EFPI RECORDS is one of those indie jazz labels whose fairly recent trajectory is fascinating to follow. With the hugely popular Beats & Pieces Big Band arguably their flagship act, the Manchester-based organisation is carving out a niche, and an audience, for emerging musicians who are keen to forge their own distinctive – and frequently experimental – musical explorations, the emphasis being on artistic innovation (which their album art, often handmade, reflects).
Co-founder of Efpi (as well as member of Beats & Pieces and numerous other ensembles) is guitarist Anton Hunter who, here, fronts his own trio with a particularly distinctive, frequently minimal, improvisatory guitar and compositional style. Given the spacial worlds created, the five tracks of this eponymous release might easily evoke landscapes – and closer inspection of the band’s mutual extemporisations is both intriguing and rewarding. Joining Anton are James Adolpho (bass) and brother, Johnny Hunter (drums).
Tentatively-seeking in nature, opening number Kolme finds Anton demonstrating the delicacy of his guitar approach with his melodic and chordal weave – drums and bass similarly sparse – before crescendoing into an impressively purposeful, saturated soundwash. Aire, a 13-minute voyage, engages from the start, with appealing repeated vanishing droplets of guitar colour. Picking up rhythmic momentum, bass and drums breathe life into (its title may indicate) a tumbling, fast-flowing river, shimmering cymbals and sustained overlapping guitar textures furthering this notion (beautiful musical imagery indeed).
Snare-led Newsome is curious and melancholy, as well as being melodically open, suggesting both freedom and interaction between the three. In contrast, TRSQ enters Robert Fripp territory… a gloriously potent mix of grungy distorted guitar, boisterous percussion and constant deep bass rumble – entrancing stuff indeed for this listener and clearly deeply satisfying for the trio! Finally, Tyven finds open ground once more, drums and bass exploring sparkily together as Anton’s guitar rises above with an almost out-of-body calm.
With this release, the Anton Hunter Trio are marking the way for others brave enough to follow – and the creative spirit of Efpi is much to be admired for its services to boundary-pushing jazz and (as they describe it) ‘jazz-ish’ music. Long may it continue!
For further information on this and other Efpi albums, and to purchase, visit efpirecords.com.
Anton Hunter guitar, effects
James Adolpho double bass
Johnny Hunter drums
Efpi Records – FP011 (2013)