‘Too Much Love’ – Euan Burton

too-much-love

A STRONG SENSE of yearning and heart-on-sleeve emotion, imbued with the plaintiveness of traditional folksong, are the predominant characteristics flowing from this appealing new jazz quartet release by Scottish composer and bassist Euan Burton. Indeed, Burton’s album title, Too Much Love, reflects a concept built around the idea of people’s mistakes arising from “misplaced love or having so much love that they don’t know how to deal with it and channel it properly.” 

The sequence of seven self-penned numbers seems to suggest thematic progression (not unlike the bassist’s 2012 album, Occurrences), offering the impression of storytelling throughout its engaging thirty-five minutes; and the empathetic response to his writing – by turns homey and exhilarating – is delivered by longstanding Glaswegian compatriots Adam Jackson (alto sax), Tom Gibbs (piano) and Alyn Cosker (drums and cymbals). Euan Burton’s creative identity is his distinctive fusion of through-composition and a trust in individual improvisation – this is no straight saxophone-led foursome banging out my-turn-next riffs to a predictable formula, but rather a close ensemble who appear to spark off each other, in the moment, to bring immediacy and freshness to melodies which remain wholly accessible.

Two opening tracks perfectly illustrate Burton’s approach: Prelude – a wistful, open weave of tunes effortlessly shared and developed between the players; and This World – a delightfully buoyant folksy creation (perhaps it’s the honest, fluid alto sax of Jackson that intimates the pastoral hallmarks of 20th Century British clarinet concerti). Pianist Tom Gibbs appears to be one of Scottish jazz’s best-kept secrets (his own Fear of Flying album, with Euan Burton as bassist, is a particularly memorable release from 2012), and here, in Burton’s quartet, his adaptable creative presence is very much in evidence. The romantic breadth of Rhapsody finds him switching, midway, from grandiose chordal embellishment to a compulsively perky groove propelled by Burton’s bass and the assertive intricacies of Alyn Cosker’s drums and cymbals (at nine minutes, clearly a performance that revels in its breathing space).

Subtle contentment in All That Is Left (with a melody so clear, it could easily be sung to words) is exemplified by the lyricism of Jackson’s alto which eloquently shapes every phrase over the sustained rubato of Gibbs’ piano, with bass and drums in delicate support. Krakow is embraced joyously, Gibbs flamboyantly breaking free in characteristic piano style as Jackson grittily contributes to its countryfied ebullience; and Fading Memories, the most freely improvised-sounding piece on the album, reveals much about these players’ interaction as Cosker’s persistent percussive pulse encourages extemporisation out of Jackson’s bluesy riff – a tantalising glimpse, perhaps, of how they can push and extend the thread of an idea outwards in a live setting. To close, title track Too Much Love briefly reprises the longing of earlier numbers before celebrating more profusely the quartet’s undoubted connection with this music, Jackson and Gibbs finally resting the theme with charming Scottish folksong simplicity.

Released on Whirlwind Recordings, further information, audio samples, promo video and purchasing can be found here.

 

Euan Burton bass
Adam Jackson alto saxophone
Tom Gibbs piano
Alyn Cosker drums and cymbals

euanburton.com

Whirlwind Recordings – WR4662 (2014)

‘Anyone With A Heart’ – Iiro Rantala String Trio

Iiro

THE CLASSICAL FORM of piano trio is unfamiliar in jazz spheres – but, for Finnish pianist/composer Iiro Rantala, Polish violinist Adam Baldych and Austrian cellist Asja Valcic (all classically trained), it seems the perfect grouping to animate these jazz originals from Rantala.

The compositional approach stems from a desire to champion melodies – as Rantala says: “…in today’s jazz, most people try to get by without them… and if they don’t, they play standards.” And much of the sequence is tightly arranged in three parts, beautifully balanced with the freedom to improvise, frequently sailing close to ‘light music’. But it also has a depth of integrity which is both charming and inviting, due in part to the multifarious timbres the ‘string trio’ members achieve between them, as well as their undoubted shared discipline and musicianship. The music feels close and personal, conveying a variety of emotions – from heart-rending romanticism, through gritty chasing momentum or devotional simplicity, to unalloyed and overflowing joy.

Iiro Rantala’s pianistic style is noteable for its precision and clarity, but also for its ‘prepared/muted’ technique which complements the strings of violin and cello, used to great effect in Freedom (at times, its bounciness mimics a synthesised approach reminiscent of Vangelis). In contrast, there are echoes of Asja Valcic’s own Radio String Quartet Vienna in the pulsating Hard Score, driven by cello and violin, Rantala’s piano running with the heightened intensity and contributing muted bass, whilst the gypsy-jazz violin is phenomenal both in raciness and fluidity. A Gift is easy-going and entirely accessible, Baldych’s agile plucked melody preceding a lush, homely trio arrangement which glistens with top-end piano runs; and the delicate musical box introduction to Prayer builds into an impassioned love song, with the individual violin and cello melodies so yearningly lyrical.

Title track Anyone With A Heart expresses all the warm affection of a Sunday evening’s soft TV drama, its bright, memorable melodies evoking rolling Yorkshire Dales landscapes or stately country houses. And, just as irresistible, is A Little Jazz Tune which, as its name implies, provides a jaunty ‘life’s good’ interlude with Grappelli-style portamento fiddle improvisations over Rantala’s unashamedly cheerful piano. Alone switches to a minor key of sorrowful longing, Valcic’s cello singing so eloquently and movingly; and Rantala’s brief, gentle arrangement of Harold Arlen’s Somewhere Over The Rainbow offers the subtlest of silver linings, before heading into the convivial, showy curtain call, er… Happy Hippo!

Those looking for hard-edged, challenging jazz are likely to find this release a touch too light. But it exudes a warmth and a sincerity which is difficult to ignore, such is the charm and openness of Iiro Rantala’s writing and the conviction of his players. It’s certainly been a popular choice in this household.

‘Anyone With A Heart’ is released in the UK on 10 March 2014, by ACT Music – audio samples and information available here.


Iiro Rantala
piano
Adam Baldych violin
Asja Valcic cello

ACT 9566-2 (2014)