TOP 12 OF 2020

DISTILLING a year’s music into just a few highlights isn’t easy! But during 2020, when (perhaps for all of us) emotions have been unpredictable, the wonderful creativity of much-valued jazz artists, alongside classical and folk interests, has been instrumental in ‘holding it together’. So, below are a dozen reviewed albums that I have frequently returned to for solace, for joy, for introspection, for escapism, and to accompany an eventual reacquaintance with ‘the great outdoors’. Presented in no particular order, I encourage you to follow the links to sample, purchase and enjoy these treasures.

Season’s greetings. Stay safe.

🎹 AP

Going Down The Well – MoonMot
Dee Byrne, Simon Petermann, Cath Roberts, Oli Kuster, Seth Bennett, Johnny Hunter
Release date: 14 February 2020 (Unit Records)
Review and purchasing link:
https://ap-reviews.com/2020/02/13/going-down-the-well-moonmot/

Tributes – Marius Neset
Marius Neset, Danish Radio Big Band conducted by Miho Hazama
Release date: 25 September 2020 (ACT Music)
Review and purchasing link:
https://ap-reviews.com/2020/09/22/review-tributes-marius-neset/

By And By – Graham South Quartet
Graham South, Richard Jones, Seth Bennett, Johnny Hunter
Release date: 18 September 2020 (Efpi Records)
Review and purchasing link:
https://ap-reviews.com/2020/09/18/review-by-and-by-graham-south-quartet/

Tenacity – Django Bates
Django Bates, Petter Eldh, Peter Bruun, Norbotten Big Band
Release date: 2 October 2020 (Lost Marble)
Review and purchasing link:
https://ap-reviews.com/2020/09/30/review-tenacity-django-bates/

Rickety Racket – Martin Pyne
Philippe Guyard, Russell Jarrett, Marianne Windham, Martin Pyne
Release date: 3 April 2020 (Tall Guy Records)
Review and purchasing link:
https://ap-reviews.com/2020/05/08/rickety-rackety-martin-pyne-quartet/
(see also Spirits of Absent Dancers)

Mór – Agnar Már Magnússon
Agnar Már Magnússon, Valdimar Kolbeinn Sigurjónsson, Matthías Hemstock, Stefán Jón Bernharðsson, Asbjörn Ibsen Bruun, Frank Hammarin, Nimrod Ron
Release date: 1 September 2020 (Dimma)
Review and purchasing link:
https://ap-reviews.com/2020/10/05/review-mor-agnar-mar-magnusson/

While Looking Up – Jimmy Greene
Jimmy Greene, Reuben Rogers, Kendrick Scott, Aaron Goldberg, Lage Lund, Stefon Harris
Release date: 3 April 2020 (Mack Avenue)
Review and purchasing link:
https://ap-reviews.com/2020/03/30/while-looking-up-jimmy-greene/

Another Kind of Soul – Tony Kofi
Tony Kofi, Andy Davies, Alex Webb, Andrew Cleyndert, Alfonso Vitale
Release date: 24 April 2020 (The Last Music Company)
Review and purchasing link:
https://ap-reviews.com/2020/04/23/another-kind-of-soul-tony-kofi/

Flow – Maria Chiara Argirò + Jamie Leeming
Maria Chiara Argirò, Jamie Leeming
Release date: 16 October 2020 (Cavalo Records)
Review and purchasing link:
https://ap-reviews.com/2020/10/12/review-flow-maria-chiara-argiro-jamie-leeming/

Totem – Ferdinando Romano
Ralph Alessi, Tommaso Iacoviello, Simone Alessandrini, Nazareno Caputo, Manuel Magrini, Ferdinando Romano, Giovanni Paolo Liguori
Release date: 24 April 2020 (Losen Records)
Review and purchasing link:
https://ap-reviews.com/2020/05/04/totem-ferdinando-romano-feat-ralph-alessi/

High Heart – Ben Wendel
Ben Wendel, Shai Maestro, Gerald Clayton, Michael Mayo, Joe Sanders, Nate Wood
Release date: 30 October 2020 (Edition Records)
Review and purchasing link:
https://ap-reviews.com/2020/10/26/review-high-heart-ben-wendel/

Humble Travelers – Floating Circles Quartet
Aidan Pearson, Matt Hurley, Jonny Wickham, Arthur Newell, Johanna Burnheart
Release date: 12 September 2020
Review and purchasing link:
https://ap-reviews.com/2020/09/10/review-humble-travelers-floating-circles-quartet/

REVIEW: ‘Spirits of Absent Dancers’ – Martin Pyne

DANCE is central to vibraphonist and percussionist Martin Pyne’s varied professional career. So when, in 2020, musicians’ and artists’ livelihoods were challenged and even threatened as the Coronavirus pandemic forced them to ‘leave the stage’, Martin’s greatest sense of creative loss was in being unable to collaborate with dancers and choreographers, of whose dedication he remains in constant awe.

Recorded live in his home studio (‘GS1’, to BBC radio listeners), he worked intensively, in real time, as ‘a single accompanist’: “I imagined a lone musician in a deserted theatre, like a kind of medicine man, throwing sounds into the space in an attempt to conjure up the ghosts of dancers no longer present, to breathe movement into stillness”. The majority of the sounds come from varied percussion and a small drum kit that’s mostly played with hands and feet (titled after spirits or ghosts), while seven vibraphone solos (named as spells or enchantments) provide a fluid, mystical thread.

From the wings, like a shadowy Satie ‘Gnossiene’, enters the toy-piano and temple-bowl tune of Summoning, part of a ballet score created for choreographer Mikaela Polley and Images Ballet Company. This provides the theme for the interspersed vibraphone variations such as Conjure, whose gossamer play might be imagined as fireflies in the twilight, and the sustained bowing and slow decays of Charm, suggesting nocturnal stillness. The more agile ‘spirits’ are just as entrancing, just a subtle hand clap amongst the toms and cymbals of Presence adding lovely detail; and Banshee’s fidgety, stop-start pats and tinkles feel quietly mischievous.

Discovering where Pyne’s explorations next turn is part of a magic which never wanes. Eidolon’s offbeat hi-hat pulse is addictive amongst its round-the-kit animation, and there‘s a resonance of gamelan in Ikiryo, prominently voiced by a delightful, tuned, wooden tongue drum acoustically sounded with hollow tubes. Vibraphone solo Hexing is mesmerically fleet and almost uncatchable, as is wispy Hocus Pocus, while impetuous tambourine interlude Spook might easily be an authentic medieval estampie. There’s a strong semblance of swing in the energetically brushed flams of Sprite, where pauses and interrupted rhythms create almost humorous anticipation (pity the dancer, there!). Even the bluesy chime of final vibes solo Enchantment might find a placid connection with the ‘MJ’ (Milt Jackson) of the Modern Jazz Quartet.

While dominantly percussive, this is eloquent music (which, Pyne says, couldn’t exist without jazz or other genres) – music for dance studio, theatre or quiet contemplation. Find the space to be transported by its array of improvised timbres, rhythms and moods, even imagining the usual interaction with colourful, gyrating shapes (see video links below). Created out of adversity and artistic longing, this is a wondrous, evocative diversion.

Released on 26 August 2020 and available in CD and digital formats from Discus Music and Bandcamp.

Videos: Eidolon, Banshee and Enchantment

Martin Pyne percussion, vibraphone, toy piano

discus-music.co.uk

Discus Music – Discus 98CD (2020)