#recentlistening – June 2019 (2 of 2)

Huw Warren & Mark Lockheart – New Day (live at Livio Felluga Winery)
Huw Warren, Mark Lockheart
Release date: 24 May 2019 (CamJazz)
camjazz.com

Abdullah Ibrahim – The Balance
Abdullah Ibrahim, Noah Jackson, Alec Dankworth, Will Terrill, Adam Glasser, Cleave Guyton Jr, Lance Bryant, Andrae Murchison, Marshall McDonald
Release date: 28 June 2019 (Gearbox Records)
abdullahibrahim.bandcamp

Joshua Espinoza Trio – Journey Into Night
Joshua Espinoza, Mikel Combs, Jaron Lamar Davis
Release date: 14 June 2019
joshuaespinoza.com

Alexi Tuomarila Trio (featuring Verneri Pohjola) – Sphere
Alexi Tuomarila, Mats Eilertsen, Olavi Louhivuori, with Verneri Pohjola
Release date: 28 May 2019 (Edition Records)
alexituomarilatrio.bandcamp

Yazz Ahmed – A Shoal of Souls (single*)
Yazz Ahmed, George Crowley, Samuel Hällkvist, Ralph Wyld, Naadia Sheriff, Dudley Phillips, Corrina Silvester, Martin France
Release date: 5 June 2019 (IXCHEL Records / Bandcamp)
yazzahmed.bandcamp
(*the ‘final chapter’ of album La Saboteuse. New album, Polyhymnia, releases in October 2019)

Sean Foran & Stuart McCallum – Counterpart
Sean Foran, Stuart McCallum
Release date: 21 June 2019 (Naim Records)
seanforanstuartmccallum.bandcamp

‘All Things’ – Slowly Rolling Camera

src_allthings

SLOWLY ROLLING CAMERA’s eponymous 2014 debut release made a strong impression, garnering an enthusiastic, international fanbase – and follow-up All Things powers to still greater heights with its dynamic blend of soul, electronica, trip hop, jazz and rock.

Fronted by charismatic vocalist, vocal arranger and lyricist Dionne Bennett – whose deep, emotional timbres are the band’s signature – the central quartet completed by Dave Stapleton (keyboards), Deri Roberts (sound design, electronics, percussion) and Elliot Bennett (drums, percussion) calls upon an impressive complement of musicians to assist in realising their ambitious, lush, almost rock-symphonic imaginings. Echoes of The Cinematic Orchestra are authenticated by the presence of guitarist Stuart McCallum; jazz collaborators Ben Waghorn and Laura Jurd provide improvisational flair; and strings enhance the cinemascopic fervour whilst also providing contrasting tranquillity.

Dionne Bennett’s intense, often angsty delivery is perfect for this album’s pervading themes of ‘relationships and the human condition’, and her inflected control, vibrato and sumptuous harmonies feel matchless on the current scene. Scintillation, for example, smoulders over searing strings before erupting into darting rhythms and instrumental soloing over tremulant Fender Rhodes, with tensile “I feel your fire” vocals at snapping point; and McCallum’s reverberant electric guitar paints the sky with incandescent white light. Key to the band’s percussive drive is Elliot Bennett, whose intricacy and energy is always so compelling to watch and hear – opener The Fix is typical of his kaleidoscopic approach, combining weighty, held-back lurching with pin-sharp, cymbal-thrashing accuracy.

It’s difficult to overstate how slick and how layered this production is. Delusive‘s catchy core riff recalls Harold Faltermeyer’s ‘Axel F’; Dave Stapleton’s introduction of the Moog synth, especially in High Praise and Room with a View, is inspired – evocative of ’70s prog, it adds so much to this tumultuous, energising 21st Century landscape; and Deri Roberts’ sound manipulation in Oblivion, supporting Dionne Bennett’s frenetic, shouted choruses of “Leave me alone” confirm that any one of this album’s nine tracks could be the dramatic backdrop to a blockbuster thriller (and equally at home on BBC 6 Music’s playlists).

The transformation of one of Stapleton’s earlier, minimalist, Gorecki-inspired piano works (from his own album Flight) into the soulful vocal outpouring of Unsetting Sun is effective, with string quartet intensifying the heart-wrenched emotion; The Brink is a standout, pulsating, soul/rock episode, with McCallum’s cascading guitar lines enhancing its exciting cacophony; and wind-down end-piece All Things, complete with oscillating synth sirens, wraps up this breathtaking 46-minute visceral explosion.

The ‘difficult second album’? Not… a… chance!

Released on 4 November 2016, All Things is available as LP, CD and digital download from Edition Records at Bandcamp.

 

Dionne Bennett lyrics, vocals, vocal arrangements
Dave Stapleton Fender Rhodes, Moog, string arrangements, piano
Deri Roberts sound design, electronics, production, pandeiro, cuica, berimbau, udu, cabasa, calabash, ghungharu bells, finger cymbals, seed pod shaker
Elliot Bennett drums, tumbadores, bongos, shakers, ribbon crasher, bells
with
Stuart McCallum guitar
Aidan Thorne double bass, electric bass
Ben Waghorn saxophones, bass clarinet
plus
Laura Jurd trumpet
Gareth Roberts trombone
Simon Kodurand violin
Christiana Mavron violin
Katy Rowe violin
Victoria Stapleton violin
Ilona Bondar viola
Niamh Ferris viola
Sarah Davison cello
Abigail Blackman cello
and (on Unsetting Sun)
David Brodowski violin
Catrin Win Morgan violin
Felix Tanner viola
Reinoud Ford cello

slowlyrollingcamera.com

Edition Records – EDN1080 (2016)

‘Frame of Reference’ – Sean Foran

seanforan

HIS FIRST ALBUM as leader, Australian pianist/composer Sean Foran’s Frame of Reference has already called me back time and time again to become immersed in its textural beauty.

In essence, that’s what the attraction is, and also what seems to have been in Foran’s mind as he explored the potential of this project. Known for his part in established piano trio Trichotomy, he envisaged chamber jazz to which artists he had long admired would bring their own character; and the specific instrumental line-up he imagined, creating its flow so evidently here, comprises guitarist Stuart McCallum, saxophonist Julian Arguelles, cellist Ben Davis and drummer Joost Hendrickx. Notably, the quintet first convened in the studio for the actual recording session – perhaps the key to the spontaneity of these eight absorbing tracks.

Foran’s fluvial pianism informs his music throughout, so that it either teems with sit-up-and-listen vitality or sparkles with rivulets of broken-chord elegance; yet it never brashly showboats, therefore allowing his colleagues the freedom to break out of the scored passages. Opening track Room with a View is many-hued, as if painting ever-changing climatic conditions’ effects across a lake. Here, piano ostinati are flecked with subtle electronics or vibraphone-like Rhodes embellishments and Arguelles’ strong alto melodies glide over rhythmically propulsive percussion. Foran’s ability to markedly change his colour palette is particularly attractive, Une Fille‘s full-band buoyancy eddying quietly into legato piano interludes, with McCallum’s mobility across the frets sounding remarkably sitar-like; and Ben Davis’ diverse cello voicings, displayed well in title track Frame of Reference, provide a refreshing change of timbre to more usual double bass.

Blue-sky Dare to Dream treads a delightfully simple groove, but it’s how Foran manages its instrumental light and shade which impresses so much; like a master distiller, he draws together the various streams to create musical nectar. Arguelles’ soprano eases out over the limpid, chamber feel of A Fine Balance before the piece’s invigorating, downward glissade, whilst Quiet Times‘ eventual, not-so-placid arrival finds McCallum’s guitar in a particularly fine improvisational swirl. Mish Mash alternates between folksy, new-age delicacy and Joost Hendrickx’s snappy, complex rhythms, and The Sum Of‘s closing, spacial chill-out is, at times, redolent of early Mike Oldfield (maybe that’s the gorgeously open guitar tone over Foran’s transcendental blend).

As with so much original jazz, don’t let this album rumble on in the background; it’s the compositional attention to detail and varietally improvised nuances which create the magnetism, along with a distinct air of equilibrium.

Released on 2 September 2016, Frame of Reference is available from Discovery Records, Bandcamp and record stores. Promo video here.

 

Sean Foran piano, Rhodes
Stuart McCallum guitars
Julian Arguelles saxophones
Ben Davis cello
Joost Hendrickx drums

seanforanmusic.info

Jazzhead Records – HEAD222 (2016)