‘Our New Earth’ – Sirkis/Bialas IQ (2CD)

IN HIS LINER NOTES to Our New Earth, esteemed drummer Bill Bruford references the dual basis of this 2CD release from the Sirkis/Bialas IQ (International Quartet): the challenge of improving our turbulent world, and an exploratory approach to music – “you don’t play what you practiced anymore”.

Read my full review at LondonJazz News…

Released 20 November 2019 and available as CD or digital download at MoonJune Records.

 

Asaf Sirkis drums, crotales, konnakol, manjira, frame drums
Sylwia Bialas voice, waterphone, overtone singing, konnakol, lyrics
Frank Harrison piano, keyboards
Kevin Glasgow six-string electric bass

MoonJune Records – MJR099 (2019)

‘Finding Home’ – Kate Williams’ Four Plus Three meets Georgia Mancio

‘SECRET, SILENT MOMENTS. Sweet, familiar voices. Colour into colour. Wonder into wonder. Beautiful traces play inside my mind.’

Those words from the coda of Finding Home’s final track, lovingly referencing those who have gone before us, also speak to me of the imaginative approach to this meticulous and poignant collaboration between Kate Williams’ Four Plus Three (the strings of The Guastalla Quartet alongside her piano trio with Oli Hayhurst and drummer Dave Ingamells) and vocalist Georgia Mancio.

Read my full review at LondonJazz News…

Released on 1 June 2019 and available from georgiamancio.com

 

Kate Williams piano, arrangements
Georgia Mancio voice
John Garner violin
Marie Schreer violin – featured on The Key
Francis Gallagher viola
Sergio Serra cello
Oli Hayhurst bass
David Ingamells drums
John Williams guitar – on Caminando, Caminando and We Walk (Slow Dawn)

Illustration by Alban Low

kate-williams-quartet.com
georgiamancio.com

KW Jazz – kwjazz002 (2019)

‘Minor Moments’ (EP) – Laura Zakian

LONDON-BASED JAZZ VOCALIST and educator Laura Zakian has released four solo albums to date, the most recent – 2014’s Songs for Modern Lovers – including in its line-up pianist Steve Lodder, double bassist Simon Thorpe, drummer Nic France and baritone saxophonist Paul Bartholomew. For new project and EP release Minor Moments she returns with that same quartet – but, notably, it marks her creative collaboration with vibraphonist, percussionist and composer Martin Pyne.

Read my full review at LondonJazz News…

Released on 13 May 2019, the EP is available at Bandcamp, Amazon, iTunes, etc.

 

Laura Zakian voice, lyrics
Steve Lodder piano
Simon Thorpe bass
Nic France drums
Paul Bartholomew baritone saxophone
Martin Pyne percussion, composition

laurazakian.com
tallguyrecords.com

Tall Guy Records (2019)

‘Variety of Rhythm’ – Samuel Hällkvist

AN ENTICING, evolving experience which exhibits tremors of 1970s progressive formats, exploratory Swedish electric guitarist Samuel Hällkvist returns with immersive instrumental soundscape Variety of Rhythm.

His Variety of Loud and Variety of Live releases, of 2012 and 2015 respectively, revealed a musician with a singularly experimental vision for composition, instrumentation and improvisation; and he continues to garner respect across music’s cross-pollenating rock, electronica and jazz boundaries, from Roxy Music guitarist Phil Manzanera and ex-Japan keyboardist Richard Barbieri to trumpeter Yazz Ahmed (who reciprocally invited Hällkvist to appear on her recent release La Saboteuse).

Over the course of this continuous suite of almost 45 minutes, Hällkvist collaborates with a dozen musicians – including renowned US guitarist David Torn – through separately-recorded, differing scales of ensemble (in Japan, Portugal, New York, Paris, Belgium and Scandinavia), drawing mind and soul into a fluctuating landscape of sound which prompts the listener to contribute through their imagination. Hällkvist typically becomes part of the whole, integrating his processed guitar through a labyrinth of industrially cinematic drama, repetitively clanging timbres and almost dystopian sustained resonances – yet rather than creating an abstract mishmash, these carefully-woven ideas and illusions gradually become powerfully compelling, especially once they establish themselves in the psyche.

Timed, named waymarkers offer a clue to a conceptual, rock-solid framework interspersed with improvisational interludes (Hällkvist elaborating on the technical and structural aspects here), though the entirety of the work can easily be appreciated from a purely creative, openly-receptive standpoint. Double Adagio‘s rippling, wailing fuzz-guitar wall is propelled by time-shifting voice-and-glockenspiel-like tones, whereas as the more grungy trudge of nine-minute Tete-a-Tete / Blivet progresses into heavy metal, tinged with Steve Reichian attacca strings and ominously soaring guitar. David Torn’s expansive Huly Marga features his searching low-distorted guitar extemporisations against an electronic landscape reminiscent of Pink Floyd or late EST, whilst the extraordinary cross-rhythmic complexity of The Necker Cube, with oriental overtones, spills into subway-sax frenzy, movie-mystery malleted percussion and climactic, grooving grandeur.

Samuel Hällkvist’s maverick, detoured pathways create intrigue, and might initially overwhelm; but put through a responsive sound system, these three-dimensional worlds render in vivid full colour – the excellent concentric/segmented cover graphic points the way!

Released on 13 October 2017, Variety of Rhythm can be purchased digitally at Bandcamp, and is due to be available in gatefold CD format from Discovery Records and Amazon.

 

Samuel Hällkvist guitar
Dick Lövgren bass
David Torn guitar
Liesbeth Lambrecht violin
Qarin Wikström voice
Knut Finsrud drums
Pete Drungle keys
Yasuhiro Yoshigaki drums
Kumiko Takara mallet percussion
Paulo Chagas sax, flute
Silvia Corda various objects
Adriano Orru bass
Katrine Amsler edit, sound design

Mixed by August Wanngren

samuelhallkvist.com
varietyof.com

BoogiePost Recordings – BPCD024 (2017)

‘Unit[e]’ – Alexander Hawkins (2CD)

Alexander Hawkins —Double CD Digipak-v1.3

BEHIND THAT intensely black, nondescript cover… well, perhaps even the initiated might only hazard a guess at the mercurial ninety minutes of original music presented in this double CD – Unit[e] – from Oxford-based pianist and composer Alexander Hawkins.

Previous albums such as Song Singular, Step Wide, Step Deep and Alexander Hawkins Trio have identified a distinctly explorative musician whose avant garde approach to jazz and improvisation is fed by many influences, suggesting the left-field vociferations of Ornette Coleman or Jamaaladeen Tacuma, and most certainly the classic, genteel swing of Duke Ellington (Hawkins describes The Duke as possibly the most basic element of his DNA). The recording is split into two sessions – the sextet of CD1, [C]ALL; the larger ensemble of CD2, HEAR[T] (personnel listed below) – and Hawkins refers to his use of square brackets in each piece’s title as an intentional ‘add or subtract a letter’ couplet device, for example: [W]here (‘here’ is one answer to ‘where’) and [S]how (‘show’ is one answer to ‘how’).

The seven tracks of [C]ALL find Hawkins’ piano in dialogue with violin, guitar, bass clarinet/tenor sax, double bass and drums – and an overarching reference to jazz tradition seems infused throughout, opening with For the People‘s perpetual, blustering, unison riff which invites Tom Skinner’s excited percussion and Shabaka Hutchings’ characteristic tenor squawks, as well as contrastingly mellow electric guitar lines from Otto Fischer. [C]all (parts 1 and 2) stomp proudly to an unusually beautiful, almost naive dance groove (in the right mood, a wonderfully cacophonous seven minutes to get into); and overlapping instrumental voices in [T]each ruminate freely to Hawkins’ sparky, leaping piano before eventually and quietly admitting defeat. The heritage jazz foundation of Hawkins’ work becomes more prominent in [K]now, where ‘MC’ Otto Fischer delivers his calmative, abstract narrative over an oblique lounge ensemble (the Ellington link accentuated by Hawkins’ delicious, semitonal chords). The fiddle and double bass of Dylan Bates and Neil Charles, in [W]here, introduce searching guitar and bass clarinet improvisations over angular piano and drums; and [S]how‘s relative spaciousness seems to beckon the listener inside, to join its subterranean roaming.

With Hawkins directing from the piano, HEAR[T]‘s thirteen-piece ensemble treads a freer, less structural path through five tracks which frequently groan and exclaim with a bewildering mesh of sounds. [Forge[t] is boisterous, irascible and anarchic, whilst the palpable trad swing of fifteen-minute-plus See[k] > Hear[t] includes splendid horn combinations and distressed flute, underpinned by Stephen Davis’ colourful percussion and enhanced by intriguing live electronics (a multifaceted experience worth staying with!). Idea[l]’s pandemonium recalls the cosmic, orchestral colour of David Bedford’s ‘Star’s End’; the awakening of [Sun[g] > Star[k] might summon Aaron Copland’s broad, restful landscapes (and its crescendoing trumpet-led progression perhaps akin to his ‘Rodeo’); and title track Unit[e]‘s nebulous instrumentation, carried on thinly-sustained strings, hints at dark-sky activity, complete with effusive, empyrean swing-band celebration.

Alexander Hawkins’ creativity may be challenging… but his jazz credentials and true, unfettered expression make it one hell of a ride!

Released on 7 July 2017, Unit[e] is available as a double CD from Discovery Records or digital download from Bandcamp.

 

CD1: [C]ALL
Dylan Bates
violin
Neil Charles double bass
Otto Fischer
guitar, voice
Alexander Hawkins
piano
Shabaka Hutchings bass clarinet, tenor saxophone
Tom Skinner drums

CD2: HEAR[T]
James Arben flute, tenor saxophone
Dylan Bates violin
Neil Charles double bass
Stephen Davis drums, percussion
Otto Fischer guitar
Alexander Hawkins piano, conductor
Laura Jurd trumpet
Julie Kjær flute, alto flute, alto saxophone, bass clarinet
Nick Malcolm trumpet, flugelhorn
Hannah Marshall cello
Percy Pursglove trumpet, double bass
Alex Ward clarinet
Matthew Wright live electronics

alexanderhawkinsmusic.com

Self-released – AH1002/3 (2017)