#recentlistening – January 2020

Elliot Galvin – Live In Paris at Fondation Louis Vuitton
Elliot Galvin – solo piano
Release date: 24 January 2020 (Edition Records)
elliotgalvin.bandcamp.com

MoonMot – Going Down The Well
Dee Byrne, Simon Petermann, Cath Roberts, Oli Kuster, Seth Bennett, Johnny Hunter
Release date: 14 February 2020 (Lume)
moonmot.bandcamp.com

Will Vinson – four forty one
Will Vinson, Sullivan Fortner, Tigran Hamasyan, Gerald Clayton, Fred Hersch, Gonzalo Rubalcaba, Matt Brewer, Matt Penman, Rick Rosato, Larry Grenadier, Obed Calvaire, Billy Hart, Eric Harland, Clarence Penn, Jochen Rueckert  
Release date: 31 January 2020 (Whirlwind Recordings)
willvinson.bandcamp.com

The Gaz Hughes Sextet plays Art Blakey
Gaz Hughes, Alan Barnes, Bruce Adams, Dean Masser, Andrzej Baranek, Ed Harrison
Release date: 1 February 2020
gazhughes.bandcamp.com

Pablo Held – Ascent
Pablo Held, Robert Landfermann, Jonas Burgwinkel, Nelson Veras with Veronika Morscher, Jeremy Viner
Release date: 7 February 2020 (Edition Records)
pabloheld.bandcamp.com

Andrés Thor – Paradox
Andrés Thor, Agnar Már Magnússon, Orlando Le Fleming, Ari Hoenig
Release date: 5 April 2019 (Dimma)
andresthor.bandcamp.com

 

TOP 12 OF 2019

HOW DOES ONE BEGIN to compile a ‘best of year’ list from the wealth and diversity of new releases out there?! Well, appreciation of music is, of course, entirely subjective. But during 2019, amongst all of the jazz and jazz-related albums I have written for or about, or have been privileged to simply receive an invitation to hear, these twelve (in no particular order) have been revisited the most frequently. All are heartily recommended, with info/links below. 

Here’s to a great new year – and decade – of musical discovery!

🎹 AP

Fred Hersch & The WDR Big Band – Begin Again
Fred Hersch, The WDR Big Band, arranged and conducted by Vince Mendoza
Release date: 7 June 2019 (Palmetto Records)
Available from: propermusic.com/fredhersch/beginagain

Kate Williams’ Four Plus Three meets Georgia Mancio – Finding Home
Kate Williams, Georgia Mancio, John Garner, Marie Schreer, Francis Gallagher, Sergio Serra, Oli Hayhurst, David Ingamells, John Williams
Release date: 1 June 2019 (KW Jazz)
Review: ap-reviews.com/findinghome
Available from: katewilliams.bandcamp.com/findinghome or georgiamancio.com/findinghome

Ingi Bjarni – Tenging
Ingi Bjarni Skúlason, Jakob Eri Myhre, Merje Kägu, Daniel Andersson, Tore Ljøkelsøy
Release date: 30 August 2019 (Losen Records)
Available from: losenrecords.no/tenging

Chick Corea, Christian McBride, Brian Blade – Trilogy 2
Chick Corea, Christian McBride, Brian Blade
Release date: 18 October 2019 (Concord Jazz)
Available from: propermusic.com/chickcorea/trilogy2

Rymden Reflections & Odysseys
Bugge Wesseltoft, Dan Berglund, Magnus Öström
Release date: 8 February 2019 (Jazzland Records)
Review: ap-reviews.com/rymden
Available from: rymden3.bandcamp.com/reflections&odysseys

Mark Lockheart and Roger Sayer – Salvator Mundi
Mark Lockheart, Roger Sayer
Release date: 5 July 2019 (Edition Records)
Review: ap-reviews.com/salvatormundi
Available from: marklockheart.bandcamp.com/salvatormundi

Michael Janisch – Worlds Collide
Michael Janisch, Jason Palmer, John O’Gallagher, Rez Abbasi, Clarence Penn
with John Escreet, George Crowley, Andrew Bain

Release date: 6 September 2019 (Whirlwind Recordings)
Available from: michaeljanisch.bandcamp.com/worldscollide

Saxophone Summit – Street Talk
Dave Liebman, Joe Lovano, Greg Osby, Billy Hart, Phil Markowitz, Cecil McBee
Release date: 4 October 2019 (Enja Records)
Review: ap-reviews.com/streettalk
Available from: propermusic.com/streettalk

Trish Clowes – Ninety Degrees Gravity
Trish Clowes, Chris Montague, Ross Stanley, James Maddren
Release date: 26 April 2019 (Basho Records)
Available from: bashorecords.com/ninetydegreesgravity

Scott Kinsey – We Speak Luniwaz (The music of Joe Zawinul)
Scott Kinsey, Katise Buckingham, Hadrien Feraud, Gergo Borlai with Bobby Thomas Jr, Arto Tunçboyaciyan, Steve Tavaglione, Jimmy Haslip, Michael Baker, Danny Carey, Cyril Atef, Brad Dutz, Naina Kundu
Release date: 25 October 2019 (Whirlwind Recordings)
Available from: scott-kinsey.bandcamp.com/wespeakluniwaz

Huw Warren Trio – Everything In Between
Huw Warren, Dudley Phillips, Zoot Warren
Release date: 15 March 2019 (CAM JAZZ)
Review: ap-reviews.com/everythinginbetween
Available from: camjazz.com/everythinginbetween

e.s.t. – e.s.t. live in Gothenburg
Esbjörn Svensson, Dan Berglund, Magnus Öström
Release date: 25 October 2019 (ACT Music)
Review: ap-reviews.com/estliveingothenburg
Available from: actmusic.com/estliveingothenburg

#recentlistening – October 2019 (1 of 2)

Chick Corea, Christian McBride, Brian Blade – Trilogy 2 (2CD)
Chick Corea, Christian McBride, Brian Blade
Release date: 18 October 2019 (Concord Jazz)
propermusic.com/catalog/product/view/id/94748/s/cja00183-trilogy-2/

Hiromi – Spectrum
Hiromi – solo piano
Release date: 4 October 2019 (Telarc)
propermusic.com/tel00081-spectrum.html

Scott Kinsey – We Speak Luniwaz (The music of Joe Zawinul)
Scott Kinsey, Katise Buckingham, Hadrien Feraud, Gergo Borlai with Bobby Thomas Jr, Arto Tunçboyaciyan, Steve Tavaglione, Jimmy Haslip, Michael Baker, Danny Carey, Cyril Atef, Brad Dutz, Naina Kundu
Release date: 25 October 2019 (Whirlwind Recordings)
scott-kinsey.bandcamp.com/album/we-speak-luniwaz

Jazzrausch Bigband – Dancing Wittgenstein
Jazzrausch Bigband directed by Roman Sladek
Release date: 25 October 2019 (ACT Music)
actmusic.com/en/Artists/Jazzrausch-Bigband/Dancing-Wittgenstein/Dancing-Wittgenstein-CD

Gareth Hughes – Some Folk Say (EP)
Gareth Hughes, Pete Jeavons, Elliot Smith, Lucky Oceans, Adam Springhetti
Release date: 20 September 2019
garethhughes.bandcamp.com/releases

Kneebody – Chapters
Ben Wendel, Shane Endsley, Adam Benjamin, Nate Wood with Michael Mayo, Becca Stevens, Josh Dion, Gerald Clayton, Gretchen Parlato, Kaveh Rastegar
Release date: 18 October 2019 (Edition Records)
kneebody.bandcamp.com/album/chapters

#recentlistening – February 2019

Stephan Thelen Fractal Guitar
Stephan Thelen, Markus Reuter, David Torn…
Released 18 January 2019 on MoonJune Records
stephanthelan-moonjune.bandcamp.com

John Turville Head First
John Turville, Julian Argüelles, Robbie Robson, Dave Whitford, James Maddren
Releases 22 February 2019 on Whirlwind Recordings
johnturville.bandcamp.com

Mark Lockheart Days on Earth
Mark Lockheart, Alice Leggett, Liam Noble, John Parricelli, Tom Herbert, Sebastian Rochford
and 30-piece orchestra conducted by John Ashton Thomas
Released 18 January 2019 on Edition Records
marklockheart.bandcamp.com

Lieven Venken/Rene Hart/Anat Fort Trio Bubbles
Lieven Venken, Rene Hart, Anat Fort
Released 1 February 2019 on Hypnote Records
hypnoterecords.com

‘Range’ – Pete McCann

Range

A FIRST LISTEN to the sparkling jazz-rock of guitarist Pete McCann may leave you pondering why, at least in the UK, his name is so unfamiliar. Respected as a first-call sideman on the New York scene, he has appeared on over 80 album recordings including those of Patti Austin, Curtis Stigers and the Mahavishnu Project; while in jazz his credentials include having worked alongside Kenny Wheeler, Dave Liebman, Lee Konitz and Brian Blade.

Read the full review at LondonJazz News…

 

Pete McCann electric and acoustic guitars
John O’Gallagher alto sax
Henry Hey piano, Fender Rhodes, organ
Matt Clohesy acoustic and electric bass
Mark Ferber drums

petemccann.com

Whirlwind Recordings – WR4675 (2015)

‘Spirit House’ – Joel Harrison 5

12 cm digi-2-sides-1tray_OK.cdr

US guitarist Joel Harrison is not the kind of guy to become entrenched in one particular musical niche – in fact, his extensive back catalogue of recordings (probably lesser known to European ears) reveals a desire to straddle genre borders to communicate his searching creativity.

Harrison’s collaboration with sarode player Anupam Shobhakar (Leave the Door Open, Whirlwind, 2013) conveyed an intelligent and empathetic appreciation of North Indian and other world music, ingeniously fusing it with jazz and rock elements; and previous albums reveal an embracement of African, Appalachian, country music and spirituals (to name but a few), as well as the clear influence of American jazz and country guitarists such as Bill Frisell and Duane Allman.

This new release release presents a fascinating quintet line-up – guitar, trumpet, bassoon, bass and drums – in an improvisationally-heavy exploration of originals by Harrison, plus one arrangement. The guitarist explains that a Spirit House, in East Asian culture, is a miniature structure sheltering the deities, “a home of sorts for those invisible forces that guide the visible world” – and hence a useful metaphor for the studio coming-together, following a West Coast tour, of esteemed musical spirits Harrison, Cuong Vu, Paul Hanson, Kermit Driscoll and Brian Blade.

With such collective experience, Spirit House projects a huge vista of powerful styles and atmospheres centred around contemporary jazz and rock, with an instrumental/electronic weave which, at times, is pleasingly difficult to unpick. Title track An Elephant in Igor’s Yard is typical of the energy to be found here, it’s dark, swirling mood underpinned by clashing, overdriven guitar chords and a solid, persistent bass’n’drum pulse; yet there is space within for trumpeter Cuong Vu to blast high into the roof… and is that footloose pitch-bent synth actually a remarkable electronic transformation of Paul Hanson’s bassoon?

The attractive, relatively acoustic feel of Old Friends is inhabited by a playful whiff of mid-’70s prog/psychedelia (mostly thanks to its jaunty, almost Hendrix-fashioned bassoon melodies), as is the tumbling Left Hook, where guitar, trumpet and bassoon superbly combine as a smooth, pseudo horn section before Vu delivers the most impressively extreme range of techniques. Paul Motian’s Johnny Broken Wing drifts freely and emotionally in Harrison’s guitar-and-effects arrangement, the plaintive unison melody carried serenely by Vu and Hanson; and that melancholy aura filters in to the leader’s translation of his own early 90s poem, Some Thoughts on Kenny Kirkland – a tribute, led by soulful vocalist Everett Bradley and Harrison’s ‘Free Bird’ guitar, to those who have departed too soon.

The chattering lightness of You Must Go Through a Winter is carefully measured, leaving a broad canvas over which trumpet, guitar and oboe glide effortlessly – a levitational oasis amongst the heavier numbers; and bluesy Sacred Love increasingly bustles to Kermit Driscoll’s grooving bass as trumpet and guitar grittily duel it out, joined by the new-age inquisitiveness of the bassoon (Hanson’s work a real stand-out). Eight-minute title track Spirit House cautiously ebbs and flows, Harrison’s sparse writing offering the intended freedom to his colleagues; and Look At Where You Are, featuring the leader’s layered vocals, closes the album in smoky, wistful, American folk-rock tones.

Spirit House offers a real sense of discovery, realising Joel’s Harrison’s own intentions: “This is a project that mixes heart, soul, intellect and wit to create music that might move in different ways… to open a door inside the listener that helps to experience something which takes them on a journey.”

Released on 7 July 2015, full details and purchasing options can be found at Whirlwind Recordings.

 

Joel Harrison guitar, voice
Cuong Vu trumpet
Paul Hanson bassoon
Kermit Driscoll bass
Brian Blade drums, voice
with
Everett Bradley voice
Adam Kipple Hammond B-3 organ

joelharrison.com

Whirlwind Recordings – WR4673 (2015)

‘Strata’ – Ivo Neame

Strata

IVO NEAME is, without doubt, an effulgent beacon amongst British contemporary jazz pianists. Familiar as one third of much-lauded supergroup Phronesis, and cornerstone of both Adam Waldmann’s Kairos 4tet and Norwegian saxman Marius Neset’s projects, he is unsurprisingly much in demand as live performer and recording artist.

2012’s Yatra found Neame breaking out of these roles to interpret, in octet proportions, the excitement and intricacy of his distinctive, original compositions. Three years on, re-scaling to quintet format, new release Strata continues to reveal new layers of sound and texture through a challenging, saturated landscape of snappy arrangements and broadly extemporised freedom. From his previous album, Ivo reintroduces the solid musical personalities of tenorist Tori Freestone, vibraphone player Jim Hart, plus trusted drummer Dave Hamblett; and, adding to his own line-up of piano, synths and accordion, he also welcomes the considerable expertise of bassist Tom Farmer.

Before recording, the band were able to explore and fine-tune these eight new compositions via a series of live gigs, which explains both the confidence and sense of creative abandon on display here; captured over just two days in the studio, that immediacy is preserved. Neame describes the developmental unpredictability: “We interpret these pieces as we play them, so that the music is a dynamic, evolving entity. Once the rug has been pulled away, the tune might take on a new identity, ending up with a different feel, mood or tempo… The contributions of the band members are vital, as they all help shape the character of the music.”

Indeed, the strength of this sound world – far from any preconception of ‘jazz quintet’ –  lies in the desire to explore new atmospheres, arising from strong concepts, through unfettered improvisational exposition and varying instrumental seams. Title track Strata illustrates this well, building from the simplest, dreamy piano motif set against a synth-led pulse until the richness of Tori Freestone’s tenor carries it skywards; and from thereon, the layers eloquently build, shift, then fade from view. Personality Clash feels wonderfully anarchic, with the pianist at his glorious, high-flying best against the elevated buoyancy of bass, drums and vibes – and Freestone’s characteristically forceful, wide vibrato searching is a joy.

Ivo Neame cites early ’60s album ‘Coltrane plays the Blues’ as a classic – and OCD Blues, with Freestone’s brooding tenor motif, suggests something of the opening, pressing urgency of Coltrane’s ‘Mr Knight’. At almost ten minutes’ duration, it traverses many planes; sometimes hitting Genesis-like prog grandeur, then flying like the wind through rippling conversations between Neame and Hart, or stratospherically drifting to bowed vibes, sustained accordion and shimmering percussion. Miss Piggy leans more towards Neame’s work with Kairos 4tet, the measured, falling ballad firmly led by Freestone’s known ability to endlessly pour out line after line of beauteous melody.

Breathtakingly complex, Crise de Nerfs jitters to the engaging delirium of Tori Freestone’s flute and Jim Hart’s dizzying vibes display. Alongside Farmer and Hamblett, Neame is more the rhythm-maker here, as well as adding chordal colour… and a fabulous ritenuto again changes the landscape before a final flourish. Piano trio Eastern Chant embodies the spirit of Phronesis, heightened by the swinging, rising bass phrases of Tom Farmer – a great showcase for Ivo Neame’s pianistic creativity. Flute and accordion in Folk Song are hypnotically redolent of Marius Neset’s Scandinavian-wrought jazz, including a chirpy tenor-and-vibes interlude; and, finally, a pictorialisation of Snowfall is magically realised through the particularly delicate, spacial interaction of these five players.

A towering statement from a venturesome British team, Strata is available from Whirlwind – further information, promo video and purchasing options here. And take a look at the entertaining title track video!

 

Ivo Neame piano, accordion, synths
Tori Freestone tenor sax, flute
Jim Hart vibes
Tom Farmer double bass
Dave Hamblett drums

ivoneame.co.uk

Whirlwind Recordings – WR4674 (2015)