RECENT LISTENING: May 2020 (1)

Pale Blue Dot – Johnny Hunter
Mark Hanslip, Gemma Bass, Aby Vulliamy, Mick Bardon, Seth Bennett, Johnny Hunter
Release date: 14 January 2020 (Northern Contemporary)
johnnyhuntermusic.bandcamp.com

To The Earth – Dinosaur
Laura Jurd, Elliot Galvin, Conor Chaplin, Corrie Dick
Release date: 15 May 2020 (Edition Records)
dinosaurband.bandcamp.com

Discourses – Jon Balke
Jon Balke – solo piano
Release date: 15 May 2020 (ECM Records)
ecmrecords.com/shop

The Rainbow Mountain / Can We Care – Robert Mitchell
Robert Mitchell – solo piano
Release date: 25 April 2020 (Depth of Field)
robertmitchell.bandcamp.com

The Lost Tapes – James Hamilton Jazz Orchestra
Rod Mason, Andrew Cox, Simon Kaylor, Ben Mallinder, Emma Frampton, Gareth Smith, Greg Nicholas, Kim Macari, Reuben Fowler, Matt Ball, Stuart Garside, Ellie Smith, Tom I’anson, John Kelly, Jamil Sheriff, Garry Jackson, Dave Walsh
Release date: 23 April 2020 (New Jazz Records)
jameshamiltonjazzorchestra.bandcamp.com

Out of Doors – Bruno Heinen Trio
Bruno Heinen, Andrea Di Biase, Gene Calderazzo
Release date: 22 May 2020
brunoheinen.com

REVIEW: Elliot Galvin – ‘Live in Paris at Fondation Louis Vuitton’

ONE MAN, ONE PIANO … and an inspiring venue for the singular genius of Elliot Galvin – the elegant yet angular architecture of Fondation Louis Vuitton, Paris, and its steel-and-mirror interior (Inside the horizon by Olafur Eliasson), ingeniously integrated into the album-cover graphics of this live, solo recording.

Read my full review at LondonJazz News …

Released on 24 January 2020 at Edition Records and available as CD or download from Bandcamp

Video: Time and Everything

 

Elliot Galvin solo piano

elliotgalvin.com

Edition Records – EDN1146 (2020)

RECENT LISTENING: January 2020 (1)

Live In Paris at Fondation Louis Vuitton – Elliot Galvin
Elliot Galvin – solo piano
Release date: 24 January 2020 (Edition Records)
elliotgalvin.bandcamp.com

Going Down The Well – MoonMot
Dee Byrne, Simon Petermann, Cath Roberts, Oli Kuster, Seth Bennett, Johnny Hunter
Release date: 14 February 2020 (Unit Records)
moonmot.bandcamp.com

four forty one – Will Vinson
Will Vinson, Sullivan Fortner, Tigran Hamasyan, Gerald Clayton, Fred Hersch, Gonzalo Rubalcaba, Matt Brewer, Matt Penman, Rick Rosato, Larry Grenadier, Obed Calvaire, Billy Hart, Eric Harland, Clarence Penn, Jochen Rueckert  
Release date: 31 January 2020 (Whirlwind Recordings)
willvinson.bandcamp.com

– The Gaz Hughes Sextet plays Art Blakey
Gaz Hughes, Alan Barnes, Bruce Adams, Dean Masser, Andrzej Baranek, Ed Harrison
Release date: 1 February 2020
gazhughes.bandcamp.com

Ascent – Pablo Held
Pablo Held, Robert Landfermann, Jonas Burgwinkel, Nelson Veras with Veronika Morscher, Jeremy Viner
Release date: 7 February 2020 (Edition Records)
pabloheld.bandcamp.com

Paradox – Andrés Thor
Andrés Thor, Agnar Már Magnússon, Orlando Le Fleming, Ari Hoenig
Release date: 5 April 2019 (Dimma)
andresthor.bandcamp.com

RECENT LISTENING: July 2019

Rebecca Nash / Atlas – Peaceful King
Nicholas Malcolm, Tom Seminar Ford, Rebecca Nash, Chris Mapp, Matt Fisher, Sara Colman, Nick Walters
Release date: 26 July 2019 (Whirlwind Recordings)
rebeccanashatlas.bandcamp

ELEW – ELEW plays Rosenwinkel – Cubism
ELEW (Eric Lewis)
Release date: 19 July 2019 (Heartcore Records)
heartcore-records.com

Søren Bebe Trio – Echoes
Søren Bebe, Anders Mogensen, Kasper Tagel
Release date: 10 May 2019
sorenbebe.dk

Laura Jurd – Stepping Back, Jumping In
Laura Jurd, Raphael Clarkson, Alex Paxton, Martin Lee Thomson, Soosan Lolavar, Rob Luft, The Ligeti Quartet, Elliot Galvin, Anja Lauvdal, Conor Chaplin, Liz Exell, Corrie Dick
Release date: 19 July 2019 (Edition Records)
laura jurd.bandcamp

‘Together, As One’ – Dinosaur

Dinosaur

THAT MOMENT… when, across the musical landscape, a creative direction comes into view which has the incisiveness to stir a memory, to create the tingling thrill of formative years’ discoveries. Such is the overriding experience of hearing debut album Together, As One from trumpeter/composer Laura Jurd’s quartet, Dinosaur.

Already establishing herself as a popular and hard-working musician on the UK jazz scene – recording/gigging with the likes of Mark Lockheart, Jasper Høiby and Lauren Kinsella, as well as being selected as a BBC Radio 3 New Generation Artist for 2015-17 – Jurd has regularly collaborated with pianist and keyboardist Elliot Galvin, bassist Conor Chaplin and drummer Corrie Dick. So the opportunity to realise this long-dreamt project, in the studio, is clearly of great significance. Here are eight tracks whose 47 minutes suggest that the ambition held by this ensemble might just be the beginning of something far greater in scale, the invention and instrumentation conjuring something of that revelatory buzz of early-mid ’70s fusion or the artsiness of the Canterbury scene.

Although leading on trumpet, Jurd also melds synth with the now-familiar and pleasingly left-field keyboard approach of Elliot Galvin (here on Rhodes and Hammond alone) – so Living, Breathing, for example, is delivered with biting urgency as blisteringly-tongued melodies, high electric bass and crashing percussion are bathed in a haze of sustained keyboard riffs. Galvin’s Rhodes and Chaplin’s bass are magically intertwined in Awakening, a spacial opening number which chimes to the drum precision of Corrie Dick; and Robin‘s jazz-rock-folk blend might easily summon Jethro Tull or Camel, albeit with Jurd’s eloquent tones dancing around as if in some fire-crackling, trippy ritual (the tonal combinations here are a delight, as they similarly are in abstract, distorted, Rhodes/Hammond-led interlude Underdog).

Hinting at the novelty of, say, Django Bates, Steadily Sinking ominously descends into Extinct, a near-ten-minute tremulant Hammond groove built so infectiously by Chaplin and Dick (and somehow redolent of the confident, smouldering, improvised progression heard in late e.s.t.). Continuing the prehistoric theme, Primordial‘s ’60s-pop abandon finds Jurd even hinting at Herb Alpert, as Galvin is given free rein in this glorious, extended psychedelia; and though curious to conclude with an Interlude, its beautiful freedom further demonstrates these four players’ intentions of continually leaping boundaries and traversing uncharted terrains. That’s a prospect which, also for the future, is monstrously exciting – particularly for Jurd, who concludes: “This music now belongs to no-one… I absolutely love it when music does that.”

Released on 16 September 2016, Together, As One is available as CD, LP or high-quality digital download from Bandcamp.

 

Laura Jurd trumpet, synth, compositions
Elliot Galvin Fender Rhodes, Hammond organ
Conor Chaplin electric bass
Corrie Dick drums

laurajurd.com

Edition Records – EDN1078 (2016)

‘Punch’ – Elliot Galvin Trio

Punch

SO WHAT was your early-childhood response to traditional seaside Punch & Judy entertainment – raucous laughter or quaking terror?!

Elliot Galvin’s wonderfully divergent trio release of 2014 – Dreamland, with bassist Tom McCredie and drummer Simon Roth – identified the creative ingenuity of this pianist, multi-instrumentalist and composer, reinventing the notion of that most classic of jazz formats (toy piano and all) in a spirit reminiscent of the great Django Bates or Frank Zappa. No-less-mischievous follow-up album Punch (recorded at the Funkhaus, Berlin) again combines indubitable, slick musicality with an entertaining, edgy unpredictability; the startling title track Punch and Judy, in particular, reflecting those questionable, garish, Victorian puppet show characters delivering wry humour, domestic violence and capital punishment.

Hurdy-Gurdy‘s writhing, looping piano increasingly gathers pace, not unlike the rotary mechanics of the ‘ancient synth’ to which its title refers, until McCredie’s and Roth’s sparky rhythms eventually encourage Galvin into a more level-headed, if entrancingly angular, accordion passage; and evocative, kalimba-toned Tipu’s Tiger creeps both cautiously and beautifully, adorned by waltzing double bass phrases and delicate glockenspiel (Galvin’s compositional and spacial awareness always spot on). Recognisably broken, distorted Stylophone and dual/detuned melodicas bring more than a touch of self-satisfied Mr Punch anarchy to Blop (the video reveals all), whilst Lions – with pizzicato prepared piano (ie duct tape!) – is arguably the most outrageously slapstick episode of these ten tracks, yet so compelling.

Beethoven, Bach and e.s.t. affectingly rub shoulders in the brooding darkness of 1666 (London’s year of war, plague and the Great Fire) as Galvin’s funereal, chordal piano agonisingly treads to slowly-thrummed bass momentum and jangling percussion; and audaciously deconstructed Mack the Knife lurches almost unrecognisably, though magnificently… until a piano-and-glockenspiel musical box finally states its melody with reassuring clarity. Jaunty Polari recalls the heyday of mid-’60s pop, its straight-ahead catchiness suggesting Alan Price or Georgie Fame, with the trio at least as ebullient; and simply-whistled closer Cosy can’t help but erupt with Lady Madonna-styled piano bass riff, jarring chords and rhythmic fizz.

Even if you have a tendency towards pupophobia… please, don’t have nightmares. It’s all good, clean fun – and another triumph of contemporary jazz invention. That’s the way to do it!

Released on 26 July 2016, on the Edition Records label, Punch is available as CD or digital download at Bandcamp.

 

Elliot Galvin piano, kalimba, melodicas, accordion, cassette player, Stylophone
Tom McCredie double bass
Simon Roth drums, percussion, glockenspiel

elliotgalvin.com

Edition Records – EDN1076 (2016)