#recentlistening – September 2019 (2 of 3)

Saxophone Summit – Street Talk
Dave Liebman, Joe Lovano, Greg Osby, Billy Hart, Phil Markowitz, Cecil McBee
Release date: 4 October 2019 (Enja Records)
propermusic.com/catalog/product/view/id/93844/s/enja97692-saxophone-summit-street-talk/

Mike De Souza – Slowburn
Mike De Souza, Huw V Williams, Jay Davis
Release date: 17 October 2019
mikedesouzatrio.bandcamp.com/album/slow-burn

Crosscurrents Trio – Good Hope
Dave Holland, Zakir Hussain, Chris Potter
Release date: 11 October 2019 (Edition Records)
crosscurrentstrio.bandcamp.com/album/good-hope

Abdullah Ibrahim – Dream Time
Abullah Ibrahim – solo piano
Release date: 27 September (Enja Records)
*awaiting new link

Sue Rynhart, featuring Huw Warren – We Are on Time (Flower Seeds) (single)
Sue Rynhart, Huw Warren
Release date: 23 June 2019
suerynhart.comApple Music / Amazon

Natacha Atlas – Strange Days
Natacha Atlas, Samy Bishai, Hayden Powell, Robinson Khoury, Alcyona Mick, Andy Hamill, Asaf Sirkis, Laurie Lowe + guests
Release date: 4 October 2019 (Whirlwind Recordings)
natachaatlas1.bandcamp.com/album/strange-days

‘Signals’ – Sue Rynhart

mrsuesue_002_cd_artwork_updated

“STAND UP, MAKE IT HAPPEN, live your precious life, stay on your path and lose your way

It only took a few short excerpts to be drawn into the magic of Dublin-based vocalist and songwriter Sue Rynhart’s twelve-track album Signals. A collection of jazz-inflected folk compositions, it continues the partnership with Dan Bodwell established in 2014’s debut release Crossings. The revelation is that the perceived acoustic simplicity of voice and double bass actually presents such a richness of unpredictable artistry, with Rynhart’s imaginative and individualistic approach perhaps comparable to Björk and Lauren Kinsella, and her synergy with the multi-faceted technique of Bodwell endlessly compelling (so much so that a shiver of emotional pleasure is never far away).

Melding melodic Irish folk tradition and enigmatic poetry with oblique, atmospheric twists, the duo radiates a beautiful, contemporary freedom of spirit. Rynhart’s pure, dextrous voice communicates her original writing in a personal, storytelling way that suggests it simply wells up from inside and demands to be heard, whilst Bodwell’s pizzicato-dancing bass is able to shift into arco lyricism and mystery. Descending-bass jazz number Be Content has a catchy familiarity, whilst smouldering Foxed couples a subtle, thrummed bass groove with Rynhart’s wide, enquiring phrases (“Oh little red fox I know you’ve been there, but today your coat looks brighter than a gemstone rare”). Dramatic whisperings and close-to-the bridge bass creaks in The Tree precede a plaintive annunciation which becomes elaborated with wisps of choral psalmody and the classically-interpreted folk of E J Moeran or Vaughan Williams; Little Sparrow‘s autumnal melancholy is simple and tender; and The Coldest Month‘s openness lilts with harmonic bass colour.

Closely layered vocals in Compassion are extraordinarily intricate, and haunting harmonies in a new interpretation of In Dulci Jubilo (with multi-instrumentalist guest Francesco Turrisi providing drum rhythm) suggest the period work of Trio Mediaeval. A contemporary edge is maintained by the dark, arco bass and fluid vocalisations of In Between, accentuated by Rynhart’s persistent mbira chimes; and Black as the Crow Flies (“Twinkle twinkle are your eyes tonight, black as the crow flies on a new moon and never went home”) stands out with its hushed tones and an especially captivating, pliant bass motif from Bodwell. Sue Rynhart paints so vividly with words and music, the repeated phrases of solo piece Summer Bell offering an impression of distant peals across endless fields; Turrisi’s baroque-ornamented then rock-grooving lute in Silliest Game perfectly complements the elegant, bittersweetness of this new Irish folk song; and Wall, Wall, Another Wall closes with a dreamy overlay of speech and floating, sung phrases.

Signals is different… original… and enchantingly transports us to another place. “Lose your way and I’ll follow you.”

Released on 28 April 2017 and available as CD or vinyl from Sue Rynhart’s website, or as a digital download from Amazon or iTunes.

 

Sue Rynhart voice, mbira, recorders, zither
Dan Bodwell double bass
with
Francesco Turrisi lute, medieval drum

suerynhart.com

mrsuesue Records – MRSUESUE 002 (2017)