‘String Theory’ – Partikel

Partikel

WITH A THRASHING RIFF worthy of Jimmy Page, chordless trio Partikel announce their boldest statement yet in new release String Theory – a collaboration with a dynamic string quartet led by violinist Benet McLean.

Originally formed for Monday night jam sessions on the London jazz circuit, Partikel – Duncan Eagles (saxes), Max Luthert (double bass) and Eric Ford (drums) – have established themselves over the past few years with regular gigging, resulting in two previous albums (eponymous debut Partikel and 2012’s Cohesion). Now, further extending their possibilities with strings, that initial Led Zep-fuelled outpouring dramatically signals their renewed intent in a 12-track programme mostly composed and arranged by saxophonist Eagles.

Three-part Clash of the Titans reveals the augmented band’s creative process, the arrangements described as being “almost exclusively conceived on the bandstand… spontaneous musical exchanges that flowed from the heat of performance have been added to the compositions.” And that sense of discovery makes for an absorbing listen. Following the heavily rocking intro, the ‘concerto’ develops into atmospheres in which the string quartet becomes an integral part – certainly no grotesque, strap-on afterthought – with Midnight Mass (part 3) irridescing to luscious sax improvisation and sumptuous strings.

Shimmer‘s perky melodies are tossed about between sax and strings, buoyed by Eric Ford’s lively, creative percussion, until Benet McLean’s virtuosic solo violin introduces The Buffalo, a mesmerising, udu-accompanied episode with expansive, filmic qualities. Swinging an’ a-swaggering, Bartering with Bob is endearingly confident and as high-spirited as a rollicking old standard (like Monk without piano!), Eagles responding articulately to the temerarious bass and drums of Luthert and Ford; and in the graceful meandering of The River, the string quartet’s eloquence and empathy with the Partikel trio is beautifully captured – here in particular, Eagles’ soprano impresses with Coltranesque abandon and invention.

Smouldering Wray Common softly grooves to udu, bass and smooth tenor, with fabulously expressive strings; and Eagles’ alchemistic tenor reading of Johnny Green’s familiar Body and Soul intertwines effectively with Matthew Sharp’s emotive cello and the Kronos-like spikiness of the quartet as a whole, all adorned by Ford’s elaborate percussion. Partikel ‘laid bare’ is as immediate as ever in Cover, soprano, bass and drums weaving their spell with customary vivacity; and searing string glissandi add verve to closing number The Landing, Eagles’ tenor wildly jitterbugging to Luthert’s and Ford’s rapid animation.

As a trio, Partikel have clearly become stronger, unafraid to venture into the unknown, and looking to develop their musical journey with both spontaneity and bravura. Released by Whirlwind on 11 May 2015, further information, promo video and purchasing can be found at the dedicated String Theory web page.

Duncan Eagles saxophones
Max Luthert bass
Eric Ford drums
with
Benet McLean violin
David Le Page violin
Carmen Flores viola
Matthew Sharp cello

Current 2015 tour dates
28 May: Watermill Jazz Club, Dorking
2 June: LAUNCH – Pizza Express Jazz Club, Soho, London
26 June: The Verdict, Brighton
28 June: Ashburton Live
29 June: North Devon Jazz Club, Appledore
1 July: Fisher Theatre, Bungay

partikel.co.uk

Whirlwind Recordings – WR4671 (2015)

‘Road Ahead’ – Mark Perry / Duncan Eagles Quintet

RoadAhead

GREAT TO FIND this big league seven-piece from London’s flourishing contemporary jazz scene recording together, presenting a set of ten colourful, original compositions (first aired at 2012’s London Jazz Festival) by leaders Mark Perry and Duncan Eagles. 

Having already established themselves as versatile instrumentalists in a variety of ensembles and projects, trumpeter Perry and tenorist Eagles bring together an accomplished ensemble who, together, produce a satisfyingly full sound – Gareth Lockrane on flutes, Sam Leak at the piano, double bassist Max Luthert and drummer Chris Nickolls, plus the wordless vocals of Ona Onabule.

Flip of a Coin provides the heads-up on the intent of this quintet line-up, Sam Leak the pacemaker with a determined piano rhythm, Luthert and Nickolls maintaining the steady but solid energy. Onabule’s vocals enhance the sustained frontline of trumpet and tenor before Perry and Eagles head off to solo spiritedly. Mark Perry’s delivery is undubitably incisive, complemented by Eagles’ rich and fluid explorations – certainly an in-form partnership. In the upbeat Chord Game, Sam Leak demonstrates the clear, spacial and considered piano technique which makes his own album recordings so appealing; and Perry and Eagles freely bounce ideas off each other. Easy-going Shawty and the still mellower Forever make good use of Onabule’s soulful voice, Eagles’ solo tenor in the latter just sublime. Barters Band raises a smile, Gareth Lockrane’s lithe flute the key to its chirpy ’70s sitcom’ flavour – the rhythm section ticks along amiably, a great foundation for Leak’s clean solo lines and fleetly-placed chords, whilst Perry and Eagles dance closely to Lockrane’s tune.

The tempered, late-night feel of Wray Common is perfect for Onabule’s subtle vocal additions, Luthert’s lyrical yet precise bass pairing well with Leak’s pianistic clarity, and trumpet and sax soporifically intertwining. In contrast, the agitated G.T. (a tribute to American saxophonist Gary Thomas) finds Eagles and Perry soloing grittily against a mysterious piano, bass and drums riff (great animation from Chris Nickolls) which offers more than a hint of ‘TV detective’!

Perry’s expressive, plaintive solo trumpet opens mid-tempo title track Road Ahead which affords Sam Leak the freedom to roam (and rather elegantly at that). One Last Kiss is beautifully poised, Lockrane and Onabule again adding their individual character to this very attractive, breezy number. With an element of emotional longing, and drawing this entertaining album to a close, Remember features softer, slurred tones from Mark Perry, velvety bass flute from Gareth Lockrane, and fine ensemble playing all round.

Launching ‘Road Ahead’ at Pizza Express Jazz Club, London, on 17th November (as part of the 2013 London Jazz Festival), and releasing 2nd December, the quintet are set to tour in Spring 2014. Promo video, SoundCloud samples and more information here.


Mark Perry
Trumpet  markperrymusic.com
Duncan Eagles Saxophones  duncaneagles.co.uk
Gareth Lockrane Flutes  garethlockrane.com
Sam Leak Piano  samleak.com
Max Luthert Double bass  maxluthert.co.uk
Chris Nickolls Drums
Ola Onabule Vocals  ona-onabule.co.uk

Sleeve design and illustration by Alban Low

F-ire – F-IRECD 65 (2013)