TOP 12 OF 2020

DISTILLING a year’s music into just a few highlights isn’t easy! But during 2020, when (perhaps for all of us) emotions have been unpredictable, the wonderful creativity of much-valued jazz artists, alongside classical and folk interests, has been instrumental in ‘holding it together’. So, below are a dozen reviewed albums that I have frequently returned to for solace, for joy, for introspection, for escapism, and to accompany an eventual reacquaintance with ‘the great outdoors’. Presented in no particular order, I encourage you to follow the links to sample, purchase and enjoy these treasures.

Season’s greetings. Stay safe.

🎹 AP

Going Down The Well – MoonMot
Dee Byrne, Simon Petermann, Cath Roberts, Oli Kuster, Seth Bennett, Johnny Hunter
Release date: 14 February 2020 (Unit Records)
Review and purchasing link:
https://ap-reviews.com/2020/02/13/going-down-the-well-moonmot/

Tributes – Marius Neset
Marius Neset, Danish Radio Big Band conducted by Miho Hazama
Release date: 25 September 2020 (ACT Music)
Review and purchasing link:
https://ap-reviews.com/2020/09/22/review-tributes-marius-neset/

By And By – Graham South Quartet
Graham South, Richard Jones, Seth Bennett, Johnny Hunter
Release date: 18 September 2020 (Efpi Records)
Review and purchasing link:
https://ap-reviews.com/2020/09/18/review-by-and-by-graham-south-quartet/

Tenacity – Django Bates
Django Bates, Petter Eldh, Peter Bruun, Norbotten Big Band
Release date: 2 October 2020 (Lost Marble)
Review and purchasing link:
https://ap-reviews.com/2020/09/30/review-tenacity-django-bates/

Rickety Racket – Martin Pyne
Philippe Guyard, Russell Jarrett, Marianne Windham, Martin Pyne
Release date: 3 April 2020 (Tall Guy Records)
Review and purchasing link:
https://ap-reviews.com/2020/05/08/rickety-rackety-martin-pyne-quartet/
(see also Spirits of Absent Dancers)

Mór – Agnar Már Magnússon
Agnar Már Magnússon, Valdimar Kolbeinn Sigurjónsson, Matthías Hemstock, Stefán Jón Bernharðsson, Asbjörn Ibsen Bruun, Frank Hammarin, Nimrod Ron
Release date: 1 September 2020 (Dimma)
Review and purchasing link:
https://ap-reviews.com/2020/10/05/review-mor-agnar-mar-magnusson/

While Looking Up – Jimmy Greene
Jimmy Greene, Reuben Rogers, Kendrick Scott, Aaron Goldberg, Lage Lund, Stefon Harris
Release date: 3 April 2020 (Mack Avenue)
Review and purchasing link:
https://ap-reviews.com/2020/03/30/while-looking-up-jimmy-greene/

Another Kind of Soul – Tony Kofi
Tony Kofi, Andy Davies, Alex Webb, Andrew Cleyndert, Alfonso Vitale
Release date: 24 April 2020 (The Last Music Company)
Review and purchasing link:
https://ap-reviews.com/2020/04/23/another-kind-of-soul-tony-kofi/

Flow – Maria Chiara Argirò + Jamie Leeming
Maria Chiara Argirò, Jamie Leeming
Release date: 16 October 2020 (Cavalo Records)
Review and purchasing link:
https://ap-reviews.com/2020/10/12/review-flow-maria-chiara-argiro-jamie-leeming/

Totem – Ferdinando Romano
Ralph Alessi, Tommaso Iacoviello, Simone Alessandrini, Nazareno Caputo, Manuel Magrini, Ferdinando Romano, Giovanni Paolo Liguori
Release date: 24 April 2020 (Losen Records)
Review and purchasing link:
https://ap-reviews.com/2020/05/04/totem-ferdinando-romano-feat-ralph-alessi/

High Heart – Ben Wendel
Ben Wendel, Shai Maestro, Gerald Clayton, Michael Mayo, Joe Sanders, Nate Wood
Release date: 30 October 2020 (Edition Records)
Review and purchasing link:
https://ap-reviews.com/2020/10/26/review-high-heart-ben-wendel/

Humble Travelers – Floating Circles Quartet
Aidan Pearson, Matt Hurley, Jonny Wickham, Arthur Newell, Johanna Burnheart
Release date: 12 September 2020
Review and purchasing link:
https://ap-reviews.com/2020/09/10/review-humble-travelers-floating-circles-quartet/

REVIEW: ‘Tenacity’ – Django Bates

TRULY A MAVERICK PIANIST, multi-instrumentalist, composer and educator in the world of contemporary jazz (Loose Tubes, Bill Bruford’s Earthworks, etc.), Django Bates has long been turning the traditional concept of ‘piano trio’ on its head in his Belovèd ensemble with bassist Petter Eldh and drummer Peter Bruun – so compelling to watch, in concert. Two superb albums – 2010’s Belovéd Bird and 2012’s Confirmation – demonstrated a continuing breadth of invention; the former, in particular, emphasizing his deep affinity with childhood hero Charlie ‘Bird’ Parker.

For those drawn to numeric tidiness, this year marks Bates’ 60th birthday, his 40th year as a professional musician, and the 100th anniversary of Parker’s birth. So a celebration of the ‘200’ seems entirely appropriate – and new album Tenacity sees the trio joining forces with the astonishingly adept, 14-piece Norrbotten Big Band (NBB). A number of arrangements of tracks from the aforementioned albums are included, interpreted on a grander scale, alongside original compositions such as twelve-minute sensory overload, The Study of Touch (the title track of his 2017 ECM album) which was commissioned by the NBB. The trio “travelled to the Arctic Circle” (Sweden) to record the album with them because, Django declares, “…any band who’s brave enough to ask me to write for them, gets the gig!”

That mutual spirit of adventure, impressively conveyed through Nick White’s detailed ‘craggy summit’ cover imagery, is explored with immense imagination. Bates stops at nothing to achieve a different take on ‘big band’, his studio wizardry manipulating the NBB’s prowess with aplomb; and both Eldh and Bruun maintain their key positions as creative alchemists and rhythm-makers.

The leader’s hallmarks of manically prancing energy, playful rallentandos and accelerandos, plus wonderfully detuned piano/synth, are ever present, and heard in uproarious takes on Parker’s Ah Leu Cha and Donna Lee – the latter, a particular stand-out. David Raksin’s Laura (from the 1940s movie) is both sumptuous and madcap, imbued with close-harmony horns and elegant piano, then unexpected electronic squiggles and squawks. But amidst all of this, the integrity of Bates’ pianism is never in doubt, rolling breathlessly through the intricate transformation of Bird’s Confirmation; and lush Star Eyes, with characteristic upward glissandi and twinkles, is ornamented more subtly by the big band, the electric guitar textures of Markus Pesonen in particular adding to its distant otherworldliness. Throughout, the ability to dramatically scale-up and further colorize previous compositions/reimaginings such as We Are Not Lost, We Are Simply Finding Our Way and My Little Suede Shoes is simply magnificent – and applause is due to the NBB for their technique and focus!

Overflowing with invention and verve, Tenacity is an album of continual discovery. Django Bates describes the title (and title track) as a suggestion for his audience: “Please hang on in there, the reward is not a spoonful of honey but it should be profound and lasting”. It’s certainly that, and also has me reaching for those trio albums to try to grasp a little of the thought process behind some of these opulent big band arrangements. “Best of luck with that”, went up the cry!

Released on 2 October 2020 and available from Proper Music.

 

BELOVÈD
Django Bates piano, vox
Petter Eldh double bass, vox
Peter Bruun drums, vox

NORRBOTTEN BIG BAND
Håkan Broström soprano sax
Jan Thelin clarinets
Mats Garberg flutes
Karl-Martin Almqvist tenor sax, clarinet
Per Moberg baritone sax
Bo Strandberg trumpet 1
Magnus Ekholm trumpet
Dan Johansson trumpet
Jacek Onuszkiewich trumpet
Peter Dahlgren trombone 1
Ashley Slater trombone
Björn Hängsel bass trombone
Daniel Herskedal tuba
Markus Pesonen electric guitar

djangobates.co.uk

Lost Marble – LM009 (2020)