REVIEW: ‘Please Do Not Ignore The Mermaid’ – Tara Minton

WITH AN INVITATION to listen for welcoming selkies, sirens, undines and yawkyawks (the latter, from Northern Australian mythology), harpist/vocalist Tara Minton releases Please Do Not Ignore The Mermaid – a collection of original music and lyrics which communicates themes of fancy, self-identity, climate change and hope.

Tara Minton’s connection to the sea (evidenced in 2017’s The Tides of Love) stems from an oceanside upbringing in Melbourne; and the decision, a decade ago, to relocate her life and career to London says much about her artistic ambition and ebullient personality. In this album, together with pianist Phil Merriman, double bassist Ed Babar, drummer David Ingamells and soprano saxophonist Tommaso Starace, she explores marine tales through a fascinating fusion of jazz and singer/songwriter styles, alongside pleasing glimpses of folkloristic ‘prog’ rock. As well as being a particularly eclectic harpist in both jazz and classical arenas, it’s also clear that Tara might easily have flourished purely as a vocalist, given her fluent, often deftly-harmonised expression; and the recording’s evident narrative thread is something she regards as fundamental to her creativity.

Incisively described as an impressionistic dreamscape, there’s a sense of this seven-track sequence of ‘stories from mermaids around the world’ being accompanied by flowing, animated imagery as the harp’s undercurrents and riptides provide the basis for its lush, sometimes dramatic journeying. Heralded by siren calls, We Sing For Each Other plunges into an iridescent, subaqueous world of mystery, while The Origin Of The Harp (an interpretation of Thomas Moore’s poem) reveals Minton’s beautifully controlled sung phrases which shift in and out of harp-ornamented coral view, creating a meditative jazz soundtrack.

Eugénie’s glissando strings delicately dance with brushed snare and cymbals under its jade-lit canopy, leading to a selkie’s wonderfully soulful intro to teasing, free-spirited, walking-bass number Skin (“I wanna shed my skin… everything is on the menu tonight… sometimes I just wanna be naughty and flirty…”). Here, the ‘piano trio’ of Merriman, Babar and Ingamells combines with Minton’s flourishes to create smilingly retro feel-good; something which continues in the whirlpool freedom of Undine Undying, embellished by the swooning then high-flying shared melodies of soprano sax and voice.

Midway through title track Please Do Not Ignore The Mermaid (an environmental exhortation), Minton propels her writing towards the solid synthesized/drummed rock of Genesis or Yes, its soaring, effected vocals and harp sforzandi also imaginable as a Bond theme, culminating in the mermaids’ impressive choral anthem. And Puerto Rican-tinted Starfish – where harp almost emulates Spanish guitar – concludes with splendid improvisational showings, including communal burlesque/folk voices proclaiming “Come down to the beach, we can change our fate… before it’s too late”.

Tara Minton’s creative route teems and glistens with individuality, while that ‘prog’ side of her personality will be watched and encouraged!

Released on 6 November 2020, Please Do Not Ignore The Mermaid is available as limited-edition vinyl and CD, or digital download, from Bandcamp.

 

Tara Minton vocals, harp, co-producer
Phil Merriman piano, co-producer
Ed Babar double bass
David Ingamells drums
Tommaso Starace soprano saxophone
Tom Nancollas voice on The Origin Of The Harp

Cover art by Blanche Ellis

taraminton.com

Lateralize Records – LR010CD (2020)

TOP 12 OF 2019

HOW DOES ONE BEGIN to compile a ‘best of year’ list from the wealth and diversity of new releases out there?! Well, appreciation of music is, of course, entirely subjective. But during 2019, amongst all of the jazz and jazz-related albums I have written for or about, or have been privileged to simply receive an invitation to hear, these twelve (in no particular order) have been revisited the most frequently. All are heartily recommended, with info/links below. 

Here’s to a great new year – and decade – of musical discovery!

🎹 AP

Fred Hersch & The WDR Big Band – Begin Again
Fred Hersch, The WDR Big Band, arranged and conducted by Vince Mendoza
Release date: 7 June 2019 (Palmetto Records)
Available from: propermusic.com/fredhersch/beginagain

Kate Williams’ Four Plus Three meets Georgia Mancio – Finding Home
Kate Williams, Georgia Mancio, John Garner, Marie Schreer, Francis Gallagher, Sergio Serra, Oli Hayhurst, David Ingamells, John Williams
Release date: 1 June 2019 (KW Jazz)
Review: ap-reviews.com/findinghome
Available from: katewilliams.bandcamp.com/findinghome or georgiamancio.com/findinghome

Ingi Bjarni – Tenging
Ingi Bjarni Skúlason, Jakob Eri Myhre, Merje Kägu, Daniel Andersson, Tore Ljøkelsøy
Release date: 30 August 2019 (Losen Records)
Available from: losenrecords.no/tenging

Chick Corea, Christian McBride, Brian Blade – Trilogy 2
Chick Corea, Christian McBride, Brian Blade
Release date: 18 October 2019 (Concord Jazz)
Available from: propermusic.com/chickcorea/trilogy2

Rymden Reflections & Odysseys
Bugge Wesseltoft, Dan Berglund, Magnus Öström
Release date: 8 February 2019 (Jazzland Records)
Review: ap-reviews.com/rymden
Available from: rymden3.bandcamp.com/reflections&odysseys

Mark Lockheart and Roger Sayer – Salvator Mundi
Mark Lockheart, Roger Sayer
Release date: 5 July 2019 (Edition Records)
Review: ap-reviews.com/salvatormundi
Available from: marklockheart.bandcamp.com/salvatormundi

Michael Janisch – Worlds Collide
Michael Janisch, Jason Palmer, John O’Gallagher, Rez Abbasi, Clarence Penn
with John Escreet, George Crowley, Andrew Bain

Release date: 6 September 2019 (Whirlwind Recordings)
Available from: michaeljanisch.bandcamp.com/worldscollide

Saxophone Summit – Street Talk
Dave Liebman, Joe Lovano, Greg Osby, Billy Hart, Phil Markowitz, Cecil McBee
Release date: 4 October 2019 (Enja Records)
Review: ap-reviews.com/streettalk
Available from: propermusic.com/streettalk

Trish Clowes – Ninety Degrees Gravity
Trish Clowes, Chris Montague, Ross Stanley, James Maddren
Release date: 26 April 2019 (Basho Records)
Available from: bashorecords.com/ninetydegreesgravity

Scott Kinsey – We Speak Luniwaz (The music of Joe Zawinul)
Scott Kinsey, Katise Buckingham, Hadrien Feraud, Gergo Borlai with Bobby Thomas Jr, Arto Tunçboyaciyan, Steve Tavaglione, Jimmy Haslip, Michael Baker, Danny Carey, Cyril Atef, Brad Dutz, Naina Kundu
Release date: 25 October 2019 (Whirlwind Recordings)
Available from: scott-kinsey.bandcamp.com/wespeakluniwaz

Huw Warren Trio – Everything In Between
Huw Warren, Dudley Phillips, Zoot Warren
Release date: 15 March 2019 (CAM JAZZ)
Review: ap-reviews.com/everythinginbetween
Available from: camjazz.com/everythinginbetween

e.s.t. – e.s.t. live in Gothenburg
Esbjörn Svensson, Dan Berglund, Magnus Öström
Release date: 25 October 2019 (ACT Music)
Review: ap-reviews.com/estliveingothenburg
Available from: actmusic.com/estliveingothenburg

REVIEW: ‘Finding Home’ – Kate Williams’ Four Plus Three meets Georgia Mancio

‘SECRET, SILENT MOMENTS. Sweet, familiar voices. Colour into colour. Wonder into wonder. Beautiful traces play inside my mind.’

Those words from the coda of Finding Home’s final track, lovingly referencing those who have gone before us, also speak to me of the imaginative approach to this meticulous and poignant collaboration between Kate Williams’ Four Plus Three (the strings of The Guastalla Quartet alongside her piano trio with Oli Hayhurst and drummer Dave Ingamells) and vocalist Georgia Mancio.

Read my full review at LondonJazz News…

Released on 1 June 2019 and available from georgiamancio.com

 

Kate Williams piano, arrangements
Georgia Mancio voice
John Garner violin
Marie Schreer violin – featured on The Key
Francis Gallagher viola
Sergio Serra cello
Oli Hayhurst bass
David Ingamells drums
John Williams guitar – on Caminando, Caminando and We Walk (Slow Dawn)

Illustration by Alban Low

kate-williams-quartet.com
georgiamancio.com

KW Jazz – kwjazz002 (2019)