REVIEW: ‘High Heart’ – Ben Wendel

A BIG HEART… and a big impact! Saxophonist Ben Wendel’s new sextet release, featuring the superbly adroit voice of Michael Mayo, was an immediate ‘ear grab’ on its first hearing and has since gone on to prove itself as an album which occupies a quite distinct contemporary jazz groove.

Canadian-born, raised in Los Angeles, and now residing in New York, Wendel’s career has seen him work alongside artists including Tigran Hamasyan, Eric Harland, Joshua Redman, Linda May Han Oh, Prince, and is a founding member of Kneebody.



For High Heart, his fifth recording as leader, Shai Maestro and Gerald Clayton interchange piano and Fender Rhodes (a masterstroke), supported by the fiery, industrious rhythm section of double bassist Joe Sanders and drummer Nate Wood. The tenorist’s neat band integration (rather than static, upfront soloing), plus a precise melodic pairing with vocalist Mayo, defines this abundant exploration of his clearly well-crafted music; and what sets it particularly ‘high’ is the almost outrageous technique, synchronicity and rapidity of these players’ performances, delivering frissons of excitement reminiscent of 1970s fusion bands.

This is, however, emphatically a recording for the here and now, described as a statement on society’s ‘increasing complexity, oversaturation and social imbalance’ in an ‘increasingly impersonal time’. The album’s ‘cover heart’ interprets designer Oli Bentley’s son’s simple line drawing, which the five-year-old slipped under the door for him during a digital meeting with Wendel – and as Bentley says, The simplicity and innocence of the symbol, its link to the title we had just been discussing, and the human connection it made through a closed door – I knew there wasn’t anything I could possibly bring to this project that was more personal or contained more humanity than this”.

Eight original numbers draw the attention in, more and more deeply, the pensive title track’s swirling motion introducing Wendel’s and Mayo’s close partnership. Burning Bright (inspired by William Blake’s ‘The Tyger’) unlfurls the band’s wondrously agile interaction as shared vocal-and-sax phrases and keyboard improvisations pull in and out of focus across its constantly skittering rhythm (witness Nate’s Wood’s fabulous composure in the videos, linked below). Wendel’s compositional diversity is impressive, the mechanically angular piano and Rhodes intro of Kindly contrasting well with its legato (even soporific) repeated figure from sax and voice; and lofty hymn, Less, takes Mayo’s gentler, wordless tones up into the firmament, carried on waves of piano and effects.

Up there in the album’s highlights, with hints of Pat Metheny and Weather Report, is positively bustling Drawn Away, complete with bluesy, Latinesque piano break. But more than anything, it’s the busy, combined weave of each individual contribution which elevates it – a real repeat-player, and a true feel-good. A sense of urgency, perhaps reflecting the album’s warning of ‘impersonality’, is heard in disquieted Fearsome, with Wendel’s sprawling tenor the orator. Similarly, the dazed soundtrack vibe of Darling – dedicated to a dear friend – feels ominous, as if to suggest the theme of sleepwalking into dispassion, before Traveler’s effected piano and percussion lead away to vocally harmonized meditation.

In High Heart, Ben Wendel’s music appears to progressively ‘commentate’ on the need for greater societal empathy. Above all, though, it’s the zeal of this band which shines through in gloriously exhilarating fashion.

Released on 30 October 2020 and available as CD, vinyl or digital download at Edition Records and Bandcamp.

Videos: Burning Bright and Drawn Away.

 

Ben Wendel tenor saxophone, EFX, piano, wurlitzer, bassoon
Shai Maestro piano, Fender Rhodes
Gerald Clayton piano, Fender Rhodes
Michael Mayo voice, EFX
Joe Sanders double bass
Nate Wood drums

benwendel.com

Edition Records – EDN1162 (2020)

RECENT LISTENING: January 2020 (1)

Live In Paris at Fondation Louis Vuitton – Elliot Galvin
Elliot Galvin – solo piano
Release date: 24 January 2020 (Edition Records)
elliotgalvin.bandcamp.com

Going Down The Well – MoonMot
Dee Byrne, Simon Petermann, Cath Roberts, Oli Kuster, Seth Bennett, Johnny Hunter
Release date: 14 February 2020 (Unit Records)
moonmot.bandcamp.com

four forty one – Will Vinson
Will Vinson, Sullivan Fortner, Tigran Hamasyan, Gerald Clayton, Fred Hersch, Gonzalo Rubalcaba, Matt Brewer, Matt Penman, Rick Rosato, Larry Grenadier, Obed Calvaire, Billy Hart, Eric Harland, Clarence Penn, Jochen Rueckert  
Release date: 31 January 2020 (Whirlwind Recordings)
willvinson.bandcamp.com

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Gaz Hughes, Alan Barnes, Bruce Adams, Dean Masser, Andrzej Baranek, Ed Harrison
Release date: 1 February 2020
gazhughes.bandcamp.com

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Release date: 5 April 2019 (Dimma)
andresthor.bandcamp.com

RECENT LISTENING: October 2019 (1)

Chick Corea, Christian McBride, Brian Blade – Trilogy 2 (2CD)
Chick Corea, Christian McBride, Brian Blade
Release date: 18 October 2019 (Concord Jazz)
propermusic.com/catalog/product/view/id/94748/s/cja00183-trilogy-2/

Hiromi – Spectrum
Hiromi – solo piano
Release date: 4 October 2019 (Telarc)
propermusic.com/tel00081-spectrum.html

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Scott Kinsey, Katise Buckingham, Hadrien Feraud, Gergo Borlai with Bobby Thomas Jr, Arto Tunçboyaciyan, Steve Tavaglione, Jimmy Haslip, Michael Baker, Danny Carey, Cyril Atef, Brad Dutz, Naina Kundu
Release date: 25 October 2019 (Whirlwind Recordings)
scott-kinsey.bandcamp.com/album/we-speak-luniwaz

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Gareth Hughes – Some Folk Say (EP)
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Release date: 20 September 2019
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Kneebody – Chapters
Ben Wendel, Shane Endsley, Adam Benjamin, Nate Wood with Michael Mayo, Becca Stevens, Josh Dion, Gerald Clayton, Gretchen Parlato, Kaveh Rastegar
Release date: 18 October 2019 (Edition Records)
kneebody.bandcamp.com/album/chapters