REVIEW: ‘Øjeblikke Vi Husker’ – Hvalfugl

THEY BREEZED IN with debut album By in 2017 and airlifted purple whales over Scandinavian peaks with 2019’s Somm En Faldskærm. Now, Danish electric guitar, piano/harmonium and double bass trio Hvalfugl release their third album, Øjeblikke Vi Husker (Moments We Remember) – another temperate airstream of blithe melody and ‘feel good’, this time occasionally augmented by featured artists.

The musical world of Jeppe Lavsen, Jonathan Fjord Bredholt and Anders Juel Bomholt oscillates between Nordic jazz, European folk/country, ambient reverie and even a touch of hymnal repose. And whilst the clear accessibility of their carefully arranged and precisely performed original numbers could initially be mistaken as ‘lightweight’, beneath is a beautiful depth of emotion and honesty which reveals itself – and that overall combination is both attractive and heartwarming. Lavsen’s pellucid guitar lines are a prominent melodic feature; yet the trio is completely intertwined and balanced, each dependent on the other for this open, congenial flow. Maybe that’s the keystone of their success.

Averaging three to four minutes, none of these thirteen frequently visual impressions outstays its welcome, but leads naturally onto the next. So the gently falling flakes of grey-skied Snefald Over Fjorden (Snowfall Over the Fjord), with Sørensen’s soft trumpet perhaps wistfully recalling childhood days, ease to reveal the coruscating sunlight of Polardrømme’s (Polar Dreams’) shimmering piano and guitar over Bomholt’s tuneful bass riff. Folksong, as an influence, never feels far away – Funklende Blikke (Sparkling Glances) dances brightly to its double cello elegance; and piano-led Sommereufori (Summer Euphoria) does have that tingle of a halcyon tune heard way back when.

The subtle waves of Bredholt’s harmonium in Dugvåde Asfaltstriber (Dew-wet Asphalt Stripes) provide a tranquil, homely ground to support Lavsen’s echo-effected guitar, while drums and trumpet bring a rare, rhythmic busyness to Hvalfugl in Regnen Falder Som Sne (The Rain Falls Like Snow). Rather special is the clear, yearning cello of Vandrer Mig Til Ro (Wandering To My Rest) – imaginable as extended, emotive soundtrack material, certainly aligned to the album‘s theme of ‘memory’; and lyric-suggested Der Hvor Alting Ender (Where Everything Ends) epitomises the band’s lambent glow.

Hvalfugl’s output is not oblique, innovative or challenging – but neither should it be labelled or heard as ‘background music’. Expanding the instrumental weave only enhances their finespun landscapes, and this album’s easy-going 45 minutes call me back to bask in the positivity of their autumn-mellow riches.

Released on 4 September 2020 and available as CD, digital download and limited-edition vinyl from Bandcamp.

YouTube audio track: Dugvåde Asfaltstriber

 

Jeppe Lavsen guitar
Jonathan Fjord Bredholt piano, harmonium
Anders Juel Bomholt double bass
with featured artists
Jakob Sørensen trumpet
Lasse Jacobsen drums
Gabriella de Carvalho e Silva Fuglsig cello
Rebecca de Carvalho e Silva Fuglsig cello

hvalfugl.dk

(2020)

REVIEW: ‘Som En Faldskærm’ – Hvalfugl

THIS BIZARRE SIGHTING of purple whales serenely airlifted over a Scandinavian mountain range signals the arrival of the second album Som En Faldskærm (Like a Parachute) – following debut album By – by Danish trio Hvalfugl (their name formed from two words translating as ‘whale’ and ‘bird’).

Read my full review at LondonJazz News…

Released on 8 March 2019 and available as CD or digital download at Bandcamp.

 

Jeppe Lavsen electric guitar
Jonathan Fjord Bredholt
piano, harmonium
Anders Juel Bomholt double bass

hvalfugl.dk

Self-released, supported by DMF, Koda Culture and Aarhus Kommune (2019)

REVIEW: ‘By’ – Hvalfugl

Hvalfugl

IT NEITHER SHOUTS nor stamps its feet, but this delightful debut release from Scandinavian trio Hvalfugl exudes crystalline warmth and a certain spacial delicacy – a beacon of serenity above the throng of high-energy jazz. 

The twelve tracks of By (translated as ‘town’) feature bucolic, European folk tunes which suggest they have been called out and handed down through the generations, yet are the original, contemporary works of pianist Jonathan Fjord Bredholt, guitarist Jeppe Lavsen and double bassist Anders Juel Bomholt. With Bazar Blå, Esbjörn Svensson Trio and Jan Johansson amongst their inspirations, the trio’s compositions combine brightly-dancing unison melodies and soft, carol-like phrases with subtle improvisation; and whilst this landscape’s openness might, at times, be interpreted as ‘new-age’ or ‘ambient’, it’s the precise execution and atmospheric breathability, as well as the skill in evoking imagery, which appeals.

There’s a reassuring bonhomie to ForårsdagOp Nord and Stormsvale, their gently rhythmic phrases skipping with a freshness which intimates the cycle of seasons and traditions, whilst Novemberhymne celebrates the coming of Autumn with shadowy bass-thrummed anticipation, then the cheery fireside glow of focused guitar and piano. Countryfied, suspended tranquillity in Lomborg and title track By are redolent of the music of Jonas Knutsson and Johan Norberg; velvety harmonium in Listevals recalls the folksy collaborations of Frode Alnæs, Arild Andersen and Stian Carstensen; and spirited waltz Mäsk exemplifies the trio’s natural aptitude for creating momentum without percussion, Bomholt’s bass providing the foundation to pirouetting motifs from Bredholt and Lavsen. Lilting Hvalfugl possesses a characterful melody which, like so many from the band, feels attractively familiar; and in pellucid Færgen (‘the ferry’), subtle electronics help to magically convey a twilight homecoming.

If you’re sensing a chill in the air or disfavour the quickening sundown… this could be your lodestar.

Released in June 2017, By is available as a digital download from Amazon or eMusic, or as a CD by directly emailing: hvalfugl@gmail.com

Video: Novemberhymne

 

Jonathan Fjord Bredholt piano, harmonium
Jeppe Lavsen guitar
Anders Juel Bomholt double bass

hvalfugl.dk

Self-released (2017)