IT HAS TO BE the innate South African rhythm of life that Philip Clouts possesses which marks out his quartet albums with such sunshiny zest.
Born in Cape Town, and resident of the generally balmier UK region of West Dorset, the pianist/composer’s approach is typically melodic, straight-ahead and high-spirited. Following up his Hour of Pearl album of 2013, the Umoya title of this latest release is a Zulu word for ‘life force’, confirming that accessible joie de vivre in his performances; and to the rhythm section of Alex Keen (electric bass) and Dave Ingamells (drums), he invites young saxophonist Samuel Eagles – who impressed with his own debut album – to add considerable upfront sparkle.
So, certainly a jazz album, generously filled with memorable hooks and broad improvisation… but these eight tracks are also unquestionably infused with alluring ‘world’ grooves which find their way so readily into Clouts’ compositions, and which are central to their attraction. Title track Umoya is the perfect illustration, its clarity and apparent simplicity actually paving the way for bright, syncopated rhythms which might recall Chris McGregor or Dudu Pukwana, as Samuel Eagles’ elongated phrases intertwine with Clouts’ own lucid solo lines and endearing block chord triplet sequences.
Dreamy Driving catches the imagination – a musically colourful journey taking in contemporary riffs, oases of calm and ear-pricking textural combinations held together by the mobility of Alex Keen’s electric bass; and Taranto‘s world/folk influence is heightened by Eagles’ Italianate inflections and Clouts’ vigorously cascading sequences.
Walking in Starlight‘s cool sidewalk nonchalance is created out of Keen’s unhurried bass and Clouts’ softly-jabbing electric piano, whilst Dave Ingamells’ momentum and crisp detail here are typical of his pervading presence throughout these 50 minutes or so. Perhaps it’s the Joe Sample-style keys here – reminiscent of Street Life – which bring the tantalising realisation that so many of Clouts’ melodically strong compositions cry out for a vocal line (his father was a South African poet); one can only imagine the potential vivacity – not to mention beauty – of such a project!
Direction South pays direct homage to the music of the pianist’s birth land in a joyous, Abdullah Ibrahim-like gambol; Amor possesses a contrasting restlessness, Eagles’ mysterious soprano sax deliciously weaving around Clouts’ ostinato undercurrent, occasionally hitting a hard-driving rock pulse; and the bright, lurching gospel/blues of Meandering is pounced upon by Eagles, his swooning modal explorations especially attractive.
There are certainly grittier, edgier experiences out there – but this is a life-affirming, musically-accomplished album to relax into (and, I dare say – when the sun deigns to reappear – to pop a cork to!). Umoya can be purchased from Philip Clouts’ website, Odradek Records, record stores and online retailers.
Philip Clouts piano, composer
Samuel Eagles saxophones
Alex Keen electric bass
Dave Ingamells drums
Odradek Records – ODRCD503 (2015)