date: 25 January 2020 (Fanfare Records / Birnam)
birnamcdshop.com / gilad.online

Jure Pukl – Broken Circles
Jure Pukl, Charles Altura, Joel Ross, Matt Brewer, Kweku Sumbry
Release date: 21 February 2020 (Whirlwind Recordings)
jurepukl.bandcamp.com

Hervé Perez – Imploding Stars
Hervé Perez
Release date: 3 May 2019 (Focused Silence)
focusedsilence.bandcamp.com

#recentlistening – July 2019

Rebecca Nash / Atlas – Peaceful King
Nicholas Malcolm, Tom Seminar Ford, Rebecca Nash, Chris Mapp, Matt Fisher, Sara Colman, Nick Walters
Release date: 26 July 2019 (Whirlwind Recordings)
rebeccanashatlas.bandcamp

ELEW – ELEW plays Rosenwinkel – Cubism
ELEW (Eric Lewis)
Release date: 19 July 2019 (Heartcore Records)
heartcore-records.com

Søren Bebe Trio – Echoes
Søren Bebe, Anders Mogensen, Kasper Tagel
Release date: 10 May 2019
sorenbebe.dk

Laura Jurd – Stepping Back, Jumping In
Laura Jurd, Raphael Clarkson, Alex Paxton, Martin Lee Thomson, Soosan Lolavar, Rob Luft, The Ligeti Quartet, Elliot Galvin, Anja Lauvdal, Conor Chaplin, Liz Exell, Corrie Dick
Release date: 19 July 2019 (Edition Records)
laura jurd.bandcamp

‘Riser’ – Rob Luft

RobLuft_Riser

GUITARIST Rob Luft packs a lot into his debut, Riser – a quintet release of original music oozing vivacious, sun-kissed creativity. 

Based in London and still in his early twenties, Luft was awarded the 2016 Kenny Wheeler Music Prize whilst, in the same year, also achieving second place in the Montreux Jazz Guitar Competition; and his Big Bad Wolf project’s recent first issue, Pond Life, announced an intelligent approach to composition and performance (despite this album’s title modestly referring to the claim that he’s happier on a stage riser than filling out staves and ledger lines).

A contemporary feel across these fifty minutes reflects the cross-genre interests of a young personnel completed by saxophonist Joe Wright, organist/pianist Joe Webb, bassist Tom McCredie and drummer Corrie Dick. Luft’s guitar distinction is his meticulous technique as colorist, imbuing his music with either a bright, township radiance or becalmed beauty; imaginable hero influences might include Kurt Rosenwinkel, Steve Howe or Steve Hackett as he scampers across the frets in Night Songs, its organ-tremulant vibrancy intimating Weather Report with a Caribbean hook. Beware, full of perky, almost Celtic unison riffs, highlights Luft’s quite astonishing soloing rapidity; and title track Riser is dappled with a rocking-chair guitar quaintness associated with ’70s prog before reaching full-Leslie pop-rocking assuredness.

It’s palpable how many concepts whizz around this quintet, so there’s scant evidence of unnecessarily drawing-out ideas. Different Colours of Silence‘s affecting and serene guitar-and-sax aurora comes to dance energetically to Corrie Dick’s skittering percussion, and the afterglow segue into Dust Settles can’t help eventually whipping up a proud, memorable anthem; yet the constant, meditative, swirling washes of both Blue, White and Dreaming and Slow Potion imply the painterly imagery of soundtrack. There’s fun in the air as bass-grooving Shorty and St. Brian I scream their instrumental chants through honking tenor, wailing guitar, heavily-beaten rhythms and sustained organ; and the Spanish guitar delicacy of extended closer We Are All Slowly Leaving (with immaculate intonation from Luft) accelerates into a dizzying house-beat haze of fluid sax improvisation and searing, clashing guitar clusters.

If these myriad expressions sound at risk of being intangible or incohesive… well, it’s thanks to Rob Luft’s artistic overview that it all actually flows with great continuity, the band’s searching spirit driving the album through swathes of textural interest, warmth and esprit.

Riser? Luft is certainly on that upward trajectory.

Released on 28 July 2017 and available as CD or digital download from Edition Records at Bandcamp.

 

Rob Luft guitar
Joe Wright tenor saxophone
Joe Webb Hammond organ, piano, harmonium
Tom McCredie bass
Corrie Dick drums

robluft.co.uk

Edition Records – EDN1095 (2017)

‘Pond Life’ – Big Bad Wolf

A DEBUT RELEASE whose fresh, invigorating sounds stem from an intriguing co-compositional method, Big Bad Wolf’s Pond Life is an instrumental/vocal delight.

The direction taken by trombonist Owen Dawson, guitarist Rob Luft, electric bassist Michael De Souza and drummer Jay Davis begins with recorded, open-ended group improvisation. On playback, ideas born out of these free expressions are then developed, structured and honed with fine attention to detail, resulting in music which radiates an experimental free-spiritedness combined with intelligent musicality. This young band’s many, collective influences include Nirvana, Radiohead, The Invisible, Björk and Django Bates, so their creations naturally weave together diverse strands of rock, pop and jazz, occasionally integrating refined, layered vocals and synthesizer traces redolent of ’70s progressive rock and the Canterbury scene.

Melodically and texturally, this blissful music coruscates to an enticing pairing of trombone and guitar; and the democratic creativity of the quartet (who studied jazz at the Royal Academy of Music and Leeds College of Music) is key to their mission of ‘forging an individual, contemporary sound whilst still honouring the improvisational element of the jazz tradition’. Indeed, Owen Dawson’s cool, breezy trombone lines in Canary immediately intimate Groove Armada, as Rob Luft’s classical guitar delicacy implies the Anthony Phillips era of Genesis; but there’s also a gritty edge to the band’s output (Michael De Souza’s six-string bass a key element), with overdriven guitar and vocal lines perhaps suggesting Everything Everything. Flats in Dagenham‘s sleek, summery trombone promenade is interspersed with crackling guitar-and-bass motifs and anthemic choruses, heralding joyously mellow, sustained electric guitar improv. It seems the band’s initial pooling and sequencing of ideas are key to these unpredictable, episodic progressions which feature adroit, sometimes head-scratching instrumental combinations.

Luft’s stylistic range colours each of these eight pieces quite differently, his rock riffs in Frog underpinning its brassy, cinematic pride, whilst Dawson’s radiophonic, wailing trombone is carried by a mind-boggling swathe of pulsating guitars and tricky, percussive rhythms. In repose, this quartet is just as appealing – Quiet Coach‘s charm defined by dreamy, almost nursery-rhyme guitar, blithe trombone melodies and soft vocal harmonies. But a swift gear-change is never far away, with Hopkins’ Choice rippling to ska-like fervency; both Grassfish and title track Pond Life recalling prog’s flightiness (the latter complete with Pink Floyd ‘Welcome to the Machine’ synth detail); and closing track The Plight of the Typewriter capturing the supreme balance these players achieve as its sublime serenity evolves into majestic funk.

Pond Life might well be approached from an ‘ambient’ perspective; a feel-good, windows-down cruiser. Yet it offers so much more in terms of well-crafted new sounds informed by and excitingly recalling the legacy of music’s previous decades. That surely is a successful basis for any band – and hopefully this gem might be the first of many from Big Bad Wolf.

Released on 16 July 2017 and available as CD or digital download from Bandcamp.

Video: Pond Life, live at Sofar London.

 

Owen Dawson trombone
Rob Luft guitars
Michael De Souza six-string electric bass (Bass VI)
Jay Davis drums

bigbadwolf.london

Recorded, mixed and mastered by Alex Killpartrick
Financially supported by Help Musicians UK (Peter Whittingham Award)

Self-Released (2017)