AN ENTICING, evolving experience which exhibits tremors of 1970s progressive formats, exploratory Swedish electric guitarist Samuel Hällkvist returns with immersive instrumental soundscape Variety of Rhythm.
His Variety of Loud and Variety of Live releases, of 2012 and 2015 respectively, revealed a musician with a singularly experimental vision for composition, instrumentation and improvisation; and he continues to garner respect across music’s cross-pollenating rock, electronica and jazz boundaries, from Roxy Music guitarist Phil Manzanera and ex-Japan keyboardist Richard Barbieri to trumpeter Yazz Ahmed (who reciprocally invited Hällkvist to appear on her recent release La Saboteuse).
Over the course of this continuous suite of almost 45 minutes, Hällkvist collaborates with a dozen musicians – including renowned US guitarist David Torn – through separately-recorded, differing scales of ensemble (in Japan, Portugal, New York, Paris, Belgium and Scandinavia), drawing mind and soul into a fluctuating landscape of sound which prompts the listener to contribute through their imagination. Hällkvist typically becomes part of the whole, integrating his processed guitar through a labyrinth of industrially cinematic drama, repetitively clanging timbres and almost dystopian sustained resonances – yet rather than creating an abstract mishmash, these carefully-woven ideas and illusions gradually become powerfully compelling, especially once they establish themselves in the psyche.
Timed, named waymarkers offer a clue to a conceptual, rock-solid framework interspersed with improvisational interludes (Hällkvist elaborating on the technical and structural aspects here), though the entirety of the work can easily be appreciated from a purely creative, openly-receptive standpoint. Double Adagio‘s rippling, wailing fuzz-guitar wall is propelled by time-shifting voice-and-glockenspiel-like tones, whereas as the more grungy trudge of nine-minute Tete-a-Tete / Blivet progresses into heavy metal, tinged with Steve Reichian attacca strings and ominously soaring guitar. David Torn’s expansive Huly Marga features his searching low-distorted guitar extemporisations against an electronic landscape reminiscent of Pink Floyd or late EST, whilst the extraordinary cross-rhythmic complexity of The Necker Cube, with oriental overtones, spills into subway-sax frenzy, movie-mystery malleted percussion and climactic, grooving grandeur.
Samuel Hällkvist’s maverick, detoured pathways create intrigue, and might initially overwhelm; but put through a responsive sound system, these three-dimensional worlds render in vivid full colour – the excellent concentric/segmented cover graphic points the way!
Samuel Hällkvist guitar
Dick Lövgren bass
David Torn guitar
Liesbeth Lambrecht violin
Qarin Wikström voice
Knut Finsrud drums
Pete Drungle keys
Yasuhiro Yoshigaki drums
Kumiko Takara mallet percussion
Paulo Chagas sax, flute
Silvia Corda various objects
Adriano Orru bass
Katrine Amsler edit, sound design
Mixed by August Wanngren
BoogiePost Recordings – BPCD024 (2017)